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April 10th, 2007, 11:41 AM | #16 |
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LOL, I certainly didn't mean to do that.
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Tomas A. Chinchilla | CANON XH A1, HV20 & HC3 | Retired Cams: GL2, HC1, FX1, Z1, | Final Cut Studio 2 |
April 12th, 2007, 11:58 AM | #17 |
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Any update to this regarding workflow after capture?
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April 16th, 2007, 12:37 PM | #18 |
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Ok, I shoot interlaced with a shutter of 1/100, I copied it to premiere, then I exported it and hit "deinterlace", then the next step would be to open the deinterlaced file on a 25P timeline...except that my premiere DOESN't have a 25P timeline. Any pal users out there using premiere to give me a hand with this?
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April 16th, 2007, 12:46 PM | #19 |
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Okay, this may seem like a silly question but can you turn 60i video into 60 unique frames or is it only possible to de-interlace to 30 unique frames? My understanding is you have to de-interlace to 30p and then time strech that.
Last edited by Wes Vasher; April 16th, 2007 at 01:33 PM. |
April 18th, 2007, 04:16 AM | #20 |
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sorry about the delay in replying. and thanks for all the nice comments! my flow was this:
1080i60 -> vegas 1080p24 project -> change clip speed to 40% (so that one 60i field is now one 24p frame) -> 24p render note you have to shoot at a much higher shutter speed than you would normally, because you are creating an illusion that the real motion was at 40% speed, and something moving at 40% speed has much less motion blur. |
April 18th, 2007, 07:23 AM | #21 |
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Excellent, thanks for that info. It's good to know how you got such fantastic looking motion.
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April 20th, 2007, 08:50 PM | #22 |
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it's a 43mm raynox hd-6600, i believe. i got it from b&h a few years ago for a little over $100:
http://www.bhphotovideo.com/bnh/cont...ughType=search it's full-wide in that clip. much better than the other WA lenses i'd tried in the past (which had unuseable CA). [QUOTE=Robert Ducon;657197] Which wide-angle lens are using? It looks fantastic! I have an old Sony but it vignette's more than I'd like on full-wide. Does your lens vignette? |
May 15th, 2007, 02:22 PM | #23 |
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nice work!
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May 15th, 2007, 07:12 PM | #24 |
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It looks quite nice! the feel seems to be just about the same, are these completely uncompressed clip? wondering because my dual core didn't seem to be playing it back properly (maybe I need a better video card?)
the color difference is quite dramatic though, was this shot at pretty much the same time? |
June 1st, 2007, 04:41 PM | #25 |
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slo mo using JES and Cinema Tools
I've been playing around with JES and Cinema tools doing some slow mo stuff check it out...
there is a readme file in there about the workflow etc... http://file.meyersproduction.com/hv20/Slo-Mo/ |
November 2nd, 2007, 08:25 PM | #26 |
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slow motion workflow for HV20
Can someone be so kind as to post a workflow for HV slowmotion for Final Cut users?
There are all kinds of FCP plug ins out there, TMTSFree and Nattress G Map Frames, but I am not sure they are the best. Actually Nattress is quite complex. It will be greatly appreciated. Thank you |
December 5th, 2007, 08:59 AM | #27 |
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December 6th, 2007, 06:19 PM | #28 |
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ex and hvx
Looking at your own shots so far... does the EX offer any advantage generally in slo-mo over the HVX? (differences in theory/bits/compression don't necessarily = practical output)
Thanks for posting these |
December 25th, 2007, 08:31 PM | #29 | |
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Quote:
I have seen your fantastic clips, all are very nice, I would appreciate if you can post Full HD version of same, is it possible for you? If your file size is bigger than below website is allow us to upload file up to 300MB. www.uploading.com I hope you will try to upload those original files, thanks. Kaushik |
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