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May 21st, 2008, 02:01 PM | #61 | |
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Quote:
I've compared my A1's 30F and 24F against 60i with a variety of deinterlace-to-60p algorithms (tdint, yadiff, a few mocomp) and in every case, the interlace artifacts are always visible in high motion scenes or the motion is blurred enough to remove the artifacts. Finally, it should be said that these resolution and artifact issues are secondary to the desired look of the production. |
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May 21st, 2008, 09:35 PM | #62 |
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May 26th, 2008, 02:17 AM | #63 |
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Hi, I also agree. How about if your desire is to have your production artifacts free as an objective for the desired look of the piece? Basically the ideal is to achieve balance between the quality of the picture and the content.
I like canon xh a1 very much, especially the 24f/25f quality. I guess will just have to live with the occasional stairs in contrasty and fast moving situations. In my view it is ultimately about the feeling, whether the picture feel like real...
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July 20th, 2008, 07:22 AM | #64 |
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25f after compression
Hi,
just like to report that the 'stairs' after sending the footage through Compressor (mpeg2 HDV 1080p setting) came out less visible, in some cases almost disappeared. Nice.
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January 24th, 2009, 08:44 AM | #65 |
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Stairs Update
Ok, recently I shot water fall on a bright day and then I looked at the footage. Basically the horizontal line or stair was traveling across the frame all the way through from bottom direction up. Terrifying.
Then I have noticed that using camera filters helped the images. I shot with 6x4 Low Contrast 1 and 3 strength and Diffuser number 1. The picture was clearer in a sense that it did not have the infamous stairs on it even on a bright day and with some movements in the frame. But I did not change any setting in the camera, mainly using Panavision 2 and Terra 2 present but with more sharpening added (-2 to -4). I can't help myself but thinking and hopefully seeing too that the 25f mode appears better in FCP than 50i. Regards, Pavel
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