Hyperdeck Shuttle

[Peter Kay]

Good read this thread.

Thought I would add my rig image.

Pete

https://www.dropbox.com/s/q25m6atu11...DSC_0292ED.jpg

https://www.dropbox.com/s/gj5sittidm...DSC_0279ED.jpg

[Gints Klimanis]

Very niiiice, Peter. Somewhere in there is a camera, right?

[Peter Kay]

Allegedly!

It's a Panasonic AG AF102 (Not sure what the difference is from a 101)

It's now been joined by a Shuttle side mounted and a rear V-Lock battery and pinch plate... lol

[Alex Humphrey]

Originally Posted by Paul Kapp

Hi Alex and sorry for the slow reply.
The picture from a JVC GYHM750 was quite noisy even from the HDSDI output.
There was not a great advantage over HDV.

I had the HD-111.
Once you converted 720p analogue to compressed 10bit digital I would imagine it would have a very noisy picture.
It may be better to stick with HDV.

Paul,

I'm even slower! Hmmm I see on my JVC HD110 the live component footage is a lot cleaner than the post HDV compression. I"m gambling on a test with Blackmagic shuttle pro via thunderbolted to a laptop perhaps to capture the 4.2.2 and be better for post work than the HDV. I was hoping you would be raving how much better your experience was, but it doesn't sound like it. If I wanted to use the Hyperdeck I guess I would need a component to HDMI converter or a more expensive Component to HD-SDI converter, and I doubt it would be worth it. On your testing where you speaking of the quality difference between 4.2.2 SDI vs XDCAM-EX format or HDV? In my HDV rolling from medium grey to black can be very choppy reminding me of old 8bit video game shading. Was your XDCAM-EX or SDI Hypserdeck live capture better in shadows vs HDV?

[Marcello Mazzilli]

Hi.. can somebody here tell me how to read MXF DnXHd files from Hyperdeck Shuttle on Premiere on Mac?
I installe Avid Codecs but still can't get it to work. On the net somebodysays that Hyperdeck's DnXHD is not really standard dnXHD (allthough on Avid software should be ok.. I don't have it).
Any ideas?

[John Mitchell]

Hi Marcelli - the MXF wrapper for DNxHD is OP ATOM1 from memory - it is designed to go straight into the Avid MediaFiles dir and be read natively by Avid bypassing the QT handler (a good thing) - The avid QT codecs are for DNxHD.mov files.
I don't know if any version of Premiere supports Avids MXF format. I'll test tomorrow

[Nate Haustein]

Hey Marcello, I mistakenly recorded to .MXF instead of .MOV the first time I used my Hyperdeck too. My solution was to use the free version of DaVinci Resolve Lite to transcode the files to .MOV