I need a set of mic to record loud punk rock show at DVinfo.net

November 5th, 2002, 01:28 AM

Hello all,

This is off topic because I m using PD150, but I want to know what would be a good set of microphone I can get to record a loud rock show in a bar. I have AT822 right now and it does a good job, but I thought since I upgraded to PD150, I would try to get way much better one for better sound. I can't move around to find a sweet spot because i'll be standing right in front of stage.

Thank you :o)

Jon Eriksson · November 5th, 2002, 04:49 AM

I would suggest that you take the audio straight from the mixer desk with a DAT or minidisk and use the camera mic. for ambient sounds from the crowd. This way you would get the best possible sound from the music itself, and balance it to the crowd to get the 'live' feeling.

Regards
Jon

November 5th, 2002, 08:30 AM

I don't know how to ask for getting audio from mixer desk to my MD. I don't kow the mixer guy so I can't talk to him in advance about wanting to path into pa...

Ed Frazier · November 5th, 2002, 09:37 AM

A simple introduction to the "Mixer Guy" can be the best thing you could do for improved audio. I've done quite a few gigs where I didn't know who would be running the board, but if you ask, they usually are happy to help. At least that's been my experience so far. It helps if you can supply all the necessary connections from the board to your equipment.

Generally from the board, your going to have either 1/4" or XLR balanced outputs available, mabye RCA unbalanced (tape out) if everything else is being used. The board output will most likely be line level, though some mixers can output mic levels. One of the resident audio experts here can comment on the differences between pro and consumer line/mic levels.

If you show up with the necessary cables, adaptors and attenuators to interface your equipment with any of the above possible combinations, you should be in pretty good shape.

November 5th, 2002, 02:25 PM

Thank you Ed,

I have Dual RCA to mini and Dual XLR to mini, but I dont know if XLR one is balanced. I connected unbalanced XRL Y split to balanced XLR or something. I was sent to a website to get this, but I couldn't find it. Do you know where? and are all RCA to mini unbalanced.

Also what is the recommended attenuators? and do I need hum killer thinggy to stop ground.

Thanks all

Jesse Meehl · November 7th, 2002, 10:41 AM

If you are going to record from the mixer, make sure they are mic-ing the drums. At alot of smaller shows they don't.

November 5th, 2002, 01:28 AM	#1
Guest Posts: n/a	I need a set of mic to record loud punk rock show Hello all, This is off topic because I m using PD150, but I want to know what would be a good set of microphone I can get to record a loud rock show in a bar. I have AT822 right now and it does a good job, but I thought since I upgraded to PD150, I would try to get way much better one for better sound. I can't move around to find a sweet spot because i'll be standing right in front of stage. Thank you :o)

November 5th, 2002, 04:49 AM	#2
Jon Eriksson Regular Crew Join Date: Aug 2002 Location: London, UK Posts: 42	I would suggest that you take the audio straight from the mixer desk with a DAT or minidisk and use the camera mic. for ambient sounds from the crowd. This way you would get the best possible sound from the music itself, and balance it to the crowd to get the 'live' feeling. Regards Jon __________________ Real Men do not Preview

November 5th, 2002, 09:37 AM	#4
Ed Frazier Major Player Join Date: Sep 2001 Location: Las Cruces, NM Posts: 343	A simple introduction to the "Mixer Guy" can be the best thing you could do for improved audio. I've done quite a few gigs where I didn't know who would be running the board, but if you ask, they usually are happy to help. At least that's been my experience so far. It helps if you can supply all the necessary connections from the board to your equipment. Generally from the board, your going to have either 1/4" or XLR balanced outputs available, mabye RCA unbalanced (tape out) if everything else is being used. The board output will most likely be line level, though some mixers can output mic levels. One of the resident audio experts here can comment on the differences between pro and consumer line/mic levels. If you show up with the necessary cables, adaptors and attenuators to interface your equipment with any of the above possible combinations, you should be in pretty good shape. __________________ Ed Frazier

November 7th, 2002, 10:41 AM	#6
Jesse Meehl New Boot Join Date: Nov 2002 Location: Minneapolis, MN Posts: 10	If you are going to record from the mixer, make sure they are mic-ing the drums. At alot of smaller shows they don't. __________________ I've got a bone to pick, and a few to break.

November 5th, 2002, 08:30 AM	#3
Guest Posts: n/a	I don't know how to ask for getting audio from mixer desk to my MD. I don't kow the mixer guy so I can't talk to him in advance about wanting to path into pa...

November 5th, 2002, 02:25 PM	#5
Guest Posts: n/a	Thank you Ed, I have Dual RCA to mini and Dual XLR to mini, but I dont know if XLR one is balanced. I connected unbalanced XRL Y split to balanced XLR or something. I was sent to a website to get this, but I couldn't find it. Do you know where? and are all RCA to mini unbalanced. Also what is the recommended attenuators? and do I need hum killer thinggy to stop ground. Thanks all