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January 1st, 2009, 11:45 AM | #1 |
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Recommendations for protools me system
I'm looking to assemble a protools/macbook pro setup for our company. Does anybody have any suggestions on best configurations and packages out there? Looking in the $10k range for whole setup with basic 5.1 capabilities
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January 1st, 2009, 12:22 PM | #2 |
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You'll probably want to go the Pro Tools HD route. A 5.1 system can be done in a Pro Tools LE system, but it gets very complicated setting up that sort of system as LE is not designed to handle surround.
It is also possible to run a PT HD system on a macbook pro, but you'll need to add an expansion chassis to handle the PCI cards. Even though I've read that doing it this way might be stable, I personally wouldn't recommend it. Full PT HD systems get pricey quickly as well. Just the PT HD|1 system starts at 8k, then you have to add an interface for another 2-3K, then there may be additional things you'll want to add. |
January 1st, 2009, 01:17 PM | #3 |
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Honestly....Pro Tools is highly overrated. I've taken many classes in and it always go back to Sonar Producer. First off it's CHEAP. Secondly its not proprietary and works with all kids of great I/O's (input output/recording device). The biggest downfall? It's only for Windows. While I'm a Windows person, it would be nice sometimes to have a more stable OS to do my audio on. Logic and Cubase are suppose to be great as well. Logic is only for Mac. Cubase, myself along with other experienced audio guys just don't "get it". Initially it's a pain in the butt to get setup for some reason. However alot of people swear by it so maybe we're dumb.
Now yeah "We run Pro Tools HD" sounds way cooler then "We run Sonar" and your customers go "run what?"...(they probably will either way actually, haha). But...don't unless you're willing to invest about 5x that amount...don't go Pro Tools HD. You might even want to look at Pro Tools LE but I don't believe it supports 5.1. Also Pro Tools his a massive resource hog, you will need a Mac Pro if you really want to do this right. In fact even if you aren't going with Pro Tools, get a real computer, not a laptop. Finally, I'd call someplace like SweetWater because all their sales people who are actually knowledgeable about the products they sell and alot own recording studios themselves. This way you don't get someone from Musicians Friend that's reading out of a book haha. In the end...what exactly are you going to do with this setup? bands? strictly film? all of the above? What have you tried this far? Good luck. Dustin |
January 1st, 2009, 02:32 PM | #4 | |
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Pro Tools LE doesn't support 5.1, but supposedly there are plugins, and ways to assign channels, and all that junk needed to get it working. Pro Tools LE may put some stress on the CPU, but for Pro Tools HD pretty much most of the processing is done on the core/accel cards. You can get a lot of performance out of high-end laptops, but I would only use them if mobility is a high priority. |
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January 1st, 2009, 02:42 PM | #5 | |
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January 1st, 2009, 04:02 PM | #6 |
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Actually Pro Tools 8 introduces surround capabilities (up to 7.1) for LE systems; you just need to get the Complete Production Toolkit and an interface with at least 6 outputs. I would recommend getting the 003 which is also a control surface, but, considering your using a Laptop maybe you want your setup to be moderately portable, in that case an MBOX 2 Pro is the way to go.
I Hope this helps. Andres. |
January 1st, 2009, 06:08 PM | #7 | |
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January 2nd, 2009, 12:26 AM | #8 | |
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It should be mentioned that MOTU's Digital Performer is a very good DAW along with Sonar, Cubase, ProTools and Logic. The learning curve is considered among the shortest. I will get ProTools some day but from my perspective unless you are running a recording studio for musicians or have serious client base that is working in ProTools for their audio I would not go there. Almost all the other solutions have fairly good export utilities to get things ProTools compliant although you will have to spend some time getting the workflow down. |
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January 2nd, 2009, 12:31 AM | #9 |
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Thanks guys! Wow, a lot of great feedback quick. I've talked to a few people already and this would also be a system being run by someone who does this fulltime. Mobility is a factor so that's the reason for looking at it running on a MCP. This would mainly be film audio - not a ton of producing music/scoring here. Going the PT route rather than other options at this point also opens up some of the workflows we have for faster finishing since we'll work in both FCP and on PCs in Premiere.
We've worked up to this point in both Vegas on PC and STP/Logic on the mac. I really like the STP/Logic setup myself but if my sound guy can work quicker in PT and we can get in and out of it faster and safer then it's worth it. I talked to a studio here that is running LE and loves it. I guess the biggest question now would be should I consider other options for being mobile and include a mac pro for the processing power. Thanks again all! |
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