zoom lens thread? at DVinfo.net
DV Info Net

Go Back   DV Info Net > Canon EOS / MXF / AVCHD / HDV / DV Camera Systems > Canon EOS Full Frame for HD
Register FAQ Today's Posts Buyer's Guides

Canon EOS Full Frame for HD
All about using the Canon 1D X, 6D, 5D Mk. IV / Mk. III / Mk. II D-SLR for 4K and HD video recording.

Reply
 
Thread Tools Search this Thread
Old August 8th, 2009, 10:14 PM   #1
Inner Circle
 
Join Date: Jan 2006
Posts: 2,290
zoom lens thread?

Seems most people use primes on the mk II, I'm from the baby zoomer generation and just prefer the convenience of zooming. What are the hot picks? I hear the 70-200L f4 bantied about. B&H has a grey market version for $600. Canon | 70-200mm f/4.0L USM Autofocus Lens | 2578A002 | B&H
Brian Luce is offline   Reply With Quote
Old August 8th, 2009, 10:38 PM   #2
Trustee
 
Join Date: Jun 2004
Location: Denver, Colorado
Posts: 1,891
The 70-200L f/4.0 is a sharp lens, but don't you want image stabilization? The IS version makes hand-holding a lot easier.

But the main reason for the primes isn't generational, it's because they have the speed for depth of field control.
Tom Roper is offline   Reply With Quote
Old August 8th, 2009, 10:47 PM   #3
Inner Circle
 
Join Date: Jan 2006
Posts: 2,290
I haven't had stabilizers in years, I think my TRV900 had it. Is there something unique to huge cmos chips that make it necessary? This camera, in video mode, doesn't seem suited to hand held.
Brian Luce is offline   Reply With Quote
Old August 8th, 2009, 11:15 PM   #4
Trustee
 
Join Date: Jun 2004
Location: Denver, Colorado
Posts: 1,891
I think it helps. It hand holds pretty well for me with the 70-200L f/4.0 IS.

Not saying you can't make it work with a smooth steady tripod. Without a doubt, you can. I've had the non-IS version of the 70-200 f/4.0 as well, and it was excellent optically. But with IS, you do open up some hand held possibilities, that's all.
Tom Roper is offline   Reply With Quote
Old August 9th, 2009, 12:00 AM   #5
Major Player
 
Join Date: Apr 2008
Location: Beijing
Posts: 665
Brian,

Just wanted to second what Tom said, the 70-200 f4L IS is a gem and the image stabilisation really works well. I've had both versions too and I'd recommend the IS one if you can run to it.

Dan
Dan Chung is offline   Reply With Quote
Old August 9th, 2009, 12:38 AM   #6
Regular Crew
 
Join Date: Jun 2004
Location: Brunei
Posts: 140
I started straight with the 70-200 f4 IS and it is the sharpest of all my lens. Beats my 24-105 4L out right. Get this lens, its a very good lens.
Alex Chong is offline   Reply With Quote
Old August 9th, 2009, 01:13 AM   #7
Inner Circle
 
Join Date: Jan 2006
Posts: 2,290
Do I have the math right? IS on the 70-200mm doubles the price from about $600 to $1200?
Brian Luce is offline   Reply With Quote
Old August 9th, 2009, 07:54 AM   #8
Major Player
 
Join Date: Jun 2007
Location: New Orleans, LA
Posts: 410
I have the Tamron 70-200 2.8 and used it to shoot a wedding on the beach yesterday. I'm on vacation, but couldn't pass it up. Turns out that the couple work where where I live, but they live in my hometown. Small world.
Anyway, this was the first video I've really shot with the Tamron and it was a little shaky. My friend has the Canon version and I plan on borrowing it soon. I didn't know if the vibration reduction only worked with photo or both. I'll give my review after I use it.
Chad Dyle is offline   Reply With Quote
Old August 9th, 2009, 10:21 AM   #9
Major Player
 
Join Date: Apr 2008
Location: Beijing
Posts: 665
Brian,

The price is double for the IS lens but they improved it a lot from the non-IS version. I now prefer to use the 70-200 f4L IS to the bigger f2.8 Canon zooms for sharpness and lightness, the IS really makes an f4 lens usable for stills. For video the IS does help a lot if you plan to handhold or shoulder mount a lot, for tripod only I doubt you would see any difference between IS and non IS. The new IS lens also has weather sealing on the lens mount.

Dan
Dan Chung is offline   Reply With Quote
Old August 9th, 2009, 04:31 PM   #10
Major Player
 
Join Date: May 2005
Location: Columbia,SC
Posts: 806
I have just gotten a 17-35L 2.8 I can verify that it makes a big difference over the 50mm 1.4 that I was using. I shot the whole reception with it, and it kicked much arse. The distortion at 17 is very pronounced, but still a very cool lens.
Bill
__________________
Cinema Couture
www.cinemacouture.com
Bill Grant is offline   Reply With Quote
Old August 11th, 2009, 06:26 AM   #11
Regular Crew
 
Join Date: Feb 2009
Location: Melbourne Australia
Posts: 31
I went straight for the 70-200/2.8 IS. Sure it's a massive price jump, but gives me versatility. I can handhold in movie mode indoors near a window with no probs. Also gives me great options for stills. All depends on what type of shooting you're doing.
cheers
__________________
-------
peter berg
Peter Berg is offline   Reply With Quote
Old August 11th, 2009, 03:03 PM   #12
Tourist
 
Join Date: Jun 2009
Location: San Jose, CA
Posts: 2
+1 for the 70-200 F/2.8 IS. GREAT lens and my copy is very sharp even wide open. My 135 F/2.0 just sits since I got the zoom. :-(

I also have the 16-35 F/2.8 which I am very happy with as well.
Craig Linssen is offline   Reply
Reply

DV Info Net refers all where-to-buy and where-to-rent questions exclusively to these trusted full line dealers and rental houses...

B&H Photo Video
(866) 521-7381
New York, NY USA

Scan Computers Int. Ltd.
+44 0871-472-4747
Bolton, Lancashire UK


DV Info Net also encourages you to support local businesses and buy from an authorized dealer in your neighborhood.
  You are here: DV Info Net > Canon EOS / MXF / AVCHD / HDV / DV Camera Systems > Canon EOS Full Frame for HD


 



All times are GMT -6. The time now is 04:58 PM.


DV Info Net -- Real Names, Real People, Real Info!
1998-2024 The Digital Video Information Network