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August 15th, 2007, 03:45 PM | #91 | |
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Quote:
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August 15th, 2007, 04:34 PM | #92 |
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The only issue I have with the HV10 as a deck is it's slow transport response, but that's expected since it wasn't designed to be a deck in the 1st place.
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August 15th, 2007, 04:59 PM | #93 |
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Yeah, that's my major complaint about not having a deck--slow and cumbersome. However, I've sort of changed my workflow to compensate for that. Instead of logging and capturing specific shots, I just grab the whole tape, and FCP divides it into its separate clips, and I label them after capture. This would be impractical on shows where there are many takes of specific scenes and I only want to load the good ones, but so far I'm still shooting DVCAM for those projects. For my personal documentary stuff, I just capture the entire tape, and with lots of interviews, that's probably what I'd do in any case.
Still, it would be nice to have a deck. |
September 13th, 2007, 06:12 PM | #94 |
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24f: no compatible deck?
I am considering both the A1 and the Sony V1u. I don't quite understand what the difference between Canon's 24f and Sony's 24p are (or 30f and 30p). Is it also true that there is no hdv deck that will play back Canon's 24f? Does resolution suffer in 24f/30f versus 60i?
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September 13th, 2007, 06:45 PM | #95 |
Obstreperous Rex
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Frequently asked... any consumer Canon HDV camcorder (HV10 or HV20) can be used as a deck to play back 24P or 30P video recorded in Frame mode. The Sony VTR's are incompatible with Frame mode.
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September 13th, 2007, 08:51 PM | #96 |
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In "true" progressive cameras, 30p boasts a slightly higher resolution than 60i. Does Canon's 30f do the same?
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September 13th, 2007, 08:54 PM | #97 |
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I believe the 24F and 30F modes slightly decrease resolution (I've heard around 10-15%, but I'm not positive).
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September 13th, 2007, 09:19 PM | #98 |
Obstreperous Rex
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It's a slight loss in vertical res, and a complete non-issue for XH A1 shooters.
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September 13th, 2007, 09:47 PM | #99 |
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September 14th, 2007, 12:16 AM | #100 |
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Because it is one of the best 24p/25p/30p pictures in its price range. On a static rez chart (one of many ways to measure a camera's capabilities), Frame mode is sharp; 60i is slightly sharper. Anyone not happy with the capabilities of an XH camera just needs to go out and spend a whole lot more money on something else.
Both the deck issue and slight differences in rez between 60i and Frame Mode have been discussed to death throughout the XL H1 and XH forums. Please review those many, many threads. Then, if there are any new facts to add to those existing discussions, please do.
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September 14th, 2007, 01:36 AM | #101 |
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I will suggest that the slight difference in static resolution and "sharpness" are not issues in frame/progressive mode. Part of the look of the progressive video is the smoothness and it is normal to turn detail way down and get rid of ultra-contrast to make the video look good. This negates any imagined deficit of decreased resolution.
In interlaced mode, where the ultra-crisp and sharp picture is part of the look sometimes, I suppose the more resolution the better. But I've seen a lot of video that would benefit from less "hyper-active" sharpness. |
September 14th, 2007, 10:00 AM | #102 |
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The resolution of Canon's 24f mode looks as good as any of the other 1/3" chip cameras--it's just that its interlace mode resolution is better. In that famous Texas shootout test, the Canon seemed to have the highest resolution, as I recall. You can afford to lose a little and not notice it. The loss is due to the way they achieve 24p from interlaced chips. I shoot most everything at 24fps with my XH A1, and it looks better than what I shot with a $30,000 DSR500 package (and it pains me to say that, but it does, in HDV anyway; I haven't shot SD for a comparison).
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September 27th, 2007, 03:25 PM | #103 |
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September 27th, 2007, 03:27 PM | #104 |
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Yes, you can play 60i HDV or SD tapes from the Canon on the Sony decks, and you also can play Standard Definition at 24p on Sony decks, just not HDV at 24p.
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September 27th, 2007, 04:11 PM | #105 |
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Bill, I'm a little confused.
I always thought that the output of my 24f A1 was just a different form of HDV 60i put into a different readable format, so the basic question is this...
The Sony decks can't play out 30f or 24f properly in HDV mode? Is that what your experience has taught you on this one? Once again, I thought that 24f and 30f on Canon HDV was just a different form of 60i and it could play out, in essence, because it's all 60i. Please a little clarification in this thread, so we can all know exactly if Sony decks are completely out of the picture for playback and capture to editors. |
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