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I think it'll be a fairly short-lived thing (isn't everything these days?), and that a good 1080/60P solid state machine can't be too far off. Steve |
We must not forget that tape is still the only feasible archive method, and to have your original footage on tape is not such a bad thing at all.
Nevertheless if the camera block is the same in all Sony Hi End cameras (CAN SOMEONE CONFIRM THIS PLEASE), then the combination of a 700/800 camera and a Digital Recorder (wafian, XDR, Kipro, etc) has an outstanding value compared to the to the 9000 or F23+recorder. |
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The in value terms the combination the those recorders would make sense, although you wouldn't be getting the extra visual information from the F23's cine mode menus. |
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Steve |
I believe the PDW-700, PDW-F800, HDC-1500 all share the same optical block and sensors while the F23 uses the same sensors but with a prism designed to give a wider gamut. The exotic glass used in the prisms makes up a substantial part of the cameras cost as in many cases the glass is actually grown as a crystal in a vacuum at high temperatures.
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A basic SRW-9000 is missing much of the stuff thats standard on the F23. Stock 9000 is 4:2:2 not 4:4:4 for a start and has no over or undercrank. When you add all the options to bring it up to F23 spec I think the price will be much closer.
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