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Am i right or wrong in saying the canon hv20 has more resolution than standard 16mm film,i was under the impression than for hd tv broadcasts 35mm pro hd and a small pecentage of hdv, not sure about super16 but i do not think 16mm is included.
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The HV20's image, despite being uncompressed, had a resolution lower than it's maximum; a 35mm adapter and 35mm lens loose contrast and resolution and adds chromatic aberration, the DOF was extremely shallow (50mm 1.4 lens fully wide open) and my focus was off as I was eyeballing it through a 2.5" LCD screen. Then bear in mind the optical and digital systems in the camera that throw away high-frequency detail. If the set had been any darker at all, it would have started to miss detail. In the end, the director and I were excited that we can cut the footage together after a colour grade and some grain thrown in. |
I just wanted to know what stock THAT frame was from, looks like 7218 and it seems to be exposed to the specular highlights. For people who haven't seen much 16mm, this shouldn't be seen as a comparison to make any judgments on.
Anyways, thanks for posting Chris, I love frame grabs! |
Here's the video:
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nice stuff
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Glad you enjoyed it - the director will be thrilled! It was his first project of this nature. Cheers!
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Which parts were 16mm.
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Martyn, this project is over a year old now for me, and, it's visually hard to tell, which means that the blend of the two was a success. From what I can remember, the first shots are 16mm, many of the earlier shots from the first half of the band on the location they play at are 16mm, and all the B-Roll (B&W driving, etc shots) are 16mm too.
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