Re: Sony PMW-200 Brings HD 4:2:2 Workflow to XDCAM Camcorder Line
 

I didn't spot any aliasing when I used it and I wouldn't expect there to be any significant aliasing as it uses the same sensors as the EX1R and aliasing and moire are very well controlled on the EX1R/EX3.

Re: Sony PMW-200 Brings HD 4:2:2 Workflow to XDCAM Camcorder Line
 

I don't hear him say that - have you got a time reference into the video?

It's true that any camcorder will likely have *SOME* aliasing - the questions are how much and whether it's coloured or monochrome.

The biggest problem is when it's coloured - and that's been the case with most DSLRs in the past.

A 3 chip camera, with chips of the system resolution (1920x1080) is likely to be as good as it gets - and likely to be better than any single chip camera. The design decision to be made is how to balance aliasing versus absolute sharpness via the characteristics of the lo-pass filter.

Simple answer is that there is likely to be a little, but monochrome and negligible compared to such as DSLRs. Don't see it being an issue.

Re: Sony PMW-200 Brings HD 4:2:2 Workflow to XDCAM Camcorder Line
 

Alister - thanks so much for your YouTube review of the PMW-200. It was very informative. I am eagerly awaiting the arrival of one later this month. Have you posted any picture profiles for this camera yet, or is it close enough to the EX-1 to use the same profiles ? I prefer increased color saturation and sharpness over most standard factory settings.

Re: Sony PMW-200 Brings HD 4:2:2 Workflow to XDCAM Camcorder Line
 

Just to confirm I can use the XQD cards H or S and still keep the 50Mb/s rate?

XQD are half the price of the SxS. Do you need any adaptors when using the XQD cards?

Re: Sony PMW-200 Brings HD 4:2:2 Workflow to XDCAM Camcorder Line
 

Yes you can use XQD cards, both H and S, but you will need a matching XQD to express card adapter (Sony QDA-EX1).

No picture profiles for the PMW-200 yet. Still working on them. I wouldn't increase the detail settings above default. Your not increasing resolution, only edge contrast and excessive sharpening can look very nasty if the viewer also has the sharpening on the TV or monitor set high or you do any post work where you increase contrast.

Re: Sony PMW-200 Brings HD 4:2:2 Workflow to XDCAM Camcorder Line
 

Hi Alister, I sent you an email via your profile message address did you get it by any chance?

Cheers

David

Re: Sony PMW-200 Brings HD 4:2:2 Workflow to XDCAM Camcorder Line
 

In stock at B&H.

Re: Sony PMW-200 Brings HD 4:2:2 Workflow to XDCAM Camcorder Line
 

Good price compared to the UK - Though is there 8% tax on that price?

Edit found it

SubTotal: $6,299.00
Sales Tax: $559.04
Shipping: Free
Order Total: $6,858.04


About $2000 more expensive than the UK price, would be worth a holiday to NYC for that!

Re: Sony PMW-200 Brings HD 4:2:2 Workflow to XDCAM Camcorder Line
 

My PMW-200 is shipping today from Omega Broadcasting in Austin, TX. I would highly recommend them, although I also think B&H is great to work with. Both Omega and B&H are DVInfo.net sponsors, as most of you already know. I'll post more as I get some experience with this camera.

Re: Sony PMW-200 Brings HD 4:2:2 Workflow to XDCAM Camcorder Line
 

Can you post some test footage at full rate? I'd like to see how my laptop handles it with effects and a filters applied.

Re: Sony PMW-200 Brings HD 4:2:2 Workflow to XDCAM Camcorder Line
 

Want to hear first if it has good slow zoom. Thanks.

Re: Sony PMW-200 Brings HD 4:2:2 Workflow to XDCAM Camcorder Line
 

I will try to get some raw footage up soon, and will try the slow zoom. Here is a PDF of my initial impressions regarding the camera design - no footage shot yet.

Re: Sony PMW-200 Brings HD 4:2:2 Workflow to XDCAM Camcorder Line
 

Interesting - Looking forward to seeing the footage

Re: Sony PMW-200 Brings HD 4:2:2 Workflow to XDCAM Camcorder Line
 

@Mark-

In regards to your comparison,
it has been documented that the EX1 lens (therefore the PMW-200 as well) when at full telephoto, is at f/2.8, even though it still displays f/1.9. Also, the HPX at full telephoto is at f/3.0, not f/2.8 as stated, according to Panasonic's specs.

My PMW-200 should arrive this week.

I currently shoot on an HMC-150, which has the same "front end" as the HPX170.

It's discouraging to read that Mark thought the PMW200's viewfinder isn't as good as the HPX170's.
I dislike the HMC150's viewfinder (which is the same as the HPX170). I think it's too small and low res.
The best I've seen on a handheld camera is on the Canon XF300/305 series.

I'm going to put the PMW-200 through it's paces next weekend and see how it compares to my HMC150. I'm sure it'll be better, but will it be $4000 better?

Re: Sony PMW-200 Brings HD 4:2:2 Workflow to XDCAM Camcorder Line
 

If it's the same as the EX1R viewfinder, you may encounter something known as "The Rainbow Effect." There is no way to adjust the saturation, but you can adjust the backlight of the EVF to be brighter.

Did you use the BP-U30 battery when you made your balance assessment, Mark? The same could be said for the EX1R being front heavy. I remember that the optimum balance for the camera is with a BP-U60 battery from Alister's review.