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Dan, thanks for correction, of course it is APS-C, not APC. I had one of the Canon Elph's when they first came out (the short-lived APS film format). Seemed pretty slick at the time for a pocket camera--how much has changed in 12 years!
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Image stabillization
Is the Image stabillization on the canon lenses any good when in video mode on the MarkII or 7d?
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I am working right now on a feature with the 5d Mark 2 and the 24-105 f4 IS almost exclusively and I can tell you that the IS system works perfectly well in video mode.
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Of course, the IS motor can be heard through the internal mic. The solution is to use an external mic. And that means using Magic Lantern Firmware (on the 5D2, but not the 7D, at this point) and a preamp, or an external recorder. The internal mic will pick up manual focusing noise as well.
6. Canon 5D Mark II Audio Exposed - Conclusions on Vimeo |
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Michael,
What you say is true - the sensor size is the same, problem is the lack of fast wide angle lenses on the 7D. There are plenty of fast wides for cine cameras. For now that makes Cine DOF look on a wide easier on a 5DmkII. For standards and tele lenses I think the 7D is well catered for. Dan |
That was my point. You need faster lenses. Maybe Canon will start making fast cine lenses. Or somebody will come out with adapters. Of course there are a number of fast Canon lenses out there, 1.8, 1.4, etc. Just not the zooms.
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Yeah, when I think "cine lenses" I think 35mm motion picture camera lenses. With the right mounts available, you could rent lenses when necessary if you're in a city with a cine equipment house.
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