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November 16th, 2008, 11:35 AM | #1 |
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Out from Premiere and into Avid ...
I have to deliver some HDV files that I originally imported into Premiere to a customer who wants to use them in Avid.
What format coming out of Premiere would best accomplish this? Thanks |
January 11th, 2009, 02:06 PM | #2 |
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My understanding is to download the free DNxHD codecs, export the clips in Quicktime format using one of the AVID Editing codecs options.
Your client should be able to bring them into AVID no problem - although I have no first hand experience on this. |
January 12th, 2009, 09:23 AM | #3 |
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George,
Cliff is right. Specifically, you would export QT DNXHD 145. Cheers, David
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January 12th, 2009, 10:06 AM | #4 |
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Out of curiousity, why 145? Because it's 60i?
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January 12th, 2009, 11:54 AM | #5 |
The level of DNxHD you choose is really dependent on the bitrate of the incoming file. Hence, DNx145 is 145Mbps, good for 720p60/8 bit or 1080i/60 8 bit. If you want to go to 1080p/24, then DNx175 is called for. then Certain DNxHD bitrates even have the option for 10 bit, which is nice if you're doing any transitions/FX processing.
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January 12th, 2009, 11:56 AM | #6 | |
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Quote:
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January 12th, 2009, 12:23 PM | #8 | |
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Quote:
I was merely curious if the 145 was chosen because of this. I've found VERY little degradation of the original signal going from my EX1's 35 Mbps original to the DNxHD 36 Mbps encoding. So moving to a 145 seemed like a LOT just to hold HDV.
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January 12th, 2009, 01:14 PM | #9 |
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DNXHD 145TR (TR stands for transport stream) is the bitrate for 1080i HDV in Avid Media Composer using "smart splicing".
If you were to import a m2t into a 1080i HDV project, then your file would show up at that bit rate if you preserve original resolution (dialog appears on import). If you have setup a "full raster" 1080i project, then you can pick whatever bitrate you want(8 or 10bit) , but the file would be transcoded, which is not really a bad thing. It just depends on what your doing and where you are going. Hope this helps, David
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