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Re: Panasonic LUMIX FZ1000 announced with 4K recording
Hey Anthony
They did resend Thank you for your inquiry. Regrettably this unit cannot operate with a wired LANC. Ican't say that the call centre folks understand the intent of my question or whether they are just a farmed out outfit with cookie cutter only responses (seems so) I'm standing in line down at B&H for one of these as we speak and really have my fingers crossed that Panny has thought of this and made some provision for zoom control other than duct-taping an iphone to the pan handle. Some recent Sonys utilize miniusb for zoom control so there's that ..(I have emailed them again asking for a list of functions available via av/usb ports It would make no sense to have a fixed zoom lens camera with significant video empowerment that is not usable in what is a normal video shooting manner |
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same here. If you go to DPReview check the preview of the camera, go to the third page and look at the picture of the ports, there is a micro HDMI, USB and remote -looks exactly like the one on the GH4, which is a 2.5mm). I am 98% confident that a libec 3DV will at least control the zoom. |
Re: Panasonic LUMIX FZ1000 announced with 4K recording
tks I'd been hunting for pics of those ports without luck
main thing is zoom. start/stop/photo bonus but not that big a deal |
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what we need is a good quality camcorder with a remote and a workable bokeh (too much bokeh can be a nightmare to get the focus right). a slow zoom that doesn't jerk like the ea50. and a solid 1080p (4K is a plus but it may be an investment for the future. What this camera needs: 1. XLR to 3.5mm adapter with volume control and audio monitor 2. a mattebox with filters mainly ND and that would be it. Notice the usual marketing trick regarding the missing ND and audio out. LOL . They are all alike... a little bit of this and little bit of that and the important things included to win the competitors but still with ALWAYS something missing :) |
Re: Panasonic LUMIX FZ1000 announced with 4K recording
Yeah
I have a little rolls cam mixer for audio before ingest to the cam which takes left and right xlr channels + aux in then outputs 3.5 and figure something can be rigged up for headphones using the a/v out off the cam Been screwing nd filters on lenses so that's no sweat to get a set of those in 62mm so long as its with you when you need it I'm really excited and the next month is going to be like a really really long christmas eve... |
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this one can be the camcorder we all been waiting for after the D90 put all the pro-sumer camcorders to shame. I have a good feeling about this fx1000 . it may be the one. Then if the camera is good and brings the work home I wouldn't mind spending on the necessary things. room to attach a light and the microphone on the flash shoe A mattebox with lee slots will be easier than screwing and unscrewing fast, Bruce... but again let's get the camera first, then we'll see by the end of July.... almost there :) |
Re: Panasonic LUMIX FZ1000 announced with 4K recording
I am confused by this discussion: all of the gripes about this camera are solved by the Sony AX100, which also has the 1" sensor. To wit:
wired and wireless remote controller; no 30-minute limit; built-in ND filters (three!); parfocal zooming (which the Panasonic surely will not have); variable-speed zoom, including quick zoom; mic in; audio out; XLR attachment possible. And if you do not want 4K, there is the CX900 for $1499, which I am sure will have better 1080 than the Panasonic. The AX100/CX900 have many buttons for controlling manually. Oh, and the AX100 has already had a firmware update to improve the zoom (quicker) and auto focus tracking. So much for gripes about updates from Sony... The main lack: no customization of looks, no RAW photos. |
Re: Panasonic LUMIX FZ1000 announced with 4K recording
I'm not confused Mark, just cheap !
the fz1000 is less than half the price I'm an optimist. Time was panny ruled this segment if memory serves And As Anthony says, maybe this is the one. And I'm a Sony fanboy so its not brand snobery |
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3 reasons 1. you can't mount a light and shotgun (and I'm not going to play with that sony nonsense flash mount, I remember the sr11 with a similar useless mount) ( and that's the price to pay when the designers have to listen to the marketing people who want to sell absurd accessories, pushing proprietary mounts for it): see? people may decide to buy from the competition, just because of that greedy idiotic marketing push) 2. The AF is nowhere near to the panasonic , and even if it's 1inch is still demanding. MF on a camcorder of this kind is out of the question. 3. the price difference compared to the fz1000 that (on paper) gives everything better for a fraction of the cost enough reasons? to bruce : the remote of the sony gives zoom control, start/stop, focus, and 16 (I think) zoom speeds to be set on the remote. Panasonic (if it works) should give just zoom and maybe start-stop and that's it. Another thing to consider (and verify before we buy it) is how noisy is the zoom, in case we should put the shotgun away, as far as possible. Other than that I don't see any intentional restrictions (beside the missing ND filters): it should be fine (it should but we don't know yet) |
Re: Panasonic LUMIX FZ1000 announced with 4K recording
Hmm, I put together a three shoe mount and two singles for under $20 in parts, and a little time customizing the shoe to fit. NO problem mounting a light and a mic... you'd have to have something similar for any camera...
AF on the AX100 is quite good. The FZ1000 is currently an unknown. it's a wash... And my only comment is that with Panasonic, my experience is that you get what you pay for... yes, they produce some great cameras on paper, but that's different from IMAGE QUALITY when the bits hit the fan! I've already seen enough in the Panasonic samples to know I'd likely be very disappointed vs. the AX100 and the RX10 - yeah, both more expensive cameras, but again, you get what you pay for. I tried the vaunted FZ200, hoping for a great "cheap" camera... the images were "cheap" too... I know some people love and use that camera, but the image quality was just not up to what I expect from ANY camera - even though "on paper" it "should have been" a great cam. I have cameras I paid less than $100 for that outperformed it in terms of general image quality. Both the above Sonys were good "on paper", and despite some people not knowing how to use them, most are getting eye popping results, myself included. Image quality compromised for budget is not something I'm willing to accept. Lest you think I'm being overly critical, let me say that I really hope the FZ1000 is better than the posted samples for 4K and stills... I think it will again be a great "budget" entry to 4K, it will push the market down, but I also worry that the 4K produced based on the samples posted will be less than exciting. I'd love it if it turned out that it's the perfect marriage of the RX10 and the AX100... but the samples (and I presume those were the "best" output) didn't even come close to impressing me. A nice budget entry, meaning more people "testing" 4K, and that's GOOD, but I'll wait to hear how it goes for "early adopters"... And even if it SUCKS (the 4K samples weren't THAT bad, just not as good as what the AX100 can produce), maybe it'll get Sony off the dime on putting 4K into the Cybershots! GO PANASONIC!! <wink> |
Re: Panasonic LUMIX FZ1000 announced with 4K recording
if both cams were more or less the same price I'd most likely go for the Sony ( I have a dozen or more Sony's in drawers,on shelves and in carry cases and I am comfortable with the file formats and love the handiness of PMB but the fact is I can get two 4k video cameras for the price of one, Despite Dave's warning (much respect sir but no) of the possibility of reduced image quality I bet we'll see similar video quality and most likely superior stills. I don't have a 4k video camera at the moment so I don't have any position to defend so it easier for me to pick the panny this time
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Re: Panasonic LUMIX FZ1000 announced with 4K recording
The only thing that raises some questions is the dynamic range of this camera as the example video from panasonic showed some harsh highlight differences that where not handled very well but we"ll know soon enough when the first user videos will appear, one thing the camera seems to have plenty of which is detail and that is one of the features why you would get a 4K camera, the ax100 is a more complete camera but with a matching pricetag.
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Re: Panasonic LUMIX FZ1000 announced with 4K recording
a pdf re fz1000
https://www.wetransfer.com/downloads...7092357/377299 a bit of video http://mr.mention.net/link/xgxr/on5g...dF90b19hcHA9MA |
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What makes me thinking and thinking is somewhere else and again in regarding of another trick and that's the 30min limitation. Yeah: that's a big one. Like always they (all) measure the limitations scientifically. Good thing we have this forum where we can talk. P.S. about the proprietary shoe mount attachment let me give you a good piece of advice: when you play with shoe raisers and gadgets like that make sure you turn the camera off before. the same when you remove the attachments. Also make absolutely sure that the gadget sits tight with NO play. That's mandatory and if not extremely risky (and that comes from the experience), What works better? A standard shoe mount (always). Do they know that? Of course they know. LOL |
Re: Panasonic LUMIX FZ1000 announced with 4K recording
Only time 30min is a problem for my production is in the event of a university convocation or such which can run to 3 hrs, I'll have several cameras rolling. The video camcorders just keep on rolling but if you are occupied and a 30min cam stops recording and is not noticed then something will be lost Also if it's a file based post production effort rather than live switched then syncing is more of a chore
Connected is sooooo much better than years ago when we were islands unable to know what others everywhere around the world were doing other than monthly magazines. Really fantastic the way improved communications has axcelerated humankind's progress. eg: My son had a breakdown on the highway couple days ago. After hunting on Youtube with his phone, found the solution, make the fix and went on his way. A few years ago the outcome would have been much more painful. |
Re: Panasonic LUMIX FZ1000 announced with 4K recording
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Re: Panasonic LUMIX FZ1000 announced with 4K recording
I have not been wowed with the samples I've seen from the FZ1000 when viewed in 4K. The image depth, detail and dynamic range are simply not as good as the AX100.
The AF of the AX100 is quite good and the combination of its manual controls, zebras, peaking, 1" sensor and 3 stage ND filters, all contribute to superior image quality as well as better control over DOF. There's no way I'd sacrifice all that just to get more flexibility in the shoe mount. Frankly that makes little sense to me, but each to his own. As has been said, you get what you pay for. |
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All pointing to the FZ1000 as a superior camera compared to the handycam AX100 I use a sony ea50 right now , and a canon XA20 . I had the EX1 before. so about my own. funny how they don't sleep to come out with limitations over limitations: now let's think about this: the FZ1000 gives a 2.5mm tripod remote zoom control and that's basically a still camera, while the AX100 can't have that option. Funny uh? They just can't sleep at night and wake up in the middle of the night with a new limitation "what about if we take OFF the lanc? yeyyy..." or better yet let's make it even harder with the mandatory purchase of a cable, so 2 patch cables, one for the 2.5mm to 10pin (A/VR) and another cable to the idiotic port. since they'll have to buy at least 2 of each cables (total of 4 small patch cables... WOW!) , and then 2 more cables to use any 2.5mm lanc remote then the beauty of the marketing got to the highest level of stupidity (our stupidity, they make money with these idiotic things) remember that the handycam ax100 is a camcorder, so lanc is kinda important for a camcorder, isn't it? and it's a damn 2.5mm port. anyway any camera without a useable remote zoom option will be immediately dismissed by me. The same goes for any 2014 camera without face recognition at least. so the AX1 is out as well. The flexibility of the AF of all the panasonic gh2-3-4 and now this jewel FZ1000 makes interviews a piece of cake. and that's my own. now let's hear about your own..... |
Re: Panasonic LUMIX FZ1000 announced with 4K recording
We won't convince each other. I and others have spoken our peace. So be it. You'll never convince me the Panny is a superior camera. I've used my eyes from the clips released thus far and it's simply not as good as the AX100 on a variety of fronts.
BTW, the AF on the AX100 is quite flexible. Using the touch screen for selective focus enables you to do a pull focus with little effort. Tracking focus is another very nice feature and the firmware update just issued improves upon this. But whatever, enjoy your camera. |
Re: Panasonic LUMIX FZ1000 announced with 4K recording
We must maintain a semblance of objectivity in this discussion. It serves no purpose to reduce the conversation to assertions amounting to "my camera is better than your camera" the DMC Lumix FZ1000 isn't even here yet but I for one am delighted my first 4k camera is costing me 1/2 of what the first bunch did.
Doesn't matter if this or that is better or not. It's going to be awesome anyway |
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I couldn't care less of the manufacturer of the specific model that I bought.. But please notice that the two members entered a discussion between the two of us regarding the remote zoom suggesting a camera that doesn't even have that option. And that should tell a lot about the fans upset because the toy got ridiculed by the competition at a fraction of the cost with more and better features. it's not like I need to defend Panasonic , but I had it with the marketing at Sony's spending more time limiting the models than building the models. At least Canon and Panasonic came out with good offers with no hidden little things like Sony does (all the time!) anyway 2000 vs 800 is a big slap in the face... we have to admit it. oh well ... |
Re: Panasonic LUMIX FZ1000 announced with 4K recording
I heard they will be available in Japan July 17 and almost ordered on from there but got stung in 2004 ordering a HDr-HC1 from Japan. Menu was in Japanese and wasn't able to hack it for several years to get an English Menu. Need to be able to read the menu lol
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Re: Panasonic LUMIX FZ1000 announced with 4K recording
"Yes, what fools those initial buyers were of the AX100 - paid $2,000! And the forthcoming camera is only $800 - - a big slap in the face! And it's better (better focus and stabilization (ignoring the fact that in 4K, 5-axis stabilization cannot be used)); I have read the press announcement so I am sure that it is superior. What idiots those Sony fanboys are." :;
Yeah, nothing provocative in this thread at all. I guess having a parfocal, quiet power zoom with smooth aperture changes, built-in ND filters, and battery-size choices are worth nothing, and who needs audio in and out or pro xlr possibilties? The Panasonic 30 minute limitation is also a good thing - reduces the chances of a really boring video. It's a feature - boredom protection! Anyway it's good to see that there are choices, and, as always, there are trade-offs. |
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anyway regarding the FZ1000 I can only scream about the limitation (intentional) of the 30min (absurd, coming from Panasonic who broke the "deal" with the GH1. All the rest should be in place with no hidden tricks (like Sony does). |
Re: Panasonic LUMIX FZ1000 announced with 4K recording
I agree with Ken - the few FZ1000 videos posted so far do not appeal to me as much as the AX100 footage I've seen. But, the FZ1000 seems from my reading to have more adjustment options than the AX100. It has CineD and V choices, and you can control highlights and shadows separately, etc.
So I'm really not judging the FZ1000 clips (or Image Stabilization) much yet because we really haven't seen what the camera can really do. Who knows what settings were used in those few sample clips we've seen so far. |
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you understand that I shoot with a Sony camera, right? yes, the 30min. limitation is absurd and plain ridiculous. I already said that, several times, and here I'll say it again. No excuses for Panasonic for coming up with that horrendous trick. Disgusting. they had to "copy" the RX10. shame on Panasonic. |
Re: Panasonic LUMIX FZ1000 announced with 4K recording
The five-axis "thing" does not work at all in 4K, according to Panasonic. There is no question. Thus, there is a real question at this point if in 4K the Panasonic stabilization will be superior. And who knows about focus speed - it is surely worse on the Panasonic GH4 (with their latest lenses) than on the Sony AX100 (I have both, and like both). I would doubt very much that will be different for this cheaper alternative. :)
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Re: Panasonic LUMIX FZ1000 announced with 4K recording
Having shot with still cameras with 30 minute limits, I wouldn't stress it that much... but yeah, it's just one extra thing to deal with on a shoot. Syncing multicam is VERY easy once you get the hang of it with a couple tricks, even without additional software, seldom takes me more than a few minutes even with 4+ cameras! And at least part of the "trick" with a 4K cam is no sync, just pan and scan!
As Noa notes, dynamic range seems like it might be an issue with the Panasonic, he felt highs were "hot"... I looked at the other end, after pulling up the mud in the shadow areas of the samples, looks EXACTLY like I've seen from Panny in the past, and no thank you, macroblocking and mush are not OK for my use - I expect better low light performance and shadow handling than that. It'll probably be fine in good light and unchallenging dynamic range situations, I don't see those often... Falling apart gracefully is one thing, just plain falling apart is another - it could be this is from online compression... if so, then it's another matter, but I'd expect Panny to have done their best with promo clips... I am THRILLED that the price of 4K is dropping so quickly, but I suspect there will be LOTS of 4K that really isn't so great, except on paper... it's what's on screens that count! Even shooting with the AX100 requires a little bit more attention and manual intervention than "point and shoot in auto", but the results are worth it. We'll see in a few weeks if the FZ holds up in use. I'm sure some will find it a useful tool. @Anthony - I modded MY OWN mounts, there is no worry about shorting (can't happen, as I discovered on closer examination of the shoe before modding my "feet"). They are 100% sturdy and will NOT come off under any normal circumstances - I wouldn't worry about mounting a handle of some sort on the triple mount and using it to carry the cam like the NX30. Light(s) and mic are NOT A PROBLEM! This comes from EXPERIENCE too, so please don't pretend your "opinion" is the last or only word... it is not. Stirring drama over an aftermarket adapter that didn't work for you... and blaming the CAMERA??? Please... ANYONE could do the same mods on very cheap parts with a bargain Dremel copy from Harbor Freight, and I'm sure the folks offering aftermarket parts will modify their designs to be just as sturdy! I looked at the ones posted, and there were some flaws in the design that are easily remedied - it is NOT rocket science. There were good cheap adapters for the old AiShoe as well. It's quite doable, if one decides to! I bought exactly ONE cable to adapt between the MULTI and the old A/V remote (which uses a LANC protocol, BTW - it's a "language" not an INTERFACE). Would you prefer that all audio and video equipment used 1/4" plugs because that was once "the norm"?? Interfaces change, new interfaces are developed, so you have to buy or adapt a few things... it's NOT the end of the world. In the end, we won't know for sure how well the new camera performs until more people get hands on the FZ1000 - I'll be the first to say I prefer CHEAPER... IF it actually performs... but the samples had flaws I wouldn't live with, they are consistent with my past experience with Pannys, and honestly it bummed me out to see things that should have been "fixed" or "better". I like the Panasonic LCD implementation, the extra zoom couldn't hurt, and 4K under $900... yep it sounds great... the sample video posted, upon close inspection, not so much. "Fine"... perhaps for some, but left me unimpressed. |
Re: Panasonic LUMIX FZ1000 announced with 4K recording
guys let's all calm down and try to analyze the situation instead.
there is no doubt that the marketing departments are working hard to design the future of video. The best offer comes from the GH4. but there are no lenses with servo zoom . only the standard zoom and the 45-175 we need the entire focal in one lens. They know that (of course). But wait to settle the marketing first. Now they're coming up with the AX100 and the RX10 (30min.limit) and the FZ1000 (again 30min limit) , ea50 (idiotic servo zoom, poor low light, intentional, of course) it's ALL intentional the AX1 with no face detection. Intentional again. Never seen before, such an impressive marketing in this segment, while we still need a decent camera for the next years. is it frustrating or it's just me? there is ALWAYS something important missing, A L W A Y S. |
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FACT: There are options for remote zoom (etc.) on the AX100, contrary to incorrect statements being tossed around. I should hope there is one for the FZ1000 as well, all cameras SHOULD have it for "serious" use. FACT: There are ways to make the shoe on the AX100 perfectly usable with less effort than has been expended here complaining about supposed problems... FACT: Users are not having AF and stabilization issues with the AX100, IF they understand how the camera operates - Sony has already issued a firmware update, I haven't had any problems, but will likely install it - Sony updates, while few and far between, are typically trouble free, and usually make minor improvements. I've found both AF and stabilization to be just fine, and better than expected in some ways! The AX100 is a darn fine VIDEO camera, the FZ1000 is a consumer level (OK, high end consumer) still camera that shoots video. The advantages of the former are many, the limitations of the latter are perhaps annoying, but not insurmountable. Spewing unsupportable complaints about a camera that are without basis (other than personal biases, which are showing) really don't belong in the discussion. And rabid speculation about a camera that isn't even out yet is ridiculous - I'm with the other Dave (Dixon) that we will need to see what this camera can do in proper hands. The unfortunate fact is many of us are seeing the same thing in the promotional pieces and are less than impressed. These are Panasonics OWN promotional bits, so I think we are safe to guess that the results are "accurate". EVERY camera of late seems to get slammed because some incompetent "early reviewer" doesn't know how to RUN A CAMERA!! And swings it wildly around only to complain of skew and RS... etc. etc... 4K adds the opportunity for myriad screw ups when dealing with post/output/display... I've replicated most of them in the last month while "tuning" a computer system to handle 4k!! I'll be watching to see if users have better results than the promotional videos, I have my doubts, again from experience with certain "Panasonic specific" image traits (fleshtones, and macroblocking issues in low light/shadow areas, both "deal killers" for me), but if it's a good cheap tool, I might even buy one... |
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The lanc is a protocol, the commands are simple codes sent via RS232 (com, the good old serial port of the MS-DOS puters LOL) They make it look SO complicated because they have to sell the gadgets to make us believe that's a BIG DEAL. Sony gave permission to Canon to use the protocol, but not to Panasonic. So Panasonic had to come up with something different - 2 different ports, 2.5mm and 3.5mm adding iris but excluding the zoom speeds from the implementation. In the end we are the ones paying for this idiotic war when it was so simple and easy. and adding cables to cables is plain ridiculous. I had 3 cables for my SR11 I remember, all lost, one by one. All the remotes available come with a 2.5mm . As I remember only 1 particular model from Sony has the 10-pin terminal, but even that one comes with the 2.5mm as well. So not even SONY believes in the 10-pin standard, imagine the multiport , idiotic as the name that carries. |
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B: Features don't always work as "expected", see A C: When things don't work as expected, you figure out a workaround. D: If there's no workaround, presuming nobody dies, we wait for the next product announcement with fingers crossed... E: Calm down and remove the tinfoil hat, the manufacturers aren't spending time conspiring against us (or at least I THINK they aren't... maybe time to buy some Reynolds Wrap!!!! <wink> The AX100 has been working great for me and many others, the RX10 needed to have 4K, before Panny came along and "stole the thunder", something likely rectified in the near future... though the omission in the RX100M3 was notable. I can do anything I'd like to with these "imperfect" cameras, as is... good enough for me. |
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LOL and the way I see it the marketing people with panasonic and sony are indeed driving us crazy, if you don't see it then know that I do. Greed runs at dangerous levels in the video , never seen before running at that level. the strategy has changed: before it was something more with the competitor to win : now is all about limiting the cameras. Do you honestly believe that it was by "accident" that the FZ1000 (perfect camera doing almost everything right) HAD to come up with that 30min. limit? Remember that Panasonic was the first breaking the wall (of the dslr for video) offering the GH1 able to shoot for hours. The others didn't like it, Im positive about it. They all continued to limit their cameras. Now Panasonic seems to have said "yes sir" to the oligopoly. Why? because they are planning to restore the 5K dollars and up segment for pro-sumer video, that's why. |
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I can't imagine there are no "lulls" in the action where you can "double punch" during a 30 minute span... used that approach and haven't missed anything yet... just double punch in a section you'd edit out anyway! Problem solved. The LANC protocol is just a method to control the camera - implementation varies widely, even within a manufacturers different cameras (well, Sony at least!). It shouldn't be an issue for a manufacturer to figure out an alternate method, you know, like how Ford and Chevy and Chrysler have similar features, but different cars... Sounds like you've had bad luck with adapters, but I'm VERY cautious, and can tell you that Sony prevented any potential issues in the MiShoe design... you'd have to try REALLY hard to short anything or cause problems... the AiS that was on the SR11 was likely different, but I've got PLASTIC shoe adapters that work just fine... I'll admit that the MULTI USB is an oddball way to combine two functions into one "new" connector, and I'd rate it as far from "ideal". You've got the 5 pin USB, and then 10 "multi" pins buried deeper so the only activate with a "special" plug!?!? I guess it saved some space or something! I know you like to come up with "facts" out of thin air and speculation, but I can tell you that the "10 pin standard" goes back a LONG way. Sony has used a variation of it in the AiShoe since the HC1, the 10 pin A/V port since the HC3, and now in the MULTI shoe and MULTI USB port. Although there are variations in implementation (such as the current inexplicable differences between Handycams and Cybershots, which gives me much consternation, and I still hope to find the "hack"), the "10 pin" grouping has been present for well over a decade!! Hardly a flash in the pan! It is poorly documented, unless you have the service manuals, and even then it's a "reverse engineering" puzzle! The pins and functions (and especially the "trigger" mechanisms) are a "tad" mysterious, and I think we'd have to kidnap a Sony engineer to get the whole story! But you CANNOT say Sony hasn't had a specific interface methodology with 10 multipurpose pins, they have... for over a decade. HERE is the "rub", I still have the email from when I asked Sony about the LANC interface on the A/V... US customer service had ZERO knowledge that it even existed (the AV2 had not yet been released). IOW, there couldn't have been much of a conspiracy, they just never told anyone the function was even THERE!! Much like the earlier discussion about the "Panasonic mystery port" <wink>. It could be there, but sufficiently undocumented that CS has "no idea"!! Part of the problem is that only a SMALL portion of camera enthusiasts would even know what a "LANC" port was for! Most people will NEVER use a remote or even contemplate that they might really NEED one... There are a few niche uses where it's considered a necessity, but for the vast majority of users, it's a "who cares" feature. Of course now there is more of an expectation that you can use your smart phone as a remote... such as it is. And, looping back around.... at least from "internet legend", that 30 minute limit is due to some obscure EU law that taxes camcorders (that record OVER 30 minutes) at a higher rate than cameras... No reason that "they" couldn't release region specific firmware, but it probably is just easier to avoid attracting the interest or ire of government and regulatory authorities... SO, no conspiracy, just STUPID archaic outdated laws... with Global commerce, it is FAR too easy to "grey market" unrestricted cameras into the EU to bypass the taxes, so I'd imagine that it would be HIGHLY discouraged! |
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I use a vello bracket for mounting other things (and cameras even) |
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"And that should tell a lot about the fans upset because the toy got ridiculed by the competition at a fraction of the cost with more and better features." And here I never realized we were using a toy. What more can you say? Have fun guys, I'm outta here. |
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Viewing the video from the lumix fz1000 and ax1000 in 4k: The Seiki SE39UY04 39” Class 4K Ultra HD 120Hz LED TV is under 400cad at the moment. I was hoping Vizio would have their 4k tv out but don't see it from here, What else is there in the under 500 price range?
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Re: Panasonic LUMIX FZ1000 announced with 4K recording
I"m trying to understand the field of view this camera provides, I read it has a 35mm equivalent focal length of 25-400mm. I know my Sony cx730 starts at 26,5mm and the ax100 starts at 29mm.
The reason why I like my cx730's is that 26,5mm is pretty wide and makes it a very useful wideangle lens, the FZ1000 starts at 25mm which is even wider or should I take a cropfactor (like the gh4 has) into account as well when comparing the field of view to my cx730 when the lens is at it's widest? |
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