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July 27th, 2005, 01:30 PM | #1 |
Tourist
Join Date: Jul 2005
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thor labs adapter
Hi all,
I've been lurking for a while and finally thought it would be worth while to bring back a discussion started by Richard Mellor in "parts list" thread http://www.dvinfo.net/conf/showthrea...6&page=1&pp=15 thread that pulls together info on making a static adapter with parts from thor labs, centered around this tube http://www.thorlabs.com/ProductDetai...roduct_ID=1481 This thread ended without anyone posting a succesful use of this design on a dvx100. I am interested in seeing example footage and want to know if the use of two pcx lenses helps solve the need for two +10 diopters. In other words, what kind of magnification is needed for the original dvx100 (not A) to work with the thor labs style adapter? Thanks for sharing. Last edited by Ben Hodges; July 27th, 2005 at 11:36 PM. |
July 27th, 2005, 04:26 PM | #2 |
New Boot
Join Date: Jul 2005
Location: Portland, OR./ San Francisco, CA.
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Yeah, that looks great for a static adapter.
Clean look, but maybe a bit heavy? I'd use something like this for a retail item. |
August 2nd, 2005, 11:45 PM | #3 |
Trustee
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I'm constructing it as we speak. I'll let you know how it operates on my GL2. I chose it because it seems so much easier to make than the other one (http://ideaspora.net/oldskool/). Eww, PVC and gluing. I'll take screwing things together any day.
Last edited by Ben Winter; August 3rd, 2005 at 09:15 PM. |
August 3rd, 2005, 12:16 AM | #4 |
Old Boot
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Location: London UK
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Ben? You want to check your link? It isn't working for me - thanks - Grazie
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August 3rd, 2005, 12:17 AM | #5 |
Old Boot
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. . yeah, looks like the URL has "crept" under the last bracket and "slash" - - oops! G
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August 3rd, 2005, 07:43 AM | #6 | |
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Quote:
Let us know how that tubing works, especially with the PCX lense... my system uses the Achromat and has nearly no vignetting.
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Realism, anyway, is never exactly the same as reality, and in the cinema it is of necessity faked. -- J-L G |
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August 3rd, 2005, 08:41 AM | #7 |
Old Boot
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Location: London UK
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Jim - I'm passionate about achieving LESS DoF with my XM2 . . . Do you have any images of your truly straightforward device?
No moving parts? GREAT! Best regards, Grazie |
August 3rd, 2005, 08:45 AM | #8 |
Old Boot
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. . When I mean images, of course I meant the "results" from your camera and setup ..
Thanks - G |
August 3rd, 2005, 08:58 AM | #9 |
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Hey Grazie...
Check that thread I linked to above -- there's a series of images of the adapter in that thread. Also, here's footage.
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Realism, anyway, is never exactly the same as reality, and in the cinema it is of necessity faked. -- J-L G |
August 3rd, 2005, 09:05 AM | #10 |
Old Boot
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JIM! You total STAR! !
First, tell me there is no sound with your vcclip .. . otherwsie I'm gonna need to look behind my amp and PC copnnections - HUH! Secondly - when the figure is pointing to the wall I can see just HOW shallow the DoF is . . great. Thridly, you are very very close to a subject . . Do you have any examples where you are something like between 10 to 20 feet away? I quickly scanned your tute. I think even I can do this! Hah! Oh yes . . er . . what happens when you put a WD on the fron of this "trunk" - silly question? TIA, Grazie |
August 3rd, 2005, 09:38 AM | #11 |
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OK...
Added an update to my tutorial at the index.html page, so check that out before diving in to the tut. Here it is. Secondly, what's a WD? Wide angle? Thirdly -- for far away shots I have a few grabbed and up. Go here and scroll down to where I say I've posted some outdoor sunny shots.
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Realism, anyway, is never exactly the same as reality, and in the cinema it is of necessity faked. -- J-L G |
August 3rd, 2005, 09:58 AM | #12 |
Old Boot
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Yes . .Wide Angle ..
Brilliant Outside shots. Just brilliant! Love the " .. outside2.jpg" with the bloke starting to walk acrioss the street. - Have you got a JPG which has the DoF the other way around? Background "soft" and the foreground sharp? Again " . . outisde.jpg" is the other way around . . if you got one? Be nice to see the sharpness on something near - with the BG soft. What an amazing setup! Grazie |
August 3rd, 2005, 10:23 AM | #13 |
Tourist
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Well I'm glad to see this thread has brought together more links and info. Speaking of which, Graham the original links seem to work fine for me.
Jim, I certainly appreciate the work you and others have put into designing and posting tutorials on your adapters. I started this thread primarily to see if I could find anyone using an original (non "a") dvx100 with a static thorlabs adapter setup. The dvx100 is terrible at close focus and i am wondering if the drop from its 72mm lense to a 52mm size is doable. Ben |
August 3rd, 2005, 10:25 AM | #14 |
Old Boot
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Jim!
Thank you for the link to the "small" MOV clip! Downloaded in London .. you've answered the DoF qualities for me . .thanks .. and I'm truly inspired . .again. I may be able to get the GG machined here in London - for a very short time I used to work in a commercial ophthalmic/optical lab. I maybe able to get the GG achieved. What spec is the finished "surface" in terms of what is needed? Is there such a thing I can "quote" at the lads on the bench? Best regards, Grazie |
August 3rd, 2005, 10:42 AM | #15 |
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Havn't tried a wide-angle, yet. Though, given what I know of optics, so long as it is from the same lens group you've set your flange focal length to, it shouldn't be a problem.
Those are the only shots I've got up and around at the moment. Short of time around here, otherwise I'd post more. Sorry. As for surface specs -- hmmm... dunno that one. But, finer frost than 3 micron is needed. edit: oh, and yes -- no sound on that clip. - jim
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Realism, anyway, is never exactly the same as reality, and in the cinema it is of necessity faked. -- J-L G |
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