Re: Sony F3 with hyperdeck shuttle questions
 

Thank you Alister for the explanation so if understand it correctly it is ok for me to import the 29.97i(recorded onto shuttle as progressive) in a progressive project in adobe cs6 and ignore the warning ? Because when I record 23.97p i can put the camera as psf and adobe cs6 then do recognize it as progressive

Re: Sony F3 with hyperdeck shuttle questions
 

Any reason you don't want to use the SDI monitor port for recording?

Any pictures of your setup? : )

Re: Sony F3 with hyperdeck shuttle questions
 

Dennis I need to explore it but I think the SDI out only did the 720 59.94p and had a narrow green line on the right of the picture but again I will need to do more testing to be sure and will try to post a picture late today

Re: Sony F3 with hyperdeck shuttle questions
 

The monitor SDI output on the F3 can be set for 720 or 1080.

I used the monitor SDI output for a while to record 4:2:2 S-Log before the firmware update that allowed it on the main SDI ports.

Re: Sony F3 with hyperdeck shuttle questions
 

Yes you can get full 1080p out your SDI monitor port. I do like using SDI-A however since it is higher on the back of the camera and it allows me to keep the protective caps in place that covers all the other the other ports.

Re: Sony F3 with hyperdeck shuttle questions
 

My Sony PMW-F3 with Hyperdeck Shuttle 2

Re: Sony F3 with hyperdeck shuttle questions
 

Very nice, and I like the location of the shuttle!

Re: Sony F3 with hyperdeck shuttle questions
 

Thanks Dennis I also prefer the SDI a for its location and the location of the shuttle wasn't my first choice but after trying it out I do like it now my next goal is to find out what to do with the 29.97i (wrapped psf) in editing

Re: Sony F3 with hyperdeck shuttle questions
 

I found what to do with the 29.97i(wrapped psf) apparently Premiere Pro is missing the psf workflow so I found an article that explained I need to manually interpret footage to progressive.Thank all of you guys with the help now I am ready to do some testing and probable chat soon again I really appreciate forums like this to learn a lot and share information.

Re: Sony F3 with hyperdeck shuttle questions
 

If your project is progressive and you will always render out to progressive then you don't need to do anything with PsF files.

The only time you may need to do anything is when using PsF in an interlace project as any filters or effects will treat the file as an interlace file. This rarely causes an issue, but it may lead to some odd effects in some very rare cases.

It all comes down to the fact that when the standards for HDSDI were written 1080p25 and 1080p30 were not included, only 25i, 30i and 24p. So to get around this progressive is sent disguised as interlace.

What will cause nightmares is if you accidentally interpret a 1080i30 file as progressive because the frame will be processed as a progressive frame merging the two fields into a progressive frame. Any motion will then appear as combing or banding in the image.

Re: Sony F3 with hyperdeck shuttle questions
 

Hey Rudy, I ordered the same cable. Did you have to change the polarity of that cable in order to power the hyperdeck? Just got mine today.

Re: Sony F3 with hyperdeck shuttle questions
 

Usually the battery has a "+" and "-" stamped into the connector. They need to line up with the + & - on the D-Tap cable connector for my EX-L96 battery it work just fine I did not have to switch any cables

Re: Sony F3 with hyperdeck shuttle questions
 

by 1080i30 file you mean a real interlaced or the wrapped psf 1080i30 if i understand correct according to this article you do need to interpret footage what is your opinion is this article right?
PsF’s missing workflow, Part 7: Adobe Premiere Pro CS5.5.x by Allan Tépper

Re: Sony F3 with hyperdeck shuttle questions
 

Yep, worked for me too. Thanks anyway!