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February 17th, 2008, 11:55 PM | #1 |
New Boot
Join Date: Feb 2008
Location: Cleveland, Ohio
Posts: 14
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Two-shot improv coverage
When filming improv between actors, which is difficult for a boom to follow, in addition to lavs, would one recommend putting a single fixed cardioid, or possibly figure-8 mic overhead to pick up both actors, or put a separate hypercardioid on each? (Will using two mics overhead create problems for the post mixer?) Which single mic, or pair of mics, would work best in this capacity? Thanks.
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February 18th, 2008, 02:08 AM | #2 |
Trustee
Join Date: Jun 2006
Location: Burbank
Posts: 1,811
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What is the size of the area you are trying to cover?
How physical is the improv? Will the actors be running around? Will they be sitting/kneeling/lying on the ground? Can you tell the actors to stay within a certain area? |
February 18th, 2008, 11:45 AM | #3 |
Regular Crew
Join Date: Feb 2008
Location: Winnipeg, Manitoba Canada
Posts: 86
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If they are more or less facing each other and not running around a good boom op should be able to track them both, with a hyper card
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