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Originally Posted by Jeff Kilgroe
Actually, I believe Panny's claims about the 4:3 LCD... I have yet to see it first hand, but according to the numbers, it has equal or better resolution compared to the LCD on the FX1/Z1. So it *should* be superior in that it can show about the same number of pixels for the 16:9 video image plus having additional info in the top/bottom black areas.
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I doubt the 16:9 image is as high-resolution as the Sony's full 16:9 image, but frankly, as a real-world usage, that's almost irrelevant. Both LCDs are grossly under-pixeled to represent the full frame. With the Sony you're talking about a 1.5 million pixel frame -- so whether you're getting 170k pixels or 235k pixels, it's irrelevant -- you can't judge focus with either. The "focus assist" is absolutely mandatory, if you want to have a prayer of judging what your shot actually looks like.
The FX1/Z1's LCD has been the hallmark. It's just a really, really nice-looking screen. I think the actual LCD on the HVX probably isn't quite as nice, but I think it's a lot more usable because all the feedback is moved outside of the image area. And the HVX's "focus assist" slays the Sony's -- it's really, really cool and totally useful, unlike the Sony's.
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I have also been told (although have not yet been able to confirm this) that the LCD allows a zoomed view of the primary focal region with 1:1 pixel mapping of that area of the image. I wonder if Barry or others who have seen the camera now can confirm this?
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I can confirm that it works extraordinarily well. I don't know if it's exactly 1:1, although I think it probably is. We were shooting up by the "Hollywood" sign, pointing down at the city, and popping on the "focus assist", we could discern individual windows in the buildings, windows that were nearly invisible to the naked eye (well, at least to my eyeglass prescription!) It was great. And the HVX's focus assist can be used while recording, something the Sony can't do -- so if you need to track an object and focus with it while recording, the Sony leaves you completely on your own and it's impossible to guarantee accurate focus in that case, whereas with the HVX you still see the live frame around the "focus assist" pop-up window, so you can actually track with the object and keep everything in razor-sharp focus.
When we shot the demo stuff (the outdoors, the karate guy, the indoor/morning scene, etc) we didn't even have a monitor. Focus in HD is absolutely critical, far more critical than it is in DV, and you really need to have a sharp monitor on hand. We didn't have one. We had to totally rely on the "focus assist" and it performed perfectly.
All is not sweet-smelling roses as far as focus goes, at least on the prototype camera, as the focus ring felt more like the Sony's than it did the DVX's. I really hope they can tighten up the response to get it to act like the DVX -- if so, it would be nearly perfect for a fixed-lens camera.