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June 11th, 2008, 07:57 AM | #16 | ||
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I meant to say that the grain is very minimal at +6 that i can still use it for weddings. And Eddie is complaining that it is graining even at -3. yes it can go up to +18, but it sure is not usable in my option Quote:
Have you tried hooking it up directly in to a HDTV straight out from the camera?
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June 11th, 2008, 12:58 PM | #17 |
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Ahem.................
Would someone, anyone, like to answer the question I asked back in #6, whilst you lot were off "wild goose chasing" all over the planet?
Eddies statement right at the beginning was enough to ring alarm bells here. I know the A1 ain't grainy, you know the A1 ain't grainy, so if anyone says it's grainy, there's gotta be sommat weird going on. Chanting mantra's doesn't help much in these situations. So, what's Eddie watching this on, and how is the video getting there? Eddie? CS |
June 27th, 2008, 04:40 PM | #19 |
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Chances are you're missing something that will seem obvious once you familiarize yourself with the camera - apart from when you accidentally knock the lock switch. No matter how many times I do that, I always seem to spend at least 15 minutes in a panic thinking my camera's broken.
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June 27th, 2008, 05:22 PM | #20 |
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I dont own an XH-A1, but when I used it on previous shoots, I too did notice the really grainy image even at AGC off and 0 gain.
I dont know if its just me or a fact that just hasnt been discussed, but I noticed that when you turn on peaking, that increases the grain. I know that you get stuff on screen to tell you about focus, but it seems those things are recorded onto tape. Can somebody do comparisons for this? I only used the camera on 3 or 4 shoots, but that was something I noticed. |
June 27th, 2008, 05:22 PM | #21 |
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June 28th, 2008, 09:46 AM | #22 |
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Ryan,
it does not record peaking unless you are going out of the camera to a recording device or whatever. Peaking is not recorded to tape. Bill |
June 28th, 2008, 09:55 AM | #23 |
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You know the other thing I've noticed is that people's perception of the truth varies. Grainy to Eddie might be perfectly clean to me. He won't be able to understand why I can't see the grain, and I won't understand what he's complaining about. I think the scale goes from 0-100 with perception of technical issues with brides coming in at about 12-15, most of us coming in around 50-75 and maybe Eddie's one of those unfortunate guys that is sitting around 90 or so. I love the thought of being around the 35 mark. Blisfully unaware is a great place to me. I have truned in so many videos where I've said Ok my career is over because this video is just so technically bad. Brides just can't tell. I think Eddie just might be on the other end of the spectrum...
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June 28th, 2008, 11:48 AM | #24 |
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The first footage I shot out of the box was unbelievably grainy. It was because the Auto Gain Control was set to on (as others have already hinted at.)
Since remedying that minor issue, I don't see any grain until I go to +12db gain. And even then, if the lighting is otherwise contrasty -- albeit dim -- the grain is actually kind of attractive in a certain sense. Here's a link to some footage I shot at 60i, 1/30 shutter, f2.0, +12db gain: http://vimeo.com/1202294 I use a custom preset with the sharpening set to -7, and then I will just slightly sharpen (.100) in Vegas if I think it needs a little. To me, this is about the limit on the amount of graininess I can tolerate. That said, I think it is tolerable -- especially if your choices are shoot in low light or don't shoot at all. In well-lighted circumstances, I shoot with the gain at -3db. At -3, 0, and +3, I can perceive no "grain" issue in my footage, whether at 60i or 24f. If someone's getting grainy footage and the AGC is not the issue, then I would suggest the possibility of a defective sensor. One thing you could try is to shoot separate red, green, and blue cards and see if the graininess is isolated to one of the sensors. I'm not certain of all the electronics-related principles involved, but the other possibility could be something wrong with the ND filters. I like to play around with the settings to see the results, and I've noticed that a small aperture, high ND filtering, and slow shutter speed in combination could be producing something you perceive as grainy. A screen shot would probably go far to helping us diagnose the problem. If you do one, make sure it's a full-size HD shot. |
June 28th, 2008, 02:38 PM | #25 |
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Will,
I agree that strait out of the box comes alot of grain with the factory preset however soon and still to find out is the mode and preset settings thanks to this site. Your vimeo links looks really good (to my vision) I am sure had to subject been moving even shooting at 30i would have put focus on the low light conditions at + 12db. Just my 2 cents. Curious to know what preset you used on Steve Swift Live at? Henrik |
June 29th, 2008, 03:10 PM | #26 | |
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Anyway, here's the RICHSOFT preset as currently configured: RICHSOFT XH-A1 Preset Color Gain 10 Red Gain 10 Green Gain 7 Blue Gain 15 RG-Matrix 5 RB-Matrix 5 GR-Matrix 5 GB-Matrix 5 BR-Matrix 5 BG-Matrix 5 Gamma Cine 2 Color Matrix Cine 2 HDF Mid Black Mid Knee Low NR1 Off NR2 Off Color Phase 0 H/V 0 Sharpness -7 Master Pedestal -7 Setup Level -6 Coring 6 |
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June 30th, 2008, 05:00 PM | #27 |
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The noise is absolutely present, and is normal. Believe it or not, this camera actually produces less noise than most of the others in its class, but it still produces noise.
You can adjust settings to greatly reduce grain at the expense of sensitivity, perceived sharpness, and latitude. For example, drop the master pedestal to -7 or less, sharpness to minimum, lower the knee, turn up coring, etc etc. After a little bit of experimentation and tuning, you will be thoroughly impressed by the cleanliness of the image at the price point. Also keep in mind that the LCD is much less accurate for shadows than highlights.
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July 2nd, 2008, 09:15 AM | #28 | |
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The same goes for other technical flaws. A couple of weeks ago I posted a trailer on another forum. While it was generally well received, there were the usual comments on shaky camera work in places, saturation levels, and other issues. It was also posted on my blog for the bride and groom. They thought it was perfect. Every year our local videographers association has a film festival for members to show their stuff. And every year I sweat over fixing technical glitches in video that I have already sent to the client. I know the client won't notice, but that other videographers will. One thing about grain is that most people expect a bit of it as grain is present in film. Why do you think that "film look" filters have a feature to add it? The nice thing about the grain in the XH-A1 is that most of it is luma noise and can actually add to the film look that we are trying to archive. |
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July 2nd, 2008, 09:45 AM | #29 |
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I have been shooting a docu on the local volunteer fire company and go out on calls with the firefighters, sometimes at night, sometimes in dark buildings.When in the dark I use +12 or +6 depending on the situation.
I have noticed that when there is only dim ambient light there is there is more noise than in situations where there almost any light source, however dim, in the frame. If, for example, there is a flashlight source anywhere in the shot, the whole shot, the dark portions looks, to my eye, less noisy than a similar shot in which there is not such a source. I have an idea that small point sources (which aren't providing much if anything in the way of over-all ambient lighting) illuminating even a small portion of a subject has some kind of effect on how the A1 processes a low-light signal overall. It's hard to explain, and I might be nuts, but I think it's a real effect. |
July 4th, 2008, 09:46 AM | #30 |
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Will, thank you very much for sharing and commenting.
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