after effects cs5, color finesse at DVinfo.net

Bruce Watson · January 12th, 2011, 05:41 PM

I just found the Color Finesse plugin for After Effects. This makes is really easy to make a very quick and, to my eyes, pretty accurate white balance correction -- just using the gray eyedropper.

For much of the video I do (classroom stuff) it would be easy enough to make a little gray card to put on the surface in front of the teacher to film while taking a sample of the audio room sound (I do this when I can for most classes). Question is, how gray is gray? What level of gray does Color Finesse expect for that function? IOW, could I use something like a Kodak 18% gray card? Nice and neutral with no metamerism. So they say.

Alternately, does this make any sense? Or should I just do a manual white balance in the camera using said gray card? Would it matter? Would there be any difference?

I know, try it and see. And I will do just that. If I can figure out what gray to use to white balance with. I can't be the first person to ask this question, but Google hasn't been my friend today. Anyone point me in the right direction?

Kevin Monahan · January 13th, 2011, 12:58 PM

Yes, you need a chip chart that contains black, white and 18% gray. You can white balance your camera using that card. You can also use it in color correction within Adobe Premiere Pro or After Effects. Here's a link for a chip chart: http://www.kozco.com/calibrat/gray3.html

More on using the chip chart in post: Color Correction for Digital Video ... - Google Books

January 12th, 2011, 05:41 PM	#1
Bruce Watson Major Player Join Date: Mar 2010 Location: Raleigh, NC, USA Posts: 710	after effects cs5, color finesse I just found the Color Finesse plugin for After Effects. This makes is really easy to make a very quick and, to my eyes, pretty accurate white balance correction -- just using the gray eyedropper. For much of the video I do (classroom stuff) it would be easy enough to make a little gray card to put on the surface in front of the teacher to film while taking a sample of the audio room sound (I do this when I can for most classes). Question is, how gray is gray? What level of gray does Color Finesse expect for that function? IOW, could I use something like a Kodak 18% gray card? Nice and neutral with no metamerism. So they say. Alternately, does this make any sense? Or should I just do a manual white balance in the camera using said gray card? Would it matter? Would there be any difference? I know, try it and see. And I will do just that. If I can figure out what gray to use to white balance with. I can't be the first person to ask this question, but Google hasn't been my friend today. Anyone point me in the right direction?

January 13th, 2011, 12:58 PM	#2
Kevin Monahan Adobe Systems Join Date: Dec 2010 Location: San Francisco, CA Posts: 191	Yes, you need a chip chart that contains black, white and 18% gray. You can white balance your camera using that card. You can also use it in color correction within Adobe Premiere Pro or After Effects. Here's a link for a chip chart: http://www.kozco.com/calibrat/gray3.html More on using the chip chart in post: Color Correction for Digital Video ... - Google Books __________________ Kevin Monahan - Support Product Manager—DVA After Effects - Premiere Pro - Media Encoder - Prelude - SpeedGrade - Encore