July 26th, 2006, 01:28 PM | #106 |
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What is the lens range in relation to a 35mm equivalent?
[EDIT] Ok the lens range is 32.5mm – 650mm (35mm equivalent) Would have been nice if they could have at least hit 28mm on the wide end. Most cameras lack a good wide angle. But I guess this is pretty close. |
July 26th, 2006, 01:36 PM | #107 | |
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July 26th, 2006, 01:49 PM | #108 |
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Anyone want to venture a guess. Metal or plastic body construction...
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July 26th, 2006, 02:05 PM | #109 |
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the best thing about this new camera release is that my internal conversation about the next camera is OVER! (which leaves a little room to have a much more in-depth internal conversation about what to do about my next editing system!)
things i am no longer thinking: "...but the zoom on this FX-1 just isn't cutting it!" "i could get a used Z1 and be using it now instead of waiting" "the H1 is just too rich for me, and my second cams aren't a good match" "should i wait for RED. what the heck is RED anyway?" "as a southpaw, i hate the XL2 form factor, do i want to translate this hatred to an H1 for a lot of money??" now i don't have this junk in my head! bonus! |
July 26th, 2006, 02:09 PM | #110 | |
Wrangler
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-gb- |
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July 26th, 2006, 02:12 PM | #111 | |
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July 26th, 2006, 02:15 PM | #112 | |
Obstreperous Rex
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July 26th, 2006, 02:26 PM | #113 |
MPS Digital Studios
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Best advice I give to everyone is this:
1. Test as many cameras as possible, see how the image is under different situations (bright/low light, indoors, outdoors, etc.). 2. What features do you need? See which one comes close to addressing what you want out of a camera. If all you're looking for is 24p/f, the HD100 or the Canons may be what you're looking for. Or maybe not, because going to 24p with a Sony is easy. 3. If you need a camera now, buy it now. If you don't, wait. 4. Remember, it's just a tool. Which camera you pick doesn't make a difference if you can or cannot shoot well. When I show a short I did with my DP Jon Fordham, people love it. When I say we shot on the HD10, they're blown away, saying how could we do just a great job? Well, Fordham is a great DP, and understood the camera's strengths and weaknesses. Same with another short film that was shot on an FX1 with CineFrame 24 on. How did we do it with minimal issues with stuttering? We watched out for too much movement, etc. heath
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July 26th, 2006, 02:53 PM | #114 |
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Can someone remind me, does Canon HDV (not the 24F) playback in the Sony HDV decks?
Great to see the 50i/60i 24/25p can be optioned on the new cameras. Is that a real iris ring on that lens? (tears of joy) Does the front mic protrude past the lens? If you can put HD-SDI on a 7K camera, why can't anyone make a HDV deck with it? |
July 26th, 2006, 02:54 PM | #115 |
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Sony plays back 60i and I think 30f, but not 24f. I tested it myself, thanks to some footage from Chris Hurd and Barry Green.
heath
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July 26th, 2006, 02:57 PM | #116 |
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Also, Canon has never made a deck before. When I owned an XL1 years ago, I bought a Sony minidv deck (the tiny one, not the DSR series) to play back and record footage. I always get nervous about tapes in my camera and using it for a deck. I had a disaster after I sold said Sony deck...
heath
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July 26th, 2006, 03:08 PM | #117 | ||
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... And with the Steadicam Merlin able to fly up to 5.5lb, both these cameras will almost certainly fly perfectly. :) - Mikko
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July 26th, 2006, 03:24 PM | #118 |
Obstreperous Rex
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Mikko why did I know that you'd relate this to the Merlin, ha ha.
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July 26th, 2006, 03:38 PM | #119 |
Inner Circle
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Hmmmmm, no component out? bummer (sorry folks, you were having to much fun:).
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July 26th, 2006, 03:40 PM | #120 |
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I was just wondering that. The XL H1 has HD SDI and Component out.
hwm
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