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June 15th, 2010, 04:37 PM | #1 |
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Location: Columbia, Missouri
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dSLR shock mount: T2i
A quick question with what I assume will be an even quicker answer.
For those using the Canon T2i, which shock mount would you recommend using the hot shoe on top of the camera? I know, it's a terrible setup, but for the sake of argument, let's just say I want a mic on the top for what I'm using it for. I've got the Rode shock mount that works with the NTG-2 (I'm actually using my MKH416P48 on it), and I've noticed that the mount - though claiming that it works in Canon hot shoes -- doesn't quite fit, and wobbles. It's too long, and doesn't snap into place. Thoughts are appreciated, as always!
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"Make the most of yourself, for that is all there is of you." R W Emerson RED ONE MX | 5DmkIII | SD744T | SD442 | Sennheiser MKH416 P48 |
June 16th, 2010, 05:37 AM | #2 |
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Use the Rycote Video Mount or Universal Camera Kit - it's the best solution.
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John Willett - Sound-Link ProAudio and Circle Sound Services President: Fédération Internationale des Chasseurs de Sons |
June 17th, 2010, 08:53 PM | #3 |
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I have this on my 7D and it works very well:
http://www.bhphotovideo.com/c/product/108256-REG/Beyerdynamic_407186_EA86_Camera_Shoe.html |
June 18th, 2010, 09:43 AM | #4 | |
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Quote:
The Rycote Lyre mounts re-defined shockmounting when they came out - vastly superior to everything else (though the Cinela Osix and Shure donut are close) - are inexpensive, rugged, don't droop or bounce and do not deteriorate with age. I know I tend to go on about these mounts - but they are *so* much better than anything else on the market at any price that I have to keep repeating it. And because the design is patented no-one can copy them.
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John Willett - Sound-Link ProAudio and Circle Sound Services President: Fédération Internationale des Chasseurs de Sons |
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