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NAB 2015: Odds ‘n’ Ends
Just a few bits ‘n’ pieces I saw at NAB, in between working a booth and running to meetings… This…
NAB 2015: SmallHD monitor / EVF
SmallHD always has something interesting to show: last year it was the DP7 7″ monitor with built-in LUT generation; this…
NAB ’15: From the Panasonic Private Suite
At NAB 2015, Panasonic gave private demos for members of the Cinematography Mailing List, discussing the Varicam 35 and the…
NAB Show Reports...
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NAB2014: JVC demos four new 4K large sensor cameras for digital cinema
JVC Kenwood is unveiling four new 4K camera models at NAB2014 featuring 4K CMOS Super35 sensors from its sister company…
NAB Saturday Setup
Tonight we’re gonna party like it’s… 1987? These iconic letters, seen on the journey to the show, are also the…
Sensor Color Balance: What It Really Is
Do sensors have a native color balance? What does that even mean? I’ve got a theory… read on! When the…
Canon Cinema EOS: Which Camera?
Last autumn and winter I had the opportunity to shoot with both the Canon C100 and 300 cameras. Not surprisingly,…
Live View? Not So Fast…
Bob Shaw’s 1966 short story “Light of Other Days” and 1972 novel “Other Days, Other Eyes” are built around the…
To Monitor or Not to Monitor: That is the Question
Monitors can be contentious things on set. Here’s how I make them work for me, rather than the other way…
The Odyssey7Q and Sony FS700 Tests
Originally posted on Dashwood Cinema SolutionsI was very excited last week to hear that Convergent Design had finally released the…
NAB Tips For Trade-Show Rookies
In the 25 years I’ve been regularly attending NAB, I’ve learned a few tricks. For instance, when I was starting out, trade shows were about seeing all the shiny things on display, because for decades the big trade show was the only place to get information directly from multiple manufacturers. So most attendees would end up flying home with bags and bags of of brochures and product sheets to study. But those days are gone.
Sony SGamut vs. SGamut3: Battle of the Color Spaces
Recently I shot some comparison tests between Sony’s older SGamut color space and their brand new one, SGamut3.cine. For several…