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xf-300 vs sony EX1R sensor size?
Hi
I currently own a canon xha1 and am ready to upgrade and go tapeless and at the price point of these cameras will also be shirtless ;) I was talking to some guys at the camera store. They recommended going with the sony instead based on 1/2 inch vs 1/3 inch sensor size. They told me its like comparing apples and oranges the 1/3 sensor will never be able to match the 1/2 inch sensor. Just wanted to get your opinions on this. However a turn off for the Sony is their memory cards cost a lot more? The sales guy also said in the pro video world Sony still has a big lead on Canon? This store carries both cameras and was very surprised at the cost of the canon. Any recommendations would be appreciated thanks!!! I also asked about tapeless cameras in the 3000 range and they talked about a $4000 sony but uses much greater compression and needs converting to be imported into FCP |
I think the store's got it pretty much right on both counts.
BUT, there is a lot more to the image than just the chip size, so it's not quite so straightforward as that. I suspect it wouldn't be apples and oranges, I bet it'd be real close - don't forget the canon has the edge in codec (50 mb/s vs 35 mb/s). There are operational issues with 1/3" chips, namely that the ideal aperture range is quite small - go below about f5.6 and you get softening due to diffraction, open up too wide and you might have difficulty with too much light even with the NDs on. I get the feeling they'd both produce images in the same ballpark, enough so that it'd be worth checking both out and seeing which one feels better and works best for you. Steve |
Hi Richard, you need to make your decision based on the *entire* camera, not just one aspect of it.
I wouldn't buy one car over another just because it had a bigger engine. So many other factors have equal if not greater importance. |
Barry Green tested the new Panasonic HPX370 which has 1/3" chips and found that it compared very well vs the EX1/3, even in sensitivity it was within 1/4 of stop.
Steve |
is the memory more expensive with Sony?
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Yes, SxS cards are pricey, the Canon is Compact Flash isn't it? If so there'll be a price difference of around 10x! But in the overall scheme of things I don't think media costs make that much difference, as they do, in effect, last forever!
Steve |
I think it is important to look at the bigger picture: Sony have market dominance in this price bracket and Canon (and others) want a piece of the action.
I have not managed to do the EX / XF comparison that I wanted to do, but I would be very surprised if Canon have not done their own detailed testing to ensure that the new camera equals and probably surpasses the current Sony products. The XF 305/300 are clearly aimed at the ENG / independent TV production market and the results that I have seen from this camera to date suggest very good low light performance. As Chris says, sensor size is not everything and Canon have huge expertise in image processing and noise suppression. The camera offers 50Mbs 4:2:2 without add-ons onto low cost CF cards. For anyone looking for a new camera, it would seem to make sense to see how the street price pans out a month or so after it goes on sale? Nick. |
I'm not sure if Canon are trying to get a piece of Sony's action. Others have commented that they have a big interest with Sony in that they supply the majority of the lenses for their cameras.
I think they've always been on the fringe of the broadcast market and been happy to be there as they get a whole load of niche buyers that are better served by the Canon offering than the others (right from EX1 Hi 8, through the XL-1 and XL-H1). Also interesting to ask the question why did Canon not put 1/2" chips in the camera? If they did they'd be a big jump ahead of Panny or Sony, and would have a full EBU spec HD camera (ie 1/2" or bigger chips and 50 mb/s or more codec). Not wanting to tread on certain peoples' toes maybe? Steve |
That makes a lot of sense Steve. Bigger chips would hardly be a problem for Canon, but as you say that really would tread on toes. Whatever the logic, this camera performs well and is a big leap from the previous generation.
I'm keen to see how retail prices pan out, particularly in the UK. Nick. |
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is the sd adapter card not supposed to be used sparingly? i thought i read somehwere it was not to be used all of the time, but more of a last choice for media scenario. could be wrong though.
i am also waiting nick, i am just over half way for my camera fund be it XF or EX1, but as the retail world is, if you want it first and right now, your gonna have to pay. my saving will take me a month or two past the release, so im interested to see how the pricing will go. who knows, maybe they will be on backorder? would be surprising to me still if that happened. dan |
Also remember you could look at a nano flash unit which yes is expensive however you can record high bit rates and has a large amount of storage.
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Daniel I'm not totally sure I could be wrong but my friend has an EX1 and he uses SD cards without any problems. Personally I shoot with the Canon XHA1 and I tend to like Canon's cameras I just feel they screwed us over with a 1/3 sensor & price. Even codec is not all that - if anyone can recall the HVX200A shoots at 4:2:2 & 100MB/s and the EX1 still took the market with better looking images.
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yeah very true nicholas. i even cant help but wonder why panasonic hasnt updated the 200 model(170 was maybe an update? dont know panasonic well). we use them for school and it is such a bad feel. buttons, menu, even the flip out lcd is old news. i was an xha1 owner aswell, canon just builds great looking, strong cameras that function well. my only hope with the 1/3 chips is that because of the burst of video sales going to a cheaper dslr camera, the new chip should match or closely match the quality to get users buying video again. but then again, i will be using a 35mm adapter, so 1/2 chips would allow me better light loss.
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I think after reading this discussion I am
leaning towards the Sony The memory cost was one issue that seems not to be a factor anymore if you caan use SD cards. The 1/3 issue according to the folks at B and H is a big deal they told me its not just light sensitivity but the overall image quality is better on the 1/2 inch. The way they put it is to think of the chip as the engine in the car. The car can do a lot with a small engine but the other car( sony) with a bigger engine can even do more. Now if Canon had introduced this camera at $4000 it would be worth it. From the technolicical standpoint it would seem it would cost less to make a camera without tape transport drives. IMO this camera should have been a bit more expensive than the xha1 not double the price |
The folks at B&H are definitely over-simplifying things. The overall image quality of a 1/2" is not neccessarily better than a 1/3", it might be but not neccessarily.
The car analogy works here too: put a huge 6 litre V8 in a Cadilac and it'll get smoked by a 2 litre Subaru Impreza. This is because there is more to it than just engine size. Steve |
B&H were right. 1/2" was better, but times change. I have shot an awful lot of material on this camera and it is very, very good.
I'm a stills photographer, used to 20 & 40Mpixel images - this is the first time that I have been happy with video stills, except from Red One. Nick. |
The difference is not anywhere near as much as B & H says.....the lower light is a little bit better and the depth of field is a little bit better.......can I repeat...a little bit better (I'm pinching two fingers together). As I posted on another thread, Don't you think a 1/3" chip from 2010 might be better than a 1/2" from 2007??? And Canon glass is definitly better than Zeiss labeled Sony glass.....not to mention, the much bigger 50mb/422 color codec the Canon has.
I suspect that B&H has a lot of EXs in stock and would like to sell them now insted of have you wait a month or two to buy the Canon. Jim Martin FilmTools.com |
I think Canon could have had a real EX-1 rival if they had put 1/2" chips in this new camera at the same price.
It does seem polictical as this would have really separated the camera from the herd. There are a lot of 1/3" chip cameras and only the EX series in the 1/2" range. Kind of a shame. It still looks like a great camera, but 1/2" would have perked everybody up for shure. Tough choice to decide between the two! |
I rented an EX1 recently and found myself missing my old XHA1. I like the Canon glass, and prefer the ergonomics. I also hated the image stabilization on the Sony compared to the Canon.
However if the cheapest fixed lens XF option is going to cost 6 grand in the UK ($9000), i'm not sure if i can justify it. There are loads of excellent condition second hand EX1's around for half that, and of course they have a larger sensor and - most of the time - can record to cheaper memory cards. |
Another important benefit of the EX1 over the Canon is not having to wait for all the bugs to be worked out since the EX1 has been around for a few years.
With the EX1, there are thousands of accessories already available, new and used. An advantage of the EX cameras, that few ever mention, is Flash Band removal using Sony's ClibBrowser software. I have an EX1 and the software works nearly perfect. |
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Again, they are all good cameras and depending on what you are doing, one might be better that the others. Jim Martin |
Right. If you need some hint of shallow DoF and the best possible low light performance, the EX1 will win. If not, I think the codec alone will make the XF yield a superior image.
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The codec by itself will not make the XF produce a better image. Over in the nanoFlash forum, an EX1 owner provided stills of 35Mb from the EX1 and 50Mb 422 from the nanoflash. Only under high magnification can you see a difference.
The EX1r sensor is identical to the EX1 & EX3. |
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I´m sure you can get great pictures with this camera. I certainly could with my old XL-H1.
Another factor to think about is your work environment. I changed my H1 for an EX-3 for 3 reasons, 2 of which won´t apply for the new camera (manual lens and viewfinder) But the 3rd does. I work a lot with big ENG cameras that companies rent for production, and the Sony 700 XDCAM HD is the most used. I´m often able to rent my EX-3 out as a B-cam for these productions as it intercuts very well with it´s big brother. If you are not working in broadcast at all, the Canon might be the tool for you. Personally I don´t think you will see a big difference in the 2 cameras. I might be proven wrong though |
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I've only got his word for it, but you might want to be careful before making accusations like that. Steve |
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Which one? I cannot find it, but then maybe I am missing something.
All his books that I have seen relating to Panasonic cams say "writen by Barry Green". I have never heard of anyone seriously questioning Mr. Green's testing procedures, and in fact in my experience he has been a reliable source of good information on cameras and technology. |
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That said, his XH-A1 vs HVX review was slammed pretty hard for being pro Panasonic. Specifically, he compared both cameras w/ their stock settings and said the Panny had nicer color. It turned into a rather philosophical debate over how to test cameras. But being that the Canon is soo tweakable, it seemed to do the camera a disservice. Anyway, I'm glad we're past that and DO NOT wish to revive that debate. |
Ditto Peter......Lets get off Barry and move back on topic.
Jim Martin Filmtools.com |
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Do you guys think that considering the filter diameter of the Xf300 is 82mm that this affectively would give it a much better low-light performance comparing to similar camera like the Z7 or Z5 that have a filter diameter of 72mm?
If this does make a difference then this could make the Xf300 equal to the EX1 77mm filter diameter. Thoughts? |
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