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June 13th, 2006, 12:26 AM | #46 |
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If I remember correctly, the German soldier said something along the lines of "Don't resist, it'll be easier that way."
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June 16th, 2006, 05:34 PM | #47 |
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I would have to say Howard Hawkes. He directed a large number of the classics: westerns (Red River, Rio Lobo), horror (The Thing), comedy (His Girl Friday, Bringing Up Baby), crime (Scarface, The Big Sleep), war (Sgt. York), drama (To Have and Have Not), and that's just scratching the surface.
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June 18th, 2006, 08:25 PM | #48 | |
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June 18th, 2006, 11:22 PM | #49 |
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Quote: "See. Exactly the kind of nice, caring, line, I'd like to hear before someone stabbed me in the heart..."
I had an ex-girlfriend like that once. . . . . |
June 19th, 2006, 02:23 PM | #50 |
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Best Director?
Obviously, this is solely a matter of personal taste, of course, because any director strikes a chord within each of us. We all know that we like movies because of the emotional charge and personal message we get from particular movies.
Mr Foreman: I met Kevin Smith. You are correct in saying he is one of us, but man, does he curse up a storm. He uses the "F" work every fourth word! He loves to curse and talk about sex. And I mean he utters all of the slanguage he can possibly use to describe every kind of sexual encounter! The college kids love him. He gave a lecture at our local state colege two months back. However, in my personal opinion, Sam Peckinpah is one helluva director. He walked the walk and talked the talk. As a testimony to his talent, no matter how deeply people hated him (and believe me, some people wanted to kill him, including Charlton Heston during the making of Major Dundee) they knew that after working with him on a production, they were going to come away with the experience of a lifetime in having seen a master at work. His common theme was "Man out of synchronization with the times." His characters were mostly the underdog, the loser, but loyalty and friendship meant something, always came first. His motion pictures move me. Emre: I think the German soldier said to the American, in German: "Go to sleep. Just go to sleep." My Jewish friend's father told me that.
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June 23rd, 2006, 03:31 PM | #51 |
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Hmmmm... No one has mentioned Luis Bunel yet. Definitely one of the greats.
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June 23rd, 2006, 03:38 PM | #52 | |
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June 23rd, 2006, 03:48 PM | #53 |
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Peter Greenaway perhapse? Billie wilder?
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June 23rd, 2006, 04:04 PM | #54 | |
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June 23rd, 2006, 04:16 PM | #56 |
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Wow. I thought you were talking about Renoir's version (which was abominable), and I didn't even know Bunuel had done a version of it (why would be another question).
I looked it up and people were indeed calling it his weakest moment by far. Including the commissioned movies he had to make just to put bread on the table... Try Un Chien Andalou and see if that has bite. Tee hee... But seriously Emre, he did some truly great movies. |
June 23rd, 2006, 04:43 PM | #57 | |
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June 24th, 2006, 05:56 PM | #58 |
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Sorry Emre!
No, but seriously, Buñuel made some of the wildest movies around. For example, his L'Age D'Or was banned in France for 50 years (until 1979) and caused riots when it was first shown. But most of his stuff doesn't seem to have ever had great commercial potential, as it is pretty surreal (not surprising as he was one of the original Surrealists). And he never lost his personal edge. While my views may run counter to many, I would personally nominate him as one of the greatest directors of all time. |
June 25th, 2006, 10:12 PM | #59 |
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David Lean for 'Lawrence of Arabia'. A four hour twenty masterpiece.
Sure it's over 40yrs old. Every shot perfectly framed. An epic of all proportions made in the days when film makers made films the hard way battling against natures elements. In this case the desert with it's dust storms, heat and chilling nights. No computer effects to get you out of a hole, and, if you needed a cast of thousands you hired a cast of thousands. As a footnote: In the extra features on the dvd Steven Spielberg says it's the film that inspired him the most as a boy. He likes to replay it before making a film.
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July 14th, 2006, 10:23 PM | #60 |
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John Cassavetes, hands down the best director in my book. A woman Under the Influence, Faces, Opening Night, Husbands, The Killing of A Chinese Bookie, Shadows, etc. etc.... the man was special.
Francois Truffaut is great. The 400 Blows, Jules and Jim, Shoot the Piano Player, etc. John Ford is wonderful. The Searchers is by far one of the most emotional movies I've ever seen. That last shot of Ethan and the others standing in the doorway brings chills. Orson Welles, of course! Not only for Citizen Kane, but just look at Touch of Evil, The Lady from Shanghai or F for Fake.... Woody Allen too. I don't care if some of his recent movies aren't 'Great'... he gave us Annie Hall, Manhattan, Sleeper, Bananas.... he earned his respect! |
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