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March 18th, 2008, 03:25 PM | #16 |
Inner Circle
Join Date: Nov 2004
Location: Baltimore, MD USA
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Persactly!
Ty Ford |
March 18th, 2008, 07:05 PM | #17 |
Major Player
Join Date: Jan 2008
Location: Calgary, Alberta
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what are the differences between these two, other than price
http://www.vistek.ca/store/ProVideoM...rectional.aspx http://www.vistek.ca/store/ProVideoM...nal-wdc78.aspx has anyone used any of these? will the ecm44b cut it for a broadcast piece? thanks |
March 18th, 2008, 07:37 PM | #18 |
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Here are the mics at B&H for a lesser price:
http://www.bhphotovideo.com/c/produc..._Lavalier.html http://www.bhphotovideo.com/c/produc..._Lavalier.html Differences include: Price Size Length of time on market Sound Quality Moisture resistance The ECM-88 is Sony's top-of-the-line lavalier, and Sony would say it one of the best (maybe the best) in the world for top-end professional use. The ECM-44 has been around a long time, is an entry level pro lav, has served many well as a documentary-type workhorse. For specific strengths and weaknesses in the field, others have to apply. To listen to them in a controlled situation, wait for Dan's review. |
March 18th, 2008, 08:10 PM | #19 | |
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Location: Calgary, Alberta
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Quote:
i dont want no cheap quality, thats for sure, so if the ecm-44 will do the job nicely, then i'll go with that while saving some cash for other investments. If it was "consumerish quality" i would rather pay for the 88. thanks again and will go with the 44 |
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March 19th, 2008, 01:48 AM | #20 | |
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Join Date: Mar 2007
Location: Sherman Oaks, CA
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Quote:
I have heard very good things here in LA about the DPA's. The main argument for the COS-11 is that they are less fragile and easier to hide. But the DPA's are considered a small notch above the COS-11's in terms of sound quality and offer the ability to tailor their sound by changing the screen. Also the DPA has a pretty cool way of connecting to either phantom power or a transmitter by using their adapters. This way you know your DPA will work with both 48V or your transmitter as long as you own the correct adapter. It takes a lot of the guess work out in terms of having a custom job done by a sound shop. For example, to use a COS-11 with both ways, I need the TA5 version with an Ambient power supply to run 48V and a TA5 to locking mini adapapter to run it with my G2. Because all brands have slightly different specs, I never know if the TA5 to mini adapter is optimal. With the DPA, they have a special G2 adapter, so it removes the guess work. BTW, another lav that is VERY much in favor here is the Sennheiser MKE-Platinum. |
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