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First Look: Sony PXW-FS7 L.S.S. Shoulder-Mount Camcorder, pt. 1
[Updated 18:40 PDT 12 Sept 2014: frame grabs and photos.] As I post this, Sony is announcing the PXW-FS7 “Vérité”…
Become an Eyelight Detective: The Easy Way to Dissect Someone Else’s Lighting
Since my college days I’ve been driven to learn how other DP’s light: what units they use, where they put…
Review: Lumu incident-reading lightmeter for iOS / Android
[Updated September 2016: Lumu is no longer supported on Android. Apparently the audio-jack interface on Android is too inconsistent to allow…
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Canon Inc. shows UHD at Canon Expo
Canon Inc. shows working Ultra-High Definition concept pieces including compact 4K video cameras, an 8K broadcast UHD television lens and…
B&H Video Review: Canon 5D Mark II
In this video review from B&H Photo Video we examine the 5D Mark II, the camera that hailed the start of the HD DSLR revolution. It’s still a great choice for full frame, wide-angle video shooting.
Digital SLR Cameras – What’s New for Military Photography
This white paper is provided to DV Info Net courtesy of Electrophysics Corporation, a leading developer of advanced high performance…
A Beginner’s Guide to Shooting Stereoscopic 3D
This article was Originally published in FCPUG Supermag #4 (April 2010) and on Dashwood3D.com Updated and Revised September 2011. All images…
Focus Enhancements Solid State DTE Recorders
The new FS-CF Pro DTE recorder provides additional features such as video playback on the unit’s color LCD, MPEG-4 proxy file generation, wireless metadata logging, and much more. The Focus Enhancements FS-CF and FS-CF Pro DTE recorders are ideal for professional cinematographers and videographers looking to upgrade their existing Canon HDV equipment to a seamless file-based workflow.
City of Lakes: A Hybrid Production in India
Our production was never short on challenges. They were immediate, frequent, and often unbelievable. One thing that never failed us, however, were the D-SLRs. From the beginning, getting through customs was not an issue. Shooting quickly and unobtrusively in crowded areas, in the streets or in the middle of a massive festival was something very doable with our small crew; which often times meant we had to take a back-to-film-school approach. We could shoot multiple cameras simultaneously during live events and transition quickly to a scripted scene with ease.
RED Digital Cinema: The NAB 2010 Event
Ergonomically, the new EPIC body weighs in at 5 lbs. The prototypes were lightly rigged with LCD, new REDVOLT battery grips, REDMOTE, and CF modules, to show how adaptable the camera is for a range of fast environments. The lightly rigged EPIC looks like a DSLR on steroids. Jim handed the EPIC across the cocktail table to my new RED-using pal Eythan from Atlanta, saying “You want to hold this, don’t you?” and he later told me excitedly that “it was as easy as holding any camcorder.” RED is currently planning Nikon and Canon EF mounts for EPIC, and with these lighter lenses, the camera will have built an excellent documentary and event camera. You can easily build the camera, including in-camera audio inputs, for around 8 or 9 lbs., depending on the lens.
An Affordable, Rugged, Compact, Versatile HD Camcorder
Meet the GoPro Hero HD camera. This tiny powerhouse has got capabilities at a price we could only have dreamed of a few years ago.
Apogee Inc. Offers Low Cost HDMI Output From Your Mac Computer
If you use a Mac, and you’re one of those who likes previewing footage on a large living room monitor, these low cost solutions may be just the ticket.