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Question about 1440 x 1080
I'm totally lost about the Aspect Ratio and need some assistance. Can anyone explain, or direct me to proper thread which explains this?
When i shoot in HDV mode, my HVR-A1 shoots 1440 x 1080 (i believe), but the ratio of 1440:1080 is 4:3 instead of 16:9. But on the screen it appears as 16:9. And when i shoot in Standard DV mode, and select 16:9, it comes out as 720 x 480, which is neither 16:9 or 4:3, but 3:2. I'm starting to think that # of pixels has nothing to do with aspect ratio. One extra question, if I edit 1440 x 1080 footage and 1920 x 1080 footage on same timeline, would there be any problem? I'm thinking about getting a XH-A1 and use along with my HVR-A1. |
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Essentially, you're shooting is a 16:9 image onto a 4:3 sensor; and the way this is done is because the camera lens and sensor are anamorphic - or, in layman's terms, "squished like a funhouse mirror." Similarly, in Standard DV, 720x480 is 3:2, but if you squish it one way, so that the pixels are .9 times as wide as they are tall, you get a 4:3 image. If you squish it the other way, so that they're 1.2 times as wide as they are tall, you get a 16:9 image. |
Thanks so much brian. It makes sense now.
So, if I shot 16:9 on SD miniDV, for the Setting on Final Cut, I should choose "DV-NTSC Anamorphic" instead of "DV-NTSC" or "DV-NTSC Firewire Basic"? And, can 1440 x 1080 mix up with 1920 x 1080 on a same timeline? |
The Canon XH-A1 shoots 1440x1080. There is no such thing as 1920x1080 HDV.
HDV camcorders don't use anamorphic lenses and sensors with 4:3 physical dimensions. They use sensors that are indeed 16:9 in shape. If your NLE supports it, you can mix 1440x1080 and 1920x1080 footage on the same timeline. Works just fine with Edius. |
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There's no anamorphic process at the lens/sensor stages! All the HDV cams ('pro' or not) have a 16:9 image from the lens to the sensor. If the sensor has a 4:3 shape, some top and bottom pixels are simply not used in HDV mode (and the full 4:3 surface is only usable for the 4:3 SD mode or the photo mode). The conversion from the 16:9 ratio to the anamorphic 4:3 ratio is done at the electronic image processor stage (for HDV: 1440 horizontal pixels, each one representing 1.33 width of a 'displayable' pixel). |
To the best of my knowledge (perhaps I'm mistaken) all HDV cameras use sensors that have a physical 16x9 shape. How the image gets to 1440x1080 from the sensor differs by camera. If I recall correctly, the Canon XH-A1 uses 16x9 shaped sensors with 1440x1080 pixels to begin with. I believe the HDR-FX1 uses 16x9 shaped sensors with 960x1080 pixels, and obviously there's some digital processing (pixel shifting) involved to generate a 1440x1080 image for recording. I'm not sure, but I think the HVR-A1 uses a single 16x9 shaped CMOS chip with 1920x1080 pixels (and downscales for recording).
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I just looked it up. The HVR-A1 uses a 2.97 4x3 dimension CMOS sensor (cropping the image from the chip for HDV).
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Actually, no conversion at all if the sensor has physically 1440x1080 pixels - it's just stored as is on DV tape. When playing back the tape, the data is read as is - the 1.333 pixel aspect ratio is inferred so that square pixel monitors can produce the proper scale to get a 16x9 display. Of course - if your monitoring the output of the camera from an analog output - the conversion is done in camera. |
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What's So Great about XDCAM EX? - on Vortex Media (Note: I originally found this on the XDCAM thread here on DVi...) |
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It's just HDV that does 1440X1080. |
Consumer AVCHD cameras use sensors with all sorts of different pixel counts. Canon has one out now that has close to a 9 megapixel sensor. Panasonic leans on pixel shifting with 3 chippers that have fairly low pixel counts. Most AVCHD camcorders that record 1920x1080, can also record 1440x1080.
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Exactly.
Somewhat OT: I wonder if a large pixel count bayer-sensor interpolating to a lower resolution beats a 3 chip with lower resolution? |
The TM300 (and sister models) look promising. Previous Panny 3-chipper consumer AVCHD cams have been somewhat disappointing though.
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Gonna be a while before I go for my next camera, current finances being what they are. I think for me the issue in the furture is going to be low light sensitivity. I think, resolutio-wise, most of the upper-end consumer/pro-sumer cameras are doing fantastic. Exposre control, etc... |
What I like about the TM300, from what I've read, is perhaps the best low light performance of any consumer cam thus far, combined with fairly robust manual control (especially compared to consumer cams from other major mfgs).
When the TM300 (and sister models) come down to well under $1k, I'll start seriously considering selling and replacing an HV20. |
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