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March 20th, 2009, 02:53 PM | #16 | |
Major Player
Join Date: Sep 2006
Location: Virginia Beach, VA
Posts: 656
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Quote:
In the recent past I have been using a Sony PCM-D50 digital audio recorder ($500ish) to record the primary audio track from wireless or wired microphone feeds. I always record in 24bit resolution and 48K sampling frequency. This always gives a better result than recording to the camera and there is a ton more material to work with when you need to boost levels or edit the audio for whatever reason. The limiter and attenuators are also far better than the on-camera ones. I also have a Panasonic camera and the onboard sound (not mics) recording is acceptable in most cases, but it's never as good as the digital audio recorder. However, I have have a couple projects lately that were just extremely time consuming to sync audio and video (doing multicam with timeshifting a bunch of scenes). I can tell you for sure that the edit is going to be much more time consuming, at least until you get a good work flow established. So in short, getting the audio off the camera is the way to go, but you need some good equipment (including a mixer) and it's a lot more work on location and in post. Here is a B&H digital recorders buyers guide: The B&H Handheld Digital Audio Recorders Buyer's Guide | B&H Photo Video Audio Have fun
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Panasonic HMC150/Canon A1/JVC HD1/Sony Vegas 8.0c |
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March 20th, 2009, 03:19 PM | #17 |
Regular Crew
Join Date: Nov 2008
Location: Los Angeles
Posts: 82
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Let the man talk. Marco, please speak up - say what you have to (...?) say for crying out loud ;-)
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