GL / XM assorted posts, 2003

BJ Thomas · October 7th, 2003, 09:24 PM

So did you buy this and try it out?

Graham Bernard · October 7th, 2003, 10:53 PM

3 Tapes? ;-)

Grazie

Alan McCormick · October 7th, 2003, 11:26 PM

Hi,

Just got my XM2, decided to purchase after reading a lot of the previous threads on this forum. Thanks for all the feedback to the questions regarding live gigs etc.

Looks a great Cam and I look forward to finding out all the features in time, you may see a lot more as I delve into the nitty gritty.

Adrian Douglas · October 8th, 2003, 07:16 AM

Welcome aboard Alan. I hope you enjoy your new camera and feel free to ask all the questions you want, thats what we're here for.

Alan McCormick · October 8th, 2003, 07:59 AM

Thanks Adrian,

I am off out tonight to a pre-wedding meeting so will use the XM2 and accessories to record. Will then review/edit in Edition5.5 tomorrow, stand by for the questions.

Trig Simon · October 8th, 2003, 09:52 AM

if i stop the first tape before it gets to the end, and can fit on two tapes, that is what i will do, or just hook up to my xl1s, that one doesn't do it

thanx all

Chris Lawson · October 8th, 2003, 11:41 AM

I will be shooting from a small boat and it will be easy for me and the camera (GL1) to get wet. I was wondering if anyone had any ideas on how to keep the camera from getting wet. I was looking at the camera rain covers but was not sure if that would protect the camera if it were hit with alot of water at once. Anyone have any experience with this?

Thanks in advance

Nathan Gifford · October 8th, 2003, 12:03 PM

Dive shops usually have all kinds camera protection. The best protection from water is to shoot in the desert.

Brad Higerd · October 8th, 2003, 12:06 PM

A Lowepro Dryzone 200 is an excellent bag for keeping the GL2 dry when not in use. However, if you are more concerned about the camera when you are shooting, I would get insurance! I was raised on a sailboat, and water can come from just about anywhere.

Graham Bernard · October 8th, 2003, 12:53 PM

Nathan, problem there is that you got sand and wind! - Can't win eh? ;-)

Grazie

Richard Tamayo · October 8th, 2003, 08:03 PM

Can anyone tell me how to use the rosco book,I am new to this obviously as you can tell.Any pointers would be appreciated.

Barry Goyette · October 8th, 2003, 10:23 PM

This is one that can't be easily answered in a forum, as the uses of the rosco filter line are so broad. If you have a few hours, or days...you will be able to read about virtually every filter in rosco's line at their website

http://www.rosco.com/main.html

click on the guide to color filters which will give you a pdf that has a lot of quick data...although it is skewed more toward theatrical users....or...

click on the technotes section to be overwhelmed by the amount of information that they have made available to the industry about their products. Don't be too freaked out about what's there, most of us would never use even 10% of the filters that they offer, nor understand most of the data associated with it...the ones to be concerned with on a technical level are the light balancing filters CTO, CTB, FLD etc and the diffusion materials, these are the most standard materials that many photographers, cinematographers and grips can recite off the top of their heads...the bulk of the rest are primarily special effect color filters that....well...if its a red filter...it will make your light turn red...if its purple...it will make your light more purple....straw...straw...and so on.

Welcome to the world of light control....you'll never be satisfied with "natural" light again.

Barry

Bakari Chavanu · October 9th, 2003, 03:30 PM

I have quite a few books on videography, but I have to be honest in saying that none of them have been as good as the two instructional videos I ordered from www.elitevideo.com. They're titled Advanced Broadcasters Camera Techniques. Don't let broadcasters scare you, the techniques are good for broadcasters, videographers, and home movie makers.

As for the technical side, I would just use the Canon GL2 manual and ask lots of questions on this board. Read the manual from cover to cover and get to know your camera. It's too bad that Canon has not put a instuctional video for using their camera, but the manual is the next best thing in terms of the technical side.

Hope this helps.

Richard Tamayo · October 9th, 2003, 05:11 PM

Thanks Barry,
I will check this out.

Jason Casey · October 13th, 2003, 01:12 PM

Anybody else have the DM-50 and notice that the sound is really "tinny on it?? I just shot a live concert, there was plenty of bass coming through the bands speakers, I shot on the GL2 using the DM-50 in shotgun mode and the resulting sound was relly good, but there was almost no bass at all. It's not a big problem, I can fix it in post, but just wondering if anyone else has noticed this, also would it make a diffrence if I had shot it with one of the 2 stereo modes instead of shotgun??

October 7th, 2003, 11:26 PM	#693
Alan McCormick Major Player Join Date: Oct 2003 Location: Chatham, UK Posts: 282	Newbie Hi, Just got my XM2, decided to purchase after reading a lot of the previous threads on this forum. Thanks for all the feedback to the questions regarding live gigs etc. Looks a great Cam and I look forward to finding out all the features in time, you may see a lot more as I delve into the nitty gritty. __________________ Alan McC

October 8th, 2003, 07:16 AM	#694
Adrian Douglas Trustee Join Date: Oct 2001 Location: Chigasaki, Japan. Posts: 1,660	Welcome aboard Alan. I hope you enjoy your new camera and feel free to ask all the questions you want, thats what we're here for. __________________ Adrian DVInfo.net Search for quick answers Where to buy? From the best in the business...DVInfo.net sponsors

October 8th, 2003, 07:59 AM	#695
Alan McCormick Major Player Join Date: Oct 2003 Location: Chatham, UK Posts: 282	Thanks Adrian, I am off out tonight to a pre-wedding meeting so will use the XM2 and accessories to record. Will then review/edit in Edition5.5 tomorrow, stand by for the questions. __________________ Alan McC

October 8th, 2003, 09:52 AM	#696
Trig Simon Regular Crew Join Date: Sep 2003 Location: Toledo, Ohio Posts: 47	idea if i stop the first tape before it gets to the end, and can fit on two tapes, that is what i will do, or just hook up to my xl1s, that one doesn't do it thanx all __________________ Trig Simon 832 Main Toledo OH 43605 419-696-0872

October 8th, 2003, 11:41 AM	#697
Chris Lawson Tourist Join Date: May 2003 Location: Long Beach CA Posts: 4	Water Proof I will be shooting from a small boat and it will be easy for me and the camera (GL1) to get wet. I was wondering if anyone had any ideas on how to keep the camera from getting wet. I was looking at the camera rain covers but was not sure if that would protect the camera if it were hit with alot of water at once. Anyone have any experience with this? Thanks in advance __________________ Chris Lawson Supercharger Productions

October 7th, 2003, 09:24 PM	#691
BJ Thomas Regular Crew Join Date: Jul 2003 Posts: 39	So did you buy this and try it out?

October 7th, 2003, 10:53 PM	#692
Graham Bernard Old Boot Join Date: Aug 2002 Location: London UK Posts: 3,633	3 Tapes? ;-) Grazie

October 8th, 2003, 12:03 PM	#698
Nathan Gifford Wrangler Join Date: Sep 2001 Location: Tickfaw, LA Posts: 1,217	Dive shops usually have all kinds camera protection. The best protection from water is to shoot in the desert. __________________ Nathan Gifford Southern Cyclist Magazine & Productions For quick answers try our Search! To see me and Rob Lohman click here

October 8th, 2003, 12:06 PM	#699
Brad Higerd Regular Crew Join Date: Jan 2003 Location: Orlando, FL Posts: 186	A Lowepro Dryzone 200 is an excellent bag for keeping the GL2 dry when not in use. However, if you are more concerned about the camera when you are shooting, I would get insurance! I was raised on a sailboat, and water can come from just about anywhere.

October 8th, 2003, 12:53 PM	#700
Graham Bernard Old Boot Join Date: Aug 2002 Location: London UK Posts: 3,633	Nathan, problem there is that you got sand and wind! - Can't win eh? ;-) Grazie

October 8th, 2003, 08:03 PM	#701
Richard Tamayo Regular Crew Join Date: Aug 2003 Location: Davenport,IA. Posts: 111	GL2 with rosco swatch book Can anyone tell me how to use the rosco book,I am new to this obviously as you can tell.Any pointers would be appreciated. __________________ richard tamayo

October 8th, 2003, 10:23 PM	#702
Barry Goyette Trustee Join Date: Oct 2001 Location: San Luis Obispo CA Posts: 1,195	This is one that can't be easily answered in a forum, as the uses of the rosco filter line are so broad. If you have a few hours, or days...you will be able to read about virtually every filter in rosco's line at their website http://www.rosco.com/main.html click on the guide to color filters which will give you a pdf that has a lot of quick data...although it is skewed more toward theatrical users....or... click on the technotes section to be overwhelmed by the amount of information that they have made available to the industry about their products. Don't be too freaked out about what's there, most of us would never use even 10% of the filters that they offer, nor understand most of the data associated with it...the ones to be concerned with on a technical level are the light balancing filters CTO, CTB, FLD etc and the diffusion materials, these are the most standard materials that many photographers, cinematographers and grips can recite off the top of their heads...the bulk of the rest are primarily special effect color filters that....well...if its a red filter...it will make your light turn red...if its purple...it will make your light more purple....straw...straw...and so on. Welcome to the world of light control....you'll never be satisfied with "natural" light again. Barry

October 9th, 2003, 03:30 PM	#703
Bakari Chavanu New Boot Join Date: Jun 2003 Location: Sacramento, CA Posts: 5	video book I have quite a few books on videography, but I have to be honest in saying that none of them have been as good as the two instructional videos I ordered from www.elitevideo.com. They're titled Advanced Broadcasters Camera Techniques. Don't let broadcasters scare you, the techniques are good for broadcasters, videographers, and home movie makers. As for the technical side, I would just use the Canon GL2 manual and ask lots of questions on this board. Read the manual from cover to cover and get to know your camera. It's too bad that Canon has not put a instuctional video for using their camera, but the manual is the next best thing in terms of the technical side. Hope this helps.

October 9th, 2003, 05:11 PM	#704
Richard Tamayo Regular Crew Join Date: Aug 2003 Location: Davenport,IA. Posts: 111	Thanks Barry, I will check this out. __________________ richard tamayo

October 13th, 2003, 01:12 PM	#705
Jason Casey Regular Crew Join Date: Sep 2003 Location: Madison, WI Posts: 93	DM-50 - Tinny sound?? Anybody else have the DM-50 and notice that the sound is really "tinny on it?? I just shot a live concert, there was plenty of bass coming through the bands speakers, I shot on the GL2 using the DM-50 in shotgun mode and the resulting sound was relly good, but there was almost no bass at all. It's not a big problem, I can fix it in post, but just wondering if anyone else has noticed this, also would it make a diffrence if I had shot it with one of the 2 stereo modes instead of shotgun?? __________________ Jason Casey www.jcmediaservices.com www.kickbacktracks.com Royalty Free Video Production Loops!