|
|||||||||
|
Thread Tools | Search this Thread |
May 20th, 2006, 12:44 AM | #1 |
Regular Crew
Join Date: Apr 2006
Location: Singapore
Posts: 86
|
Syncing DAT to D-Beta
Hi
I have a question on how the whole post production stage starts. Let's say you're working on a film and it has went through telecine and the footages are dumped to D-Beta. Now, the editor wants to go offline and edit in let's say FCP. How does the workflow starts in terms of syncing audio from DAT to the D-Beta master? |
May 20th, 2006, 06:50 AM | #2 |
Join Date: Jan 2004
Location: Stockton, UT
Posts: 5,648
|
Timecode. Usually, you'll have a T/C capable DAT and will be synced at the shoot.
If you don't have T/C, it's a manual process of lining up audio, which can be a breeze if you don't have a lot of lengthy clips, or can be a major pain if you do have lots of clips. I'll be in Singapore in July, this is part of the Power Production Techniques class that I teach.
__________________
Douglas Spotted Eagle/Spot Author, producer, composer Certified Sony Vegas Trainer http://www.vasst.com |
May 23rd, 2006, 01:10 PM | #3 |
Regular Crew
Join Date: Apr 2006
Location: Singapore
Posts: 86
|
Oh, you'll be visiting Singapore to hold a class or for your holidays?
Yea TC plays a part but the editor has to manually sync the clapper with the sound right? So what is the fastest workflow to get the visuals from D-Beta down to DV tape and sync in the audio as well? You set the proper TC on the DV tape based on the D-Beta. And then do you dump the visuals first and sync the audio later or you do both at the same time? |
| ||||||
|
|