|
|||||||||
|
Thread Tools | Search this Thread |
December 13th, 2005, 07:05 AM | #1 |
Regular Crew
Join Date: Aug 2005
Location: PAL Zone
Posts: 188
|
buying my first wireless lavalier What would you recommend me?
Hello
I am looking to buy my first wireless lavalier i want something that is cheap and good value, i will not be using it a lot so im not looking for anything top of the range for now. i did look at the UWP C1 wireless microphone and also saw the sennheiser G2 but they are a little much for what i want. What would you recommend me? Thanks |
December 13th, 2005, 07:19 AM | #2 |
Trustee
Join Date: Mar 2004
Location: Hilliard, Ohio
Posts: 1,193
|
Take a look at the Azden 100LT. I like mine. They have a nice dual channel receiver now too. If you put together your own system, you could have 2 lavs and a single, 2 channel rx. Or one lav and one hand held with one dual channel rx, etc.
Sean
__________________
‘I don’t know what I’m doing, and I’m shooting on D.V.’ - my hero - David Lynch http://www.DeepBlueEdit.com |
December 13th, 2005, 07:56 AM | #3 |
Major Player
Join Date: Nov 2004
Location: Venice, FL
Posts: 850
|
Senn G2 is the tool of choice for most wedding people. It's not about how often you use it, but whther it gets interference or not. Stick with a UHF unit, and for filmmaking you will want one that allows you to use different lavs. Iwent for a cheaper unit and regretted it.
__________________
You are either growing or dying. |
December 13th, 2005, 11:04 AM | #4 |
Supports LPFM Radio
Join Date: Dec 2005
Location: Northern California USA
Posts: 170
|
I'd vote for the Sennheiser Evolution 100 G2 as my lowest-cost system, too. But you might want to upgrade the mic that comes with it. The Audio Technica AT899 isn't too expensive and comes with lots of mounting accessories, which can be handy considering the different clothes you'll need to mount it on...
Best, Jim |
December 15th, 2005, 03:44 PM | #5 |
Trustee
Join Date: Mar 2004
Location: Hilliard, Ohio
Posts: 1,193
|
Bob.
the 100LT is UHF. http://www.azdencorp.com/shop/custom...50&cat=0&page= Additional mics availale too. Like the Sony ECM-44. Sean
__________________
‘I don’t know what I’m doing, and I’m shooting on D.V.’ - my hero - David Lynch http://www.DeepBlueEdit.com |
December 15th, 2005, 06:26 PM | #6 |
Regular Crew
Join Date: Aug 2005
Location: PAL Zone
Posts: 188
|
what kind of quality and range do you get with the Sennheiser G2?
|
December 17th, 2005, 01:48 AM | #7 |
Trustee
Join Date: Nov 2005
Location: Sydney Australia
Posts: 1,570
|
We 've now got around 6 G2 systems but they're all the 500 series. More expensive for sure but many, many more channels and more range, with clear line of sight good for around 1,000M. The 100 series I don't really know much about, we looked at them but as we hire the gear out it makes more sense to offer better kit for a few bucks more knowing the user is less likely to have problems and to date not a single user issue.
|
December 17th, 2005, 02:02 AM | #8 | |
Join Date: Jan 2004
Location: Stockton, UT
Posts: 5,648
|
Quote:
Personally, I'm a big fan of the Sony and AT devices in the lower price ranges.
__________________
Douglas Spotted Eagle/Spot Author, producer, composer Certified Sony Vegas Trainer http://www.vasst.com |
|
December 17th, 2005, 06:19 AM | #9 |
Trustee
Join Date: Nov 2005
Location: Sydney Australia
Posts: 1,570
|
Sorry but I'd beg to differ on that point.
More channels is more than marketing hype. Yes, the width of the road (the spectrum allocation) is fixed. So too usually is the number of lanes due to fixed channel spacing. So if one unit can only use 10 of those lanes and another 100 which one has got the better chance of finding a free channel? But there's more to this than just how many 'lanes' of the road you get to choose from. The 500 series gives you access to 9 frequency banks, in other words more roads to choose from and within each you can choose your lanes. Furthermore you can find that with only access to a limited number of banks that you simply cannot use your gear when you travel, while I doubt that you're likely to run foul of the regulatory bodies given the low power of these devices it might come as a bit of shock when you start picking up a local tow truck operator. No matter which manufacturer you do choose it pays to checkout what frequencies their gear uses, what your local spectrum allocation is and that of anywhere that you're likely to travel to. Sennheiser do provide a pretty comprehensive list of spectrum allocation by country on their web site here: http://www.sennheiser.com/sennheiser...requency-check |
| ||||||
|
|