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Re: BlackMagic - URSA Mini
Yes, this quest for the perfect machine by so many people who don't have anything to tell, other than filming pretty girls walking on beaches or their cats and dogs is....entertaining for the least.
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Re: BlackMagic - URSA Mini
Larry,
I completely agree with you. Anyone who knows the limits of equipment and uses it accordingly, will obtain excellent results. It's the same on the display side. Everyone is obsessing over black levels or pixel count on flat panels. HDR will be next. Watch for the obsession to spill over into acquisition. |
Re: BlackMagic - URSA Mini
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Re: BlackMagic - URSA Mini
I also believe that the vast majority of people simply don't need to shoot raw. Let's assume you're going to film a comedy or a drama happening in NYC, a story Woody Allen style or something Spike Lee would do. Do you really believe you need 15 stop of dynamic range captured by a 4.6K sensor? Can't you tell the story of that guy cheating on his wife or that Chinese girl falling in love with that black guy shooting ProRes 4:4:4 with a 4K sensor? ProRes 4 4 4 will allow more than what's necessary to color grade nicely.
Raw could be justified for a few difficult scene, and still, 4 K will be more than enough. As far as I'm concerned that Hollywood whore, what's his name, uh, Spielberg, could shoot all the dinosaur stories he wants in 8K he won't make me go see it. I would have watched Death and the Maiden shot on an iphone4. |
Re: BlackMagic - URSA Mini
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Re: BlackMagic - URSA Mini
"Today, its years are numbered, but I will remain loyal to this analogue artform until the last lab closes." -Steven Spielberg
Steven Spielberg & Martin Scorsese: the joy of celluloid | Art and design | The Guardian |
Re: BlackMagic - URSA Mini
Personally I think the 4.6k sensor may be better for ENG style Doc work. If you're going to have to go shoulder mount, it'll give you a bit more room to stabilize in post... assuming you want 4k delivery for your Doc. That and higher frame rates for slow motion. Wider dynamic range will help when you have to shoot on bright sunny days where you don't have the lighting controls and still need good shadows as well. That delivery might seem like a small market now but it might not be in three years. The question for some will be, how much longer can you extend the life of the camera for the additional $2k.
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Re: BlackMagic - URSA Mini
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There will be times when it will be very nice to have the option of shooting 4K, and times when the extra flexibility you can get in post to shoot in RAW, but most of the time, it will be overkill. It does have its advantages when you're shooting in situations where you can't control your environment or timing, like ENG to have 15 stops of dynamic range... but even then, most of the time, ProRes HQ will be enough. :) |
Re: BlackMagic - URSA Mini
Michael,
I didn't say Spielberg shot in digital, I said that even if he'd shoot in 16k what he does doesn't interest me a bit. Yes, I can see why 15 stops of DN and raw could be interesting for anybody who doesn't control the situation such at ENG, sports events, etc. |
Re: BlackMagic - URSA Mini
ENG , sports events etc, don't have the time to deal with RAW, these productions commonly have fast turnarounds, a lot of the time there's no grading unless there's a problem (unless for a promo or sting). It's the cameraperson's job to get it right in the camera.
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I wonder if adding LUT support is in the card for the Mini. It would be nice to be able to craft a look on set, Alexa-style, and deliver footage that's closer to edit ready than film LOG or rely on rec 709. |
Re: BlackMagic - URSA Mini
BMD site still says "Shipping in July" for all four versions, but the B&H site has been updated with "Expected availability: Mid September 2015"
From what some of you were saying, this was to be expected. Mark |
Re: BlackMagic - URSA Mini
Blackmagic not shipping on time?!?!?
My heart... Can't take... Oh wait, yeah BlackMagic. I'm going to say January. |
Re: BlackMagic - URSA Mini
So... You're an optimist ;)
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