Can I use my Rode NT1a on a boom at DVinfo.net

Alex Wren · September 13th, 2007, 05:56 AM

Hello,

Do you think I could get away with using my Rode NT1a on a boom in an overhead indoor interview situation?

I appreciate that this might not be the most suitable mic but it is the only one I have at the moment.

Alex

Brooks Harrington · September 13th, 2007, 12:59 PM

That would work..... but it's a bit heavy!

Alex Wren · September 13th, 2007, 01:53 PM

Quote:

Originally Posted by Brooks Harrington

That would work..... but it's a bit heavy!

Don't worry I have got that bit sorted. I have a lighting boom, counterweight and shockmount. I have not had a chance to try it yet so I thought I would see if anybody else had done it or knew if the mic would be ok for this.

Alex

Ty Ford · September 13th, 2007, 03:37 PM

The NT-1a is not a hypercardioid.

You will hear a lot more room than you want. The nastier your room, the worse the sound.

Relative to a good boom mic, you will be disappointed.

Regards,

Ty Ford

Petri Kaipiainen · September 14th, 2007, 01:33 AM

Does not hurt to try. I have used NT-1A to record a tight group of people, mic hanging from above about 0.5 m distance from the talents. Worked fine, better sound than from Oktava 012 hyper I had next to it. It was a hard walled photo studio about 15*9*6 meters in size.

Ty Ford · September 14th, 2007, 05:58 AM

You're actually going to hold a boom with an NT1-a (or any studio condenser)? Holding it with your arms?

Having someone actually operate a boom makes a big difference. It's not unusual to move a boom even with only one person.

Maybe because a cardioid is wider than a hyper and would cover the group better, but at the expense of the sound of the room. Please let us hear that audio.

I don't want to have the idea that sticking a mic on a static boom on a regular basis is a good operating practice.

Regards,

Ty Ford

Jimmy Tuffrey · September 15th, 2007, 05:54 PM

Given the choice I think I'd rather stick a SM57/8 up there. The added sensitivity of the NT1a will just pick up all the stuff you don't want... ie room ambiance. I've acheived more reach than expected with a good old 58 in the right situation. Being less sensitive they don't hear as much indirect (reflected) sound if you ask me. - Well maybe, when you want to try the Rode on a boom then I guess anything's an option worth trying!

Stop Press: just tried it and I think I'm right, but not by far!

Good Luck

September 13th, 2007, 05:56 AM	#1
Alex Wren Regular Crew Join Date: Nov 2004 Location: UK Posts: 161	Can I use my Rode NT1a on a boom Hello, Do you think I could get away with using my Rode NT1a on a boom in an overhead indoor interview situation? I appreciate that this might not be the most suitable mic but it is the only one I have at the moment. Alex

September 13th, 2007, 03:37 PM	#4
Ty Ford Inner Circle Join Date: Nov 2004 Location: Baltimore, MD USA Posts: 2,337	The NT-1a is not a hypercardioid. You will hear a lot more room than you want. The nastier your room, the worse the sound. Relative to a good boom mic, you will be disappointed. Regards, Ty Ford __________________ Ty Ford's Audio Bootcamp Field Guide Ty Ford's Audio Video Blog

September 14th, 2007, 05:58 AM	#6
Ty Ford Inner Circle Join Date: Nov 2004 Location: Baltimore, MD USA Posts: 2,337	You're actually going to hold a boom with an NT1-a (or any studio condenser)? Holding it with your arms? Having someone actually operate a boom makes a big difference. It's not unusual to move a boom even with only one person. Maybe because a cardioid is wider than a hyper and would cover the group better, but at the expense of the sound of the room. Please let us hear that audio. I don't want to have the idea that sticking a mic on a static boom on a regular basis is a good operating practice. Regards, Ty Ford __________________ Ty Ford's Audio Bootcamp Field Guide Ty Ford's Audio Video Blog Last edited by Ty Ford; September 14th, 2007 at 06:15 AM. Reason: additional info

September 13th, 2007, 12:59 PM	#2
Brooks Harrington Regular Crew Join Date: May 2007 Location: Pasadena, CA Posts: 152	That would work..... but it's a bit heavy!

September 14th, 2007, 01:33 AM	#5
Petri Kaipiainen Major Player Join Date: Apr 2007 Location: Espoo Finland Posts: 380	Does not hurt to try. I have used NT-1A to record a tight group of people, mic hanging from above about 0.5 m distance from the talents. Worked fine, better sound than from Oktava 012 hyper I had next to it. It was a hard walled photo studio about 1596 meters in size.

September 15th, 2007, 05:54 PM	#7
Jimmy Tuffrey Major Player Join Date: Jul 2007 Location: Bristol U.K. Posts: 244	Given the choice I think I'd rather stick a SM57/8 up there. The added sensitivity of the NT1a will just pick up all the stuff you don't want... ie room ambiance. I've acheived more reach than expected with a good old 58 in the right situation. Being less sensitive they don't hear as much indirect (reflected) sound if you ask me. - Well maybe, when you want to try the Rode on a boom then I guess anything's an option worth trying! Stop Press: just tried it and I think I'm right, but not by far! Good Luck