How can i get this old LUT .xls into Resolve or Apple Color 1.5? at DVinfo.net
DV Info Net

Go Back   DV Info Net > Cross-Platform Post Production Solutions > High Definition Video Editing Solutions
Register FAQ Today's Posts Buyer's Guides

High Definition Video Editing Solutions
For all HD formats including HDV, HDCAM, DVCPRO HD and others.

Reply
 
Thread Tools Search this Thread
Old April 20th, 2019, 05:58 PM   #1
Regular Crew
 
Join Date: Mar 2006
Location: Denver, CO
Posts: 128
How can i get this old LUT .xls into Resolve or Apple Color 1.5?

I have an old .xls file from the mid 2000s that was made with information correcting Film_Rec from a Varicam camera. I'm trying to figure out how to get this information into either Davinci Resolve Lite 11 or Apple Color 1.5 to use with Film Rec material.
Attached Files
File Type: xls Cine gamma Cineon Curve.xls (60.0 KB, 84 views)
Michael Krumlauf is offline   Reply With Quote
Old August 2nd, 2024, 01:04 AM   #2
Go Go Godzilla
 
Join Date: Nov 2004
Location: Scottsdale, AZ USA
Posts: 2,823
Images: 15
Re: How can i get this old LUT .xls into Resolve or Apple Color 1.5?

I just had a lengthy discussion about LUTs with a close friend who manages the edit teams at LinkedIn. We both agree, LUTs are basically modern-day eye-candy to sell product or add-ons.

The problem with using any LUT is that you're literally adding a color filter into a timeline or as part of the finishing process, rather than using classic color-correcrion techniques to create your final look.

It's like using any auto feature on the camera, it won't fix problems and gives the novice a false sense of security that the automation will "just work" and look good.

Best advice is to learn proper color correction and finishing techniques and if need be, create presets in your NLE to replicate the look consistently in your timeline.

There are deeper reasons LUTs are counterproductive but that's a long conversation.
Robert Lane is offline   Reply With Quote
Old August 2nd, 2024, 07:34 PM   #3
Vortex Media
 
Join Date: Jan 2009
Location: Florida
Posts: 3,440
Re: How can i get this old LUT .xls into Resolve or Apple Color 1.5?

OMG, you and your ill-informed friend are so wrong you don't even have any idea what the hell you're talking about. LUTs are extremely useful as a first step in color grading, particularly if one has shot with LOG or RAW. Obviously, dropping a LUT on footage is not the end, it's just one part of color grading, but a very important and time-saving tool.

It's also possible to grade without a LUT, but to call LUTs just "modern-day eye-candy to sell product or add-ons" just shows your ignorance. Most LUTs can be downloaded for free and are much more than eye candy. It's okay to be ignorant, but best not to offer advice to others when you have no experience about something you are speaking about.

It's funny that you advocate for using presets, but that's exactly what some LUTs are -- just presets Make up your mind. Do you have any professional color grading experience whatsoever? May I ask with which cameras and what software you use for grading?
__________________
Vortex Media http://www.vortexmedia.com/
Sony FS7, F55, and XDCAM training videos, field guides, and other production tools

Last edited by Doug Jensen; August 2nd, 2024 at 08:09 PM.
Doug Jensen is offline   Reply With Quote
Old August 2nd, 2024, 10:21 PM   #4
Trustee
 
Join Date: Apr 2008
Location: Sydney Australia
Posts: 1,564
Re: How can i get this old LUT .xls into Resolve or Apple Color 1.5?

Quote:
Originally Posted by Robert Lane View Post

The problem with using any LUT is that you're literally adding a color filter into a timeline or as part of the finishing process, rather than using classic color-correcrion techniques to create your final look...

it won't fix problems and gives the novice a false sense of security that the automation will "just work" and look good.

There are deeper reasons LUTs are counterproductive but that's a long conversation.
On the surface of it, I would agree with your comments. They are someone else's preset. Whilst LUTs can be very useful, they can have major drawbacks unless you know the background of the LUT's creation. Some of which are banding and out of gamut color handling. Creative LUTs for a final look are one thing, but technical LUTs that don't match the maths of the files being processed can be quite damaging if used incorrectly.

All this becomes a major consideration if you are editing high-end 12 and 16-bit video files. So many people working with these formats are using LUTs that were developed for the 8 and 10-bit world. Using these LUTs can cause major quantization errors.

For every brightness or color value in an image, which can change dramatically from scene to scene, has a numerical value assigned for it to be stored into a video file. And for a LUT to work, you need to have a matching value in that LUT for every single value in the image. If you don’t have enough values in the LUT, the nearest available value will be assigned to unmatched values in the image. This will cause artefacts.

Because this has become more of a problem in later years with development of cameras with greater dynamic range and bit depth FRAME.IO has issued a web page on their site outlining some of the pros and cons of LUTs and the pros and cons of the ACES workflow.

Rather than go over well trodden ground, it's probably best to check out FRAME.IO's page, which fairly concisely covers the subject.

All said and done. LUTs are used extensively on movie sets to approximate an end 'look' but 95% of movie post is done using CSTs and the ACES workflows as they are dynamic and not locked to the inflexible values locked into a table. Which is what a LUT is, a lookup table. Using transforms and the ACES workflow ensures that you can extract the maximum values and bit depth out of the footage being graded.

For example, with Davinci Resolve. The CSTs in that NLE are based on the exact sensor data supplied by the camera manufacturers to ensure a mathematically correct transfer of that data to a chosen color space.

Chris Young

https://blog.frame.io/2020/04/27/luts-vs-transforms/

https://frame.io/
Christopher Young is offline   Reply With Quote
Old August 4th, 2024, 11:32 PM   #5
Inner Circle
 
Join Date: Sep 2006
Location: Sydney.
Posts: 2,919
Re: How can i get this old LUT .xls into Resolve or Apple Color 1.5?

And these might help …

https://foureditors.com/collections/...fBBBEJFfcaAt5_

Cheers.
__________________
Drink more tap water. On admission at Sydney hospitals more than 5% of day patients are de-hydrated.
Allan Black is offline   Reply With Quote
Old August 10th, 2024, 03:20 PM   #6
Go Go Godzilla
 
Join Date: Nov 2004
Location: Scottsdale, AZ USA
Posts: 2,823
Images: 15
Re: How can i get this old LUT .xls into Resolve or Apple Color 1.5?

Quote:
Originally Posted by Doug Jensen View Post
OMG, you and your ill-informed friend are so wrong you don't even have any idea what the hell you're talking about. LUTs are extremely useful as a first step in color grading, particularly if one has shot with LOG or RAW. Obviously, dropping a LUT on footage is not the end, it's just one part of color grading, but a very important and time-saving tool.

It's also possible to grade without a LUT, but to call LUTs just "modern-day eye-candy to sell product or add-ons" just shows your ignorance. Most LUTs can be downloaded for free and are much more than eye candy. It's okay to be ignorant, but best not to offer advice to others when you have no experience about something you are speaking about.

It's funny that you advocate for using presets, but that's exactly what some LUTs are -- just presets Make up your mind. Do you have any professional color grading experience whatsoever? May I ask with which cameras and what software you use for grading?
Brother, your reply is rude and borderline reason to cut you off from the forum. Chris frowns heavily on head-smacking people regardless how strongly you may feel about your opinions. Careful with your language in the future.

Secondly, the guy I'm referring to is the head of live production at LinkedIn. They just spent millions of dollars on creating a near-perfect color correct schema for the entire company so the output color looks correct and proper regardless who's shooting or editing. No LUTs were part of the process.

In fact the color science he created was recently adopted by Adobe and was reelased live to the world for anyone with a current PP license as part of the finishing module.

So I highly doubt these people and that kind of money represents ignorance of any kind.
Robert Lane is offline   Reply With Quote
Old August 10th, 2024, 04:39 PM   #7
Vortex Media
 
Join Date: Jan 2009
Location: Florida
Posts: 3,440
Re: How can i get this old LUT .xls into Resolve or Apple Color 1.5?

Quote:
Originally Posted by Robert Lane View Post
We both agree, LUTs are basically modern-day eye-candy to sell product or add-ons.
I don't really care who your friend is or how many millions he spent on setting up his operation. If he doesn't want to use LUTs there is absolutely nothing wrong with that. Nobody has to use LUTs. But to characterize LUTs as "basically modern-day eye-candy to sell product or add-ons", is so off the mark it is amazing you actually posted it. If you believe what YOU wrote, you are completely wrong and ill-informed and it needs to be called out as asinine information that might unduly influence others to make poor decisions. If you don't believe what you wrote, then you shouldn't have posted it in the first place. Either way, I make no apologies, brother. Stay in your lane.
__________________
Vortex Media http://www.vortexmedia.com/
Sony FS7, F55, and XDCAM training videos, field guides, and other production tools

Last edited by Doug Jensen; August 10th, 2024 at 05:55 PM.
Doug Jensen is offline   Reply
Reply

DV Info Net refers all where-to-buy and where-to-rent questions exclusively to these trusted full line dealers and rental houses...

B&H Photo Video
(866) 521-7381
New York, NY USA

Scan Computers Int. Ltd.
+44 0871-472-4747
Bolton, Lancashire UK


DV Info Net also encourages you to support local businesses and buy from an authorized dealer in your neighborhood.
  You are here: DV Info Net > Cross-Platform Post Production Solutions > High Definition Video Editing Solutions


 



All times are GMT -6. The time now is 02:28 PM.


DV Info Net -- Real Names, Real People, Real Info!
1998-2024 The Digital Video Information Network