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Hmmm... I didn't realize writing to XDCAM disc was so slow.
Hard drives should be pretty fast, though. They're getting cheap enough these days that they're starting to rival tape in terms of cost per gigabyte. I could envision handing off a $40 portable SATA drive with several hours of footage on it as a reasonable media for broadcast use. |
As for the cost of this camera
At NAB I asked the Sony guy the expected price point, and he said it would be more than the Z1, maybe in the $7-9k range. I saw this thing (okay, in a glass case) and it was pretty impressive looking (large, well built looking). I don't think you should expect this thing to come in at the prce range of an FX1
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With the new flash cards, using an express card 34 reader, you should get some very fast transfer rates onto your hard drive. You can then do a long term archive to professional disc at a later time of your choosing. -gb- |
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Dual-laser systems are capable of 144Mb/s, but they'll be more expensive. You're absolutely right about hard drive transfers potentially being much quicker. Using a 160GB Hitachi 5K 2.5in drive (faster across the whole platter than their 7K drives) you could sustain a transfer speed that maxes out Firewire 400 - thus transferring 35Mb/s footage at about 11x real time (transfer 90 minutes of footage in 8 minutes). I hope Sony integrate a hard drive controller into the EX (like the HPX500) so that the camera could control "dumb" portable hard drives to dump material onto over firewire... |
I've been following with much interest the press on the upcoming EX as I think it might be my next cam. So I was really excited today to recieve Sony's XDCAM HD Disc Set and could finally get a good idea what XDCAM HD footage looks like on an SD DVD. Wow what a disappointment. I was playing it back on a high-end JVC player and 32 " Aquos LCD which was properly adjusted. Colors were drab and contrast extremely low on the Iditarod video. Orange/red colors, can't tell which, seemed to bleed. Snow was dingy and not crisp. This is contrary to everything I have read about the F-350.
What's going on here, do you think I just got a bad disc? Regard |
I saw that Idatarod footage in Chicago last summer, projected on a theater-size screen from a hard drive, and it was spectacular. I had an earlier XDCAM HD demo DVD too and it was also excellent. The demo DVD I had didn't have the Iditarod footage, but lots of other great stuff. I doubt there's anything wrong with the DVD. You might try it on a different setup someplace. If the colors look like they're bleeding, there's something wrong somewhere. There's no way it's in the original. I've had bad DVDs before, but never one that the color is screwed up. You could have a bad cable or something, dirty player, I don't know.
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Thanks Bill,
No equipment problem on this end. Everything else I play back (mainstream movie dvds and my own) look great. I think its just a bad disk. I am going to order another one for comparison. I know the XDCAM has a great reputation. I just expected the demo disk set to be outstanding. Regards, |
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It will be interesting to see how your replacement disc looks to you. Just remember though, that it's still being shown on SD delivery and doesn't do the footage full justice. -gb- |
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-gb- |
I guess it must be a weird DVD then. Even my SD DVD looked great with its XDCAM HD footage.
One thought I just had...somebody at work had a DVD of that last Johnny Cash album, the one where he did his version of the 9 Inch Nails song. On the computer monitors it was incredible, probably the best looking music video I've ever seen. Shot 35mm of course. I took it home and played it on my TV at home, which was perfectly adjusted to color bars, and it looked washed out and crappy. Could it be that a DVD can be authored so it looks great on a computer and crappy on a TV? I've checked out my own DVDs on computer, on home TV and on video projection, and everything's consistent. |
Bill,
Good point. I am going to try it out on my computer this evening. Regards, |
Well I played the DVD back on my computer and WOW what a difference. I think Bill is right, the Sony XDCAM demo DVD was optimised for computer playback. The 60i and 24p segments both looked great. I would still like to view a XDCAM SD DVD optimised for non-computer playback.
Regards, |
Ordered DVD today
I just ordered the DVD today. Can't wait to see it. I am really looking forward to the release of the XDcamEX. I think that it wil be the perfect camera for use with a Smooth Shooter or Merlin. If the lens specs are good, this could be even more revolutionary than the release of the XL1 years ago. Again, this will be a long summer!
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Hi,
anyone here to tell me where to order the XDCAM HD demo DVD from? Thanks |
I'd really appreciate if anyone could post some screen grab from this dvd, I've seen some screen shot from http://www.lumiere.com.br/ (now this site is down) I'm not impressed with colorimetry of the camera...I've also watched recent xdcam videos on sony dedicated homepage (those shot in brazil), I found them very ugly, with a strange yellow look...I dunno if it's caused by the crappy web compression...I'm still in love with panasonic colorimetry (in particular skin color)...and waiting to choice the right camera for me...I really hope that someone that already has Xdcam Hd post some inspiring footage and grabs soon, so we can have some idea how the EX will be...
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The XDCAM HD colour is very tweakable and there are plenty of scene files available to download that give a whole range of different looks.
My (subjective) opinion is that the F330 and F350 give a more natural colour-neutral look, whilst Panasonic camcorders tend to have richer reds. Both are valid - and I love Panasonic's colorometry - but I've never had a problem achieving a look I wanted working with XDCAM HD. |
Thanks Alex, I'm trying to convince myself about the "potential tweakable colorometry on almost evr'y camera on the market", maybe it's a sort of ineducate feeling but I believe that evr'y company puts in its camera a sort of ideal of beauty (it's easy point out the 4:2:2 vs 4:2:0 as main factor, Sony could have understood that it's not so fundamental in progressive schemes...), we can consider that it's not very professional, and neutral colorometry it's preferable, but I've the impression that Sony puts more efforts into the workflow and talk to journalist and freelance, about how simple is work with it. Evr'y guy I've seen in professional videos hosted by Sony, have done some comparison to Varicam in terms of workflow, I believe they are more happy to use Sony blueray disk than varicam tapes (considering also the price) in those terms they're honest...but I've perceived someone of this guys as they are a little censoring their emotions doing such comparison, I perceived this watching those videos.
It's more something to do with their face, and their expression... I never worked with Varicam or Sony Xdcam ...and if I'll buy one of their little sister (Hvx200 or Xdcam Ex), the chosen one will be my "first camera", I've only watched for almost 3 years videos from all cameras on the market almost evr'yday (!!!) (last year I touched a little a Varicam, and one Hdcam in a sort of "NAB" in Rome) reading evr'y article I can...maybe I'm just a victim of the Panasonic marketing! Do you remember Tosh Bilowski? ;) |
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For the record the HPX500, the XDCAM HD's direct competitor, doesn't have any colour matrix controls on it at all (I'm sat here with a 500 next to me right now). So tweakabilty is very limited on that camera (though it does have a very nice out of the box look). |
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If I'd have some money or work for a company I'll do some test with them to have some idea...but I can't. I hope someone will do some comparison between hpx500 and xdcam to give some concrete idea, it would be interesting to see how their footage can be mixed together, I'd really appreciate if someone that has the two cameras can do this test. Personally I'm still waiting the famous day in july (anyone knows more?) when Sony will tell us more about Ex... |
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Thanks. |
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Based on the pricing, the HPX500 being compared to the F330 is fair but not against the F350. For the F350, you’d have to compare it to the HPX2000. The HPX2000 is a little bit more than the F350 but at least the price difference is much closer.
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I acknowledge the sentiment of what you're saying Paulo (although over here in the UK the HPX500 is about the same price as the F350!!!)...
I feel there's nothing wrong with comparing cameras at different price points, as long as one makes a judgement on price too... (ie. camera A has "X" camera B doesn't, but camera B is half the cost... etc). |
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http://www.dvinfo.net/conf/showpost....22&postcount=1 Those are 4 UNCORRECTED screen grabs using Cinegamma 4 and HISAT matrix settings. They are shot in late afternoon on a fall day. There have been links to other video samples by our members in the Sony XDCAM forum here at DVINFO. This forum is for the XDCAM EX. The reason I don't post videos is because the full resolution files are huge and I don't have any hosting capability for files that large. -gb- |
Greg,
Thanks for the samples. I really liked the way the orange berries and red flower did not bleed. I know these are difficult colors for cams to manage accurately. Regards, |
Just a short question to those who have actually seen the EX: what's the lens thread diameter - 72mm or higher?
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