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February 13th, 2008, 07:31 PM | #1 |
DVCreators.Net
Join Date: Oct 2001
Location: Seattle, WA
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Computer "hush boxes" for VO in edit suite
Frequently we see folks needing to do VO in their edit suite. Besides getting an expensive VO booth, can anyone offer any less expensive solutions to quiet down a computer and external drives?
Here is one box I saw at NAB http://www.norenproducts.com/Acoustilock/gCAB.html Looks awesome, but I'd like to find something less expensive to recommend. |
February 13th, 2008, 08:17 PM | #2 |
Regular Crew
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I bought this for a room that has the computer in the same room. Seems to work good. Complaint from users is that it blocks talents view of a video monitor and you can't see around it.
http://www.seelectronics.com/rf.html $300 |
February 13th, 2008, 08:38 PM | #3 |
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USB and DVI extension cables to move the computer into another room is the best long term investment you'll make. I've banned anything with a fan from the edit room. its a big difference and totally worth the effort. hearing all that white noise I've noticed can also cause ringing in the ears, at least for me when exposed for long periods of time.
that said, you can _try_ hanging a sound blanket or two up on C stands to make a mini booth if you have them around... and throw a sound blanket over the computer. another thing that helps is if the computer is close to a wall, some 4" Sonex foam. it will absorb about 50% of the noise which hits the wall and bounces into the rest of the room. if you are running a PC, you can also try adding some fan controls to lower their RPM, and therefore noise. be sure the BIOS fan controls are enabled so that in theory, the PC should run the fans at a slower speed when its running full tilt on a render. for a grand or so, you can try one of those "silenced" rack boxes.... them extension cables are sounding a lot more reasonable now. |
February 13th, 2008, 09:38 PM | #4 |
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I'd just caution everyone to be extra careful about this.
While most upper and mid frequencies are semi-directional and can be surpressed at least a little by surrounding your mic with baffles - most low frequency information's long wavelengths aren't directional at all. So if your room has rumble - from operating AC rattling duct work, outside traffic, or whatever - it's REALLY easy to miss it. Particularly if you're monitoring via less than good speakers. Think about it - how can you even HEAR a but of rumble, if you're listening for it in a room where you've become accustomed to that VERY SAME RUMBLE?! Sometimes a little infected low end isn't a problem - like when you're ONLY listening back off a cheap 3" TV speaker or off a laptop with horrible audio reproduction. But take that same project to the annual corporate meeting where the AV company has set up a decent sound system with low end, and suddenly you're asking yourself who let the grand prix guys hold their convention in the next room. So be VERY careful if you're going the "quick and easy" route for VO recording. In fact do yourself a favor and any audio content you record that way put though some reasonable compression and normalizing and give a good listen to what REALLY ends up on the track. I bet you discover that computer's "quiet" fan isn't really all that quiet at all. BTW, Markertek sells a similar "mic mounted portable vocal booth baffle" which might be worth checking out if that's the route you MUST go. Search REFLEXION FWIW Last edited by Bill Davis; February 13th, 2008 at 09:43 PM. Reason: Added content |
February 13th, 2008, 10:30 PM | #5 |
Inner Circle
Join Date: May 2006
Location: Camas, WA, USA
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The good news is that you can filter really low frequencies out of dialog without much harm.
And, as a post-guy and composer, I like wall to wall music. It hides lots of sins. ;)
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Jon Fairhurst |
February 16th, 2008, 12:29 PM | #6 |
New Boot
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You might try one of these:
http://www.coleselectroacoustics.com...entators.shtml It's a ribbon microphone designed to record clean voice-over at loud venues (developed for BBC covering boxing). They're about $800, and you'll need a really good, high-gain-low-noise preamp for best results. We use these for recording reporter tracks in satellite trucks, etc. They sound very good and drop background noise by at least 30 db. |
February 16th, 2008, 02:13 PM | #7 |
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Here is the ultimate solution:
http://harlanhogan.com/portaboothArticle.shtml I use a laptop and an E-mu 1616m cardbus sound interface: http://www.emu.com/products/welcome.asp?category=505& E-mu also makes some very nice USB interraces: http://www.emu.com/products/welcome.asp?category=610& |
February 16th, 2008, 05:38 PM | #8 | |
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Quote:
If it works, great! But, my first concern is does it cause the processor to heat up excessively. Ideally, it would be great to have a machine room connected to one wall of the edit suite for a temperature/humidity controled clean room for the noisey equipment. Custom building a less expensive VO booth would also be an option. |
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