High Definition with Elphel model 333 camera - Page 37 at DVinfo.net
DV Info Net

Go Back   DV Info Net > Special Interest Areas > Alternative Imaging Methods > Apertus: Open Source Cinema Project
Register FAQ Today's Posts Buyer's Guides

Closed Thread
 
Thread Tools Search this Thread
Old March 15th, 2007, 05:30 AM   #541
Regular Crew
 
Join Date: Aug 2004
Posts: 91
Quote:
Originally Posted by Odd Nydren View Post
Yes please post the file!
Do you know what kind of hardware captured the raw file?

Also - andrey? Is there a raw file from the 333 that we can play around with?

I work a lot with 3dsMax (its my day job) and I believe it would be quite easy to write a script that can separate the colours and then save them as Jpeg + load and combine...just to try out the idea.

I would of course post my findings.

//O.
Yes, i asked Andrey for material, in fact you can download the current raw image from the elphel public camera at any moment ;)
I'll compile my little tool tonight and post the raw files.
And i forgot to say that the previous video is completly amazing!
Steven Mingam is offline  
Old March 15th, 2007, 08:11 AM   #542
Inner Circle
 
Join Date: May 2003
Location: Australia
Posts: 2,762
Quote:
Originally Posted by Noah Yuan-Vogel View Post
Seems like it would be tough to compress a bayer image, it might look really noisy to jpeg compression, and jpeg doesnt deal well with noise. I dont doubt it would mess up colors. maybe separating out each color and compressing them to jpeg separately?
This is what was talked about an week or two ago, that Andrey had an Bayer compression scheme for the 323. It would also be interesting to see how good an result could be achieved by Jpeg compressing the bayer sensor image in camera, rather than speculating how bad it is. When I say how good can be achieved, by trying all Jpeg compression options and setup available in the existing circuit.
Wayne Morellini is offline  
Old March 15th, 2007, 08:40 AM   #543
Regular Crew
 
Join Date: Apr 2004
Location: UK
Posts: 74
Quote:
Originally Posted by Matteo Pozzi View Post
amazing display of the power of the elphel camera Phil!
if with the 353 we can achieve a 2000 x 850 pixel at 24fps without exposure difference from left to right side we could make very good cinema camera!
Oh Ive got to finally cut a section from the film in Rome! Some of it is a bit over exposed but when the light is good I have some really nice images with the Fish eye lens. Personally I like the 313 image better due to the bigger % of sensor area thats being used in the video. But its too slow for me.

Yes a bigger then standard image is going to result in great looking video or film. I will want to film 4:3 though for the PC. Although even many PC monitors now days are wide screen.
Phil Stone is offline  
Old March 15th, 2007, 06:30 PM   #544
Major Player
 
Join Date: Feb 2006
Posts: 260
I get 2000x800 @ 85% quality on the 333 at exactly 24 frames per second.

http://www.buysmartpc.com/333/333framecc.jpg
(color corrected)

I am very pleased.
Daniel Lipats is offline  
Old March 16th, 2007, 12:11 AM   #545
Inner Circle
 
Join Date: May 2003
Location: Australia
Posts: 2,762
Impressive Daniel. What data rate does that work out to?
Wayne Morellini is offline  
Old March 16th, 2007, 12:40 AM   #546
Regular Crew
 
Join Date: Apr 2004
Location: UK
Posts: 74
Quote:
Originally Posted by Wayne Morellini View Post
Impressive Daniel. What data rate does that work out to?
If its the mjpeg stream the data rate is going to be either dependent on the the jpeg size (how complex is the image??) , the camera cpu, the write speed of the hard drive (if you have a really cheap slow laptop drive) or perhaps the bandwidth.

So if your filming a face with blue sky the image will be small & thus also the data rate, If your filming in the forest with loads of leaves its going to be huge. You need to think about this before you set up the camera. There perhaps needs to be a variable % quality setting that adjusts the quality level of the jpeg stream?

You can see this effect with any digital camera. the elphel when filming mjpeg is in effect a super fast digital camera.

Phil
Phil Stone is offline  
Old March 16th, 2007, 03:33 AM   #547
Major Player
 
Join Date: Feb 2006
Posts: 260
I'm curious if I can push it any higher. I don't know if the bottleneck is the computer or I reached the limit of the camera.

x64 3500 amd
1 gig ram
7900 geforce
7200 sata II hdd

I have not yet found a laptop available to me fast enough to handle the 333 stream at 2000x800@85. The best I have found so far was 11 fps on a new sony vaio.

Currently I am building an acrylic body for the camera to hold all the necessary computer components. While I will still require a power source, it would be nice to integrate everything into a single unit. I have a prototype built, and while I am satisfied with the size I still need to refine it to get a more professional appearance. A keyboard and mouse is not a very mobile solution so I plan to use the Nostromo N50 for input. I will address noise issues with sound dampening foam and proper cooling.
Daniel Lipats is offline  
Old March 16th, 2007, 04:07 AM   #548
Regular Crew
 
Join Date: Apr 2004
Location: UK
Posts: 74
Quote:
Originally Posted by Daniel Lipats View Post
I'm curious if I can push it any higher. I don't know if the bottleneck is the computer or I reached the limit of the camera.

x64 3500 amd
1 gig ram
7900 geforce
7200 sata II hdd

I have not yet found a laptop available to me fast enough to handle the 333 stream at 2000x800@85. The best I have found so far was 11 fps on a new sony vaio.

Currently I am building an acrylic body for the camera to hold all the necessary computer components. While I will still require a power source, it would be nice to integrate everything into a single unit. I have a prototype built, and while I am satisfied with the size I still need to refine it to get a more professional appearance. A keyboard and mouse is not a very mobile solution so I plan to use the Nostromo N50 for input. I will address noise issues with sound dampening foam and proper cooling.
I filmed that clip above with my Acer & that clip is full resolution 2048x1536 12fps. I think you need to play with the settings in knoppix? Or you have a really slow hard drive?
Phil Stone is offline  
Old March 16th, 2007, 04:15 AM   #549
Regular Crew
 
Join Date: Apr 2004
Location: UK
Posts: 74
Quote:
Originally Posted by Phil Stone View Post
I filmed that clip above with my Acer & that clip is full resolution 2048x1536 12fps. I think you need to play with the settings in knoppix? Or you have a really slow hard drive?
Are you filming inside with it? If you are then you you have to think exposure & use a LOT of extra light. Light the inside up like a TV studio. If exposure needs to be longer then the frame rate the frame rate will drop. its probably this thats causing the slow down. Try it outside in the sun.
Phil Stone is offline  
Old March 16th, 2007, 04:40 AM   #550
Major Player
 
Join Date: Feb 2006
Posts: 260
Quote:
Originally Posted by Phil Stone View Post
Are you filming inside with it? If you are then you you have to think exposure & use a LOT of extra light. Light the inside up like a TV studio. If exposure needs to be longer then the frame rate the frame rate will drop. its probably this thats causing the slow down. Try it outside in the sun.
I noticed a slowdown at higher exposure times, but I try not to touch the exposure setting and just add more light.

The tests were done with the laptop outside on a sunny day. I'm not sure about the laptop specs, I believe it was an intel core duo with a 5400 hdd.
Daniel Lipats is offline  
Old March 16th, 2007, 05:22 AM   #551
Regular Crew
 
Join Date: Apr 2004
Location: UK
Posts: 74
Quote:
Originally Posted by Daniel Lipats View Post
I noticed a slowdown at higher exposure times, but I try not to touch the exposure setting and just add more light.

The tests were done with the laptop outside on a sunny day. I'm not sure about the laptop specs, I believe it was an intel core duo with a 5400 hdd.

Yes then for sure you need to pop that drive out & stick in a 7200rpm one (Hitachi make a good one). Format that drive to Fat32 & buy a little cadi for it so you can replace it with the Sony one after filming & use it with your editing PC. I plug it into a windows machine & run all the ogg video into Virtualdub to make a avi from it. you can also stitch all the files together with this.
Phil Stone is offline  
Old March 16th, 2007, 07:47 AM   #552
Major Player
 
Join Date: Jan 2005
Location: (The Netherlands - Belgium)
Posts: 735
Quote:
Originally Posted by Daniel Lipats View Post
I get 2000x800 @ 85% quality on the 333 at exactly 24 frames per second.

http://www.buysmartpc.com/333/333framecc.jpg
(color corrected)

I am very pleased.
Daniel, I always put some something like zMatte 'deartifact' on the Elphel footage to get rid of the (mostly) red and green spots. Look at your frame rendered with deartifact:
original
deatifact
Zoom in to see how good it works, it also gets rid of some pixel blocs, although for that I put a very small box blur on all my Elphel footage.

Besides that, it looks very good... what lens did you use?
Oscar Spierenburg is offline  
Old March 16th, 2007, 08:22 AM   #553
Major Player
 
Join Date: Feb 2006
Posts: 260
Oscar, please check your link. I am unable to view the image.

I believe the lens was "TV ZOOM LENS T6X13.5 13.5-81mm 1:1.8"
Daniel Lipats is offline  
Old March 16th, 2007, 08:36 AM   #554
Major Player
 
Join Date: Dec 2004
Location: New York City
Posts: 613
whats with the color spots? what sort of debayer algorithm does the 333 use? i dont think i get that on my sumix m73 with sumix's lapacian debayer. I do with nearest color debayer though. what exactly does zmatte deartifact do? sharpness loss with filter doesnt look bad, but itd probably be nice not to have to filter and recompress all footage just to get rid of artifacts that should have been avoided with a good debayer in the first place.
Noah Yuan-Vogel is offline  
Old March 16th, 2007, 08:56 AM   #555
Regular Crew
 
Join Date: Jan 2007
Location: London, UK
Posts: 88
Quote:
Originally Posted by Steven Mingam View Post
Yes, i asked Andrey for material, in fact you can download the current raw image from the elphel public camera at any moment ;)
Really??! jeez..have to go and try right now...the company firewall will probably say "noway in hell" like always ;)

EDIT:
I tried to find a menu where I could download a RAW frame...but really couldnt find it...? Any pointers?

Quote:
Originally Posted by Steven Mingam View Post
I'll compile my little tool tonight and post the raw files.
And i forgot to say that the previous video is completly amazing!
Thanks! Much appreciated.

//O.
Odd Nydren is offline  
Closed Thread

DV Info Net refers all where-to-buy and where-to-rent questions exclusively to these trusted full line dealers and rental houses...

B&H Photo Video
(866) 521-7381
New York, NY USA

Scan Computers Int. Ltd.
+44 0871-472-4747
Bolton, Lancashire UK


DV Info Net also encourages you to support local businesses and buy from an authorized dealer in your neighborhood.
  You are here: DV Info Net > Special Interest Areas > Alternative Imaging Methods > Apertus: Open Source Cinema Project


 



All times are GMT -6. The time now is 10:51 PM.


DV Info Net -- Real Names, Real People, Real Info!
1998-2024 The Digital Video Information Network