|
|||||||||
|
Thread Tools | Search this Thread |
March 1st, 2011, 11:01 PM | #1 |
Regular Crew
Join Date: Nov 2010
Location: Melbourne
Posts: 92
|
Broadcast Specs Questions
Hi there
Our small video production unit is trying to prepare itself for all aspects of TVC production. We have been informed that the following audio specs must be adhered to: 1. The digital audio scale must not exceed –7.8db. 2. Average levels not to exceed 0 VU (analog meters). Not to exceed or be sustained at +3db. While I recently earned my first credit as a 'Sound Recordist' on a short-film, I am very much a passionate newbie learner. I am unsure what 'digital audio scale' means. Does it perhaps mean that the audio must simply not exceed -7.8db at any one point during the TV commercial? I assume that we would need to capture audio the usual way (that is, following core principles of sound recording), and then adjust the levels in our NLE so that nothing peaks over -.7.8db. Is that somewhere in the ball park, or am I in the dugout? As to the second specification, I assume that it does not pertain to us as we are recording digitally? Any advice/suggestions/links etc. always APPRECIATED. Cheers Miggy |
March 2nd, 2011, 05:24 AM | #2 | ||
Inner Circle
Join Date: Mar 2005
Location: Hamilton, Ontario, Canada
Posts: 5,742
|
Re: Broadcast Specs Questions
Quote:
Quote:
__________________
Good news, Cousins! This week's chocolate ration is 15 grams! |
||
March 2nd, 2011, 06:20 AM | #3 | |
Major Player
Join Date: Oct 2008
Location: Oxfordshire, UK
Posts: 976
|
Re: Broadcast Specs Questions
Quote:
Though things are changing with the new EBU-R128 Loudness Meter spec.. The new broadcast standard is that levels should be -23LUFS (Loudness Units Full Scale) I think the USA have now made this a legal requirement. This means that programmes and ads do not have horrible perceived level variations between them because the ads are heavily compressed to sound "louder" - in fact, with the new method, heavily compressed stuff is likely to sound worse and hopefully we will all get back to being sensible again. I have heard a classical recording with wide dynamic range and a heavily compressed heavy metal track both set to -23LUFS sounding correct without a nasty level change when going from one to the other - so it works.
__________________
John Willett - Sound-Link ProAudio and Circle Sound Services President: Fédération Internationale des Chasseurs de Sons |
|
March 2nd, 2011, 10:31 AM | #4 |
Inner Circle
Join Date: Aug 2008
Location: New York
Posts: 2,039
|
Re: Broadcast Specs Questions
"the following audio specs must be adhered to"
This pertains to program submissions, and has little or nothing to do with the acquisition recording levels. The US 'CALM' loudness act as Steve mentioned will hopefully keep level variations less annoying. The broadcaster has the final responsibility for adhering to it. |
March 3rd, 2011, 08:04 PM | #5 | ||
Regular Crew
Join Date: Nov 2010
Location: Melbourne
Posts: 92
|
Re: Broadcast Specs Questions
Quote:
Quote:
I'm guessing that the VU meter and the process of measurement is NOT part of my NLE? |
||
March 4th, 2011, 04:32 AM | #6 |
Inner Circle
Join Date: Mar 2005
Location: Hamilton, Ontario, Canada
Posts: 5,742
|
Re: Broadcast Specs Questions
Depends on your NLE. Most NLEs primary meter is a peak reading meter calibrated in db below full scalle. But a number of the more professional ones also offer other metering options, including VU meters. They're also avaiable as plug-ins, for example, the Dorrough Loudness Meter plug-in from Waves which emulates the hardware loudness meters from Dorrough.
__________________
Good news, Cousins! This week's chocolate ration is 15 grams! |
| ||||||
|
|