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September 25th, 2009, 04:52 AM | #16 |
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Thanks Phil,
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September 25th, 2009, 06:30 AM | #17 | |
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Do you realize that the Illuminati are preventing the 5D from being upgraded to 24p? I heard that black helicopters retrieved the camera with 24p firmware that was being demoed on the set of Snakes on a Train, and that the DP using one on another set died mysteriously due to too much jello. I can't tell you who my source is for this, but he is high placed in the CIA. Perhaps I've already said too much.
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Your review is a great comparison of the two bodies as they come from Canon. Perhaps a separate "so you want to make a movie with a DSLR" comparison might be a worthwhile article. |
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September 25th, 2009, 07:01 AM | #18 |
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Cinema Lenses?
How did you get that Cinema Lense (pl mount?) onto the 7D? What kind of converter mount did you use?
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September 25th, 2009, 07:04 AM | #19 | |
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September 25th, 2009, 07:45 AM | #20 |
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Thanks Phil
I still think that Canon is playing with us with this odd combination of features between the two models. Using the 7D as a base mark, we should simply be able to get the same features + full frame at the 5D's higher price point. I just wish they'd get it straight so that we can move on and buy their gear without that nagging feeling that we should be waiting for what's around the corner. my 2 cents worth
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September 25th, 2009, 07:50 AM | #21 |
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These are consumer electronics, and by that very nature they are designed to keep the consumer waiting and wanting what's just around the corner. It's not a conspiracy, it's business.
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September 25th, 2009, 12:11 PM | #22 | |
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If you want to know how to shoot with the 5d or 7d then i might...ahem... have a couple of DVDs that may interest you! Tramm. Have Canon even been in touch with you?! |
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September 25th, 2009, 12:27 PM | #23 |
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I'll probably be in the market for one of those DVDs in the near future.
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September 25th, 2009, 01:29 PM | #24 | |
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Time to go take a break, clearly I've been working too hard lately and have forgotten what humor is.
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September 25th, 2009, 01:40 PM | #25 |
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September 26th, 2009, 08:07 AM | #26 | |
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Are you THE Mathieu Kassovitz? My article should be retitled "The Official Philip Bloom side by side out of the box review of the 7d vd 5dmkII, un-pimped up, which cameras works best for video in my humble opinion which may or may not matter to you anyway" :) Magic Lantern firmware is great!! But as I have said it's not "out of the box" and I am not using it on paid jobs myself. I am comparing my experiences of the two, not the experience of others. This is, like everything I and others write, purely a personal opinion. Am sure hundreds would disagree! Millions even!! Personally I love them both, hence I will be keeping my 5ds and am eagerly awaiting my production 7d. |
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September 27th, 2009, 11:31 AM | #27 |
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Hi Philip. How do you feel focusing on your 35 L 1.4?
Thinking about 28/35 as a "normal", I realized focus ring throw will be much shorter than the one on my 50 (what I'm used to have now as "normal"). I would buy maybe an economic 28 1.8, but I'm worried of the plastic thin ring (and that, such short distance scale from 2 mt to infinite..) Thanks (also for continuing the Monty Python tradition. Laughing a lot with your videos from you're visit to Nab to the recent british invasion)
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vimeo.com/alvisetedesco web.mac.com/alvise.tedesco/DP/home Last edited by Alvise Tedesco; September 27th, 2009 at 12:50 PM. |
September 27th, 2009, 03:32 PM | #28 |
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am fine with focusing with it! great lens!
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October 1st, 2009, 02:37 PM | #29 |
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I have a new opinion. Check the link at the top for an updated blog!!
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October 1st, 2009, 03:02 PM | #30 |
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Phil:
As I posted on your blog, Cineforms NeoScence conforms footage and sound to 29.97. I assume that holds true for their ProRes conversion.
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