Premiere CS3 fix for A1 24F/P in release 3.2 at DVinfo.net

Steve Sobodos · April 22nd, 2008, 08:40 PM

A new release of Premiere CS3 (3.2) fixes several 24 FPS problems including thinking Canon 24F is 30F:

http://www.adobe.com/support/documen...3_2_ReadMe.pdf

Luke Ross · April 22nd, 2008, 11:17 PM

I was extremely happy when I heard this and updated my Premiere Pro to 3.2. I had always wondered why premiere required me to always render my 24f footage and wouldn't treat it the same as a 60i capture would.

Thanks adobe.

Taky Cheung · April 22nd, 2008, 11:25 PM

More than that! This release also detect drop out and insert RED frames into the footage to aware the user where drop out occurs. I already see that red frames on the timeline. I need to check also if the audio unsync is fixed after the drop out too.

Alex Chamberlain · May 8th, 2008, 01:31 AM

Boy, this messed the heck out of a few projects I'm on. I'd already been using the CS2 HDV 24F import template, which worked fine, but I'd had to compensate for a few dropouts by moving my audio back 01:06. Now, after updating, the audio is all offset forward by 01:06 in three projects. Oh, well. At least things should be cleaner from here forward.

Ryan Postel · May 8th, 2008, 07:48 AM

Does the update erase the temporary CS2 fix or is there anything you need to do first in order for it to work?

I had given up using the 24F on the canon because I was tired of the rendering.

April 22nd, 2008, 08:40 PM	#1
Steve Sobodos Regular Crew Join Date: Dec 2007 Location: Lake Forest, CA Posts: 106	Premiere CS3 fix for A1 24F/P in release 3.2 A new release of Premiere CS3 (3.2) fixes several 24 FPS problems including thinking Canon 24F is 30F: http://www.adobe.com/support/documen...3_2_ReadMe.pdf __________________ Canon XH A1, Sony HVR-MRC1, Premiere Pro 3.2.0, Matrox RT.X2 LE http://www.scsvideo.com

April 22nd, 2008, 11:17 PM	#2
Luke Ross Regular Crew Join Date: Apr 2007 Location: Portland, OR Posts: 64	I was extremely happy when I heard this and updated my Premiere Pro to 3.2. I had always wondered why premiere required me to always render my 24f footage and wouldn't treat it the same as a 60i capture would. Thanks adobe. __________________ Canon XH-A1 \| Rode NTG-2 \| Intel QuadCore \| 3.0TB RAID5 + 2xRaptor 150's RAID 0 \| Adobe Production CS3

April 22nd, 2008, 11:25 PM	#3
Taky Cheung Inner Circle Join Date: May 2007 Location: Los Angeles, USA Posts: 2,114	More than that! This release also detect drop out and insert RED frames into the footage to aware the user where drop out occurs. I already see that red frames on the timeline. I need to check also if the audio unsync is fixed after the drop out too. __________________ LA Color Pros Blog RODE Authorized Reseller . Comer LED Camera Lights . TakyBox HTML5 Menu Generator

May 8th, 2008, 01:31 AM	#4
Alex Chamberlain Regular Crew Join Date: Nov 2007 Location: Hurricane, UT Posts: 186	Boy, this messed the heck out of a few projects I'm on. I'd already been using the CS2 HDV 24F import template, which worked fine, but I'd had to compensate for a few dropouts by moving my audio back 01:06. Now, after updating, the audio is all offset forward by 01:06 in three projects. Oh, well. At least things should be cleaner from here forward. __________________ Get rid of the "Aspiring" in "Aspiring Filmmaker." Shoot it; you're a filmmaker. After that you're just negotiating your budget. (James Cameron paraphrased)

May 8th, 2008, 07:48 AM	#5
Ryan Postel Regular Crew Join Date: Feb 2008 Location: Chicago, IL Posts: 93	Does the update erase the temporary CS2 fix or is there anything you need to do first in order for it to work? I had given up using the 24F on the canon because I was tired of the rendering.