May 13th, 2004, 05:57 PM | #271 |
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Welcome Bryan,
In all modes, 1/60 is your native shutter speed for NTSC. That is, video will generally look best if you can shoot at that shutter speed. In fact it's not a bad idea just to assume that shutter speed is unchangeable from that number.
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May 26th, 2004, 12:26 AM | #272 |
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"However, if you’re locked off and the tripod is on an unsteady surface like a press platform or there is vibration from wind, etc., image stabilization can be very helpful."
from www.alanbarker.com |
May 26th, 2004, 06:35 AM | #273 |
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doesn't panasonic use a OIS&EIS combination?
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June 30th, 2004, 09:16 AM | #274 |
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Disadvantages to Frame Movie Mode?
Are there any?
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June 30th, 2004, 10:19 AM | #275 |
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There is a slight degradation of picture quality. You can test this for yourself by coupling the camera to a TV monitor and try switching from frame to normal. It can be quite acceptable however.
Here's a sequence I shot yesterday in frame mode with the Title Mix letterbox function enabled. It's a big file, so you need ADSL ;-) http://robindr.neptune.com?selectedalbum=robindr54027 Robin |
June 30th, 2004, 11:49 AM | #276 |
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Very pretty video, Robin. Reminds me of my trips to Ireland. I'm jealous that you folks in the British Isles have so many "scenic vistas" at your disposal!
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June 30th, 2004, 11:57 AM | #277 |
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You loose 25% of vertical resolution when using frame mode (horizontal resolution remain the same). But many folks, including me, prefer this softer look.
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June 30th, 2004, 12:22 PM | #278 |
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Jason,
Jason The 25% resolution mentioned above, is accurate, and also overstated.There's a pretty good discussion of frame mode here (I should know, I wrote it): http://www.dvinfo.net/conf/showthrea...threadid=27777 skip down to the bottom of the first page, and onto the second for the skinny on frame mode...or do a search on all of dvinfo...as this has been a hot topic for years....lots of discussion. Barry |
July 1st, 2004, 10:03 PM | #279 |
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I just got my GL2 this week, and in my (thusfar limited) tests, Frame Mode has produced some noticably "jittery" video. Especially when panning, one can almost see the picture "jumping" between frames. Is this normal? Is there some setting I can change to smooth this out?
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July 1st, 2004, 10:44 PM | #280 |
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Congratulations on your new GL2, Joe!
>> Is this normal? This is normal. >>Is there some setting I can change to smooth this out? Smoother, slower pans. A good tripod is your friend. When shooting with any camera in progressive-scan mode (like Frame mode) handle the camera like a film camera. That is, use deliberate, controlled motion. It's also best to keep your shutter speed at 1/60. Search this forum for more info on Frame mode matters. It's a well-worn topic.
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July 10th, 2004, 12:13 PM | #281 |
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Will Frame mode cause problems converting NTSC to PAL
I have a wedding I'm shooting for a friend here in the U.S. but then I need to convert the footage to PAL. I really like frame mode but I'm worried that it may cause me problems when I convert from NTSC. Any experiences or thoughts? Should I shoot it in normal interlaced mode or use frame mode?
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July 10th, 2004, 08:13 PM | #282 |
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Mixing Frame Mode & Normal Mode Footage
I was wondering what the result of mixing footage shot with my GL2 in frame mode and footage shot with a PD-100 in 'normal' video mode would be?
Will their be a drastic difference in the way the footage looks? can it be edited together? or shoudl I just shot the footage in normal mode with my GL2? The reason I ask, is because I was thinking of shooting the more 'dramatic' moments with the GL2 in frame mode. Thanks
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July 10th, 2004, 10:18 PM | #283 |
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There will be a "drastic difference" between the two. I think the first difference you'll notice is that of color and sharpness. I've not seen footage from a PD-100, but Sony's generally lean toward cooler, more greenish skin tones than Canon. Sony's also tend to produce a sharper image, not always a good attribute but generally a crowd-pleaser.
So to get these two cameras to play nice you'll probably need to skip frame mode on the GL2 and do some color and sharpness adjustments on the GL2 to accommodate the Sony (which may not be as adaptable).
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July 11th, 2004, 07:18 AM | #284 |
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I have no experience but the best tip I can give you is to test your
workflow. If you have other wedding footage shot in NTSC frame mode convert that to PAL. This firstly tests your NTSC to PAL conversion methods and secondly how well it will look.
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July 11th, 2004, 08:31 AM | #285 |
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interesting effect
actually, the effect can be very interesting. the viewer will notice immediately but be at a loss to describe it. i've produced documentaries using frame mode as b-roll video for a voice-over and found it to be cool.
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