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August 3rd, 2007, 05:08 PM | #31 | |
Inner Circle
Join Date: Mar 2005
Location: Hamilton, Ontario, Canada
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Quote:
If you had a mixer with tone, as a starting point you'd send a 0VU tone to the camera and adjust the camera levels so it read about -20 dBFS in the camera's meter. Then if the material wasn't too "peaky" you might record a little hotter. You said you can't stand programs that you have to turn up and I agree with you but that's not something you adjust in the camera or recorder on set. Don't make the mistake of thinking the level on the tape in the camera is the level it will be in the final program - your goal when shooting is to get the full dynamic range of the performance on the tape without clipping or distortion - post is where you adjust levels for what is heard in the final program.
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August 3rd, 2007, 05:33 PM | #32 | |
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Location: Las Vegas, NV
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Thanks for telling me that. This was just a quick and dirty test, but no, I never have anything clipping and I rarely adjust the volume in post because I get the volume loud enough when the filming was going on. So you're saying that the audio meters on the camera should never go above that -12db as seen below on page 45:
http://www.mediacollege.com/equipmen...ra/agdvc80.pdf What I've been doing was recording in the range between -12 and 0, but never quite hitting 0. Does -12dB on the camera meter (on the tape) equate to -12dB in Vegas? I guess I worry that if I record the volume too low on the tape, that even if I increase it in post it won't be high enough and that's why I was trying to record as loud as I could without hitting 0dB.... I'm learning a lot here, thanks again! I was just looking through the manual and read this on page 49: Quote:
Last edited by Mike Costantini; August 3rd, 2007 at 05:41 PM. Reason: adding something |
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August 3rd, 2007, 05:49 PM | #33 | |
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Quote:
Yes, that's correct. The Blue is a preamp, which means it is already boosting the mic level to line level. I won't say it should NEVER go over -12 but that's the general ballpark of the average levels you should be shooting for. You can't really say that -12 on the camera will equate to -12 in Vegas because of meter response times - who knows for sure what Panasonic has set theirs up for - but they should be pretty close most of the time. -20dBFS sine wave usually corresponds to -12 to -14 dBFS on voice waveforms.
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August 3rd, 2007, 06:11 PM | #34 |
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Alrighty then, I'll be sure to let you see the final outcome of this video when it's done, we're probably going to shoot it tonight...
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