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C300 Mark II announcement discussion
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C300 Mark II press release, USA version: Canon USA Announces C300 Mark II at DV Info Net
C300 Mark II product pages, USA version: Canon C300 Mark II - Cinema EOS Cameras - Canon USA C300 Mark II specifications brochure attached below for download. -New sensor -4k internal -Up to 15 stops dynamic range -internal 4:2:2 10bit @ up to 440mbps -Dual Digic DV5 -5! ND filters: 2, 4, 6, 8, 10 -Supports ITU-R BT.2020 colour gamut -Log2 - an update to original Clog -ISO up to 102,400 and improved over mark 1 -XF-AVC intra codec -CFast media -2k/HD up to 120fps -Output's RAW 4:4:4 4k -Overall same design but with many improvement/refinements -EF mount, but mentions optional upgrade to PL mount or EF with cinema lock -Price 11299euro |
Re: Canon C300 Mark 2 announced - spec list
2K and 1080 can be recorded at 12 bit?? That's an interesting feature.
Thank goodness for the high frame rate improvements. It's interesting that it can record raw... that puts it into competition with C500, no? Though C500 does higher frame rates at 4K. |
C300 Mark II announcement discussion
Quoted UK price of £11,299 ex VAT. Available 3rd quarter of 2015...going go be a long 6 months!
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Re: Canon C300 Mark 2 announced - spec list
Better than I expected. Canon is going to sell a ton of these.
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Re: Canon C300 Mark 2 announced - spec list
Same price as the original C300.
If some one can offer me nice trade in deal I would definitely be interested but as Canon has just dented the value of my C300 this might be a bit difficult. The specs are absolutely superb. Bit confused about whether the the LCD has a new display but the EVF has gone OLED. What I'll probably do is hang onto my C300 and buy the new XC10 which I can afford. |
Re: Canon new codec XF-AVC, XC10, C300mk2
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Re: Canon C300 Mark 2 announced - spec list
It's an OLED screen. I would assume similar to the C100 Mark II - which has a very nice screen. Much better color & better contrast.
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Re: Canon C300 Mark 2 announced - spec list
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I think this new camera looks absolutely fabulous but am disappointed that the step up to buy it will be as great as the original C300. And to add to the cost is the need to build up a new set of batteries and cards. But it all seems like a natural evolution to 4K acquisition and editing. Having said that none of our clients have the ability to play 4K at the moment and large amount of end delivery is still at 720P! There has been a lot of negative feedback about the price and maybe this will drop before the camera actually hits the street. |
re: Canon announces XC10 and new codec XF-AVC
Canon USA "walkaround" video of the C300MkII.
Also, more detail about features here: |
Re: Canon C300 Mark 2 announced - spec list
Heard $20k, then $17k, B&H now has it listed at $15,999.00. Canon will sell a ton of them but I do think they are missing an FS7 chunk of the market. The jump from $5,500.00 for the 1080 only C100 MKII to $16k for the 4K C300 MKII is too large. They should have come out with a 4K version called a C200 for $10k and re-aligned features to make that acceptable to an FS7 buyer. But they will sell a ton of C300 MKIIs so what do I know?
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Re: Canon C300 Mark 2 announced - spec list
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If I was a C300 owner and didn't do any broadcast work, I would sell it and purchase a C100 Mark II.
The C300 Mark II price will likely come down between now and the time camera starts to ship. They will have another price reduction around March 2016 and I expect a decent used market this time next year in the 10k range. This trend keeps true with the historical pricing changes on the C300 Mark I and C100 Mark I: |
re: Canon announces XC10 and new codec XF-AVC
This is going to be a wonderful camera and Canon will sell them like hotcakes.
My only gripe is I wish the OLED was located toward the back of the camera and on the camera body itself much like the C100. Being able to detach the top handle on the C100 is great for shooting with a low profile and not drawing a lot of attention to yourself. |
Re: Canon C300 Mark 2 announced - spec list
So Darren do you think people will prefer this over the Sony Fs7? The video I saw said the new 300 II was a bit heavier and taller than the old one. Also wonder what edit system will handle the Canon Codec. Also I think the Sony will be able to do faster frame rates then the 300 II. Of course real side by side test can't happen until they deliver. I think Advantage Sony for the moment.
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Re: Canon C300 Mark 2 announced - spec list
Canon customers love to complain and whine about their cameras not "out specking" the competition, while then proceeding to write a big fat check to purchase the new release. I suspect deep down they know specs are really not all that important.
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re: Canon announces XC10 and new codec XF-AVC
"C300mkII actually looks a lot better than I had expected. I think they've certainly done enough to prevent a tidal wave of C300 owners switching over to the Sony FS7"
"Hot Cakes" Really ? - Why would you go for this when you can get an FS7 for £4000+ Cheaper and you get many more frame rate options. |
re: Canon announces XC10 and new codec XF-AVC
It's double the price, 8k for the fs7 vs 16k for the c300II according to B&H prices, I"m sure the c300 will particulary do well in rental houses.
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re: Canon announces XC10 and new codec XF-AVC
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I PERSONALLY think it's a little high and the value isn't there for a price tag twice that of the Sony but for those with a catalog of Canon lenses and the ability to pay for the camera quickly through work, it's a pretty amazing setup. Price ONLY matters if you can't recoup it. |
re: Canon announces XC10 and new codec XF-AVC
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re: Canon announces XC10 and new codec XF-AVC
"Really ? - Why would you go for this when you can get an FS7 for £4000+ Cheaper and you get many more frame rate options."
For me I think its a little overpriced as well BUT for the big boys RAW output, color modes to match ARRI, even more dynamic range, 2k and 4k output simultaneously, and a PL mount are probably enough to justify it. Its priced like a GoPro when you think about what the large and medium budget movie types have into the Alexa kits. Seems like it would be cool to own a "cheap" camera that matches your ARRI rentals If you have Canon EOS lenses, its probably worth the IS and lens communication If both cameras were available a months ago, things what would have got me to at least look at the C300 even though its more than I really wanted to spend... C300 the better screen and EVF (my $200 phone and 3 year old $500 iPad have a better looking screen than my FS7 and FS700) this is ridiculous and at some point when I can get a quality image EVF like the Zacuto Gratical (sans all the LUT's, outputs and high end processing) for around $1200 I will. Better AF and more important for me better focus assist tools. Also being able to move the focus point and magnification area around is a big deal. The color profiles... for the stuff I shoot people do not know what to do with SLOG and just ask for a baked in look so the WideDR look of the C300 (real color, high DR but a bit flat not LOG) sounds pretty cool... something I could deliver thats a step up for tweaking but so easy to grade a monkey could do it. For the doc style sporting events I shoot being able to do 1080 to an SD card would be amazing... I could keep a copy on CFA$T and they could just walk away with the SD I need a swiss army knife, most people probably don't Also I end up shooting in bright horrid direct sun (motorsports) so the low 100 ISO, 800 ISO base or the extra ND would be really nice Starts to eat up the price difference once you factor the RAW back option and a new EVF, but I absolutely hate the super tall Canons with the audio/LCD tower on top of that. and RAW is a bit out of my league so its cool to not have to pay for it till I need it (or even just rent it) |
Re: Canon C300 Mark 2 announced - spec list
Specs are way overrated. The Sony has better specs and it is much cheaper but it makes Sony pictures, bright, poppy colors, skin tones skewed toward blue-magenta, very unflattering. Have you seen any FS7 footage yet with good looking skin tones, motion characteristics, etc.? If you have, post a link.
The FS7 hits a great price point, about $10.5k with media and a good battery system. But the images look like a Sony. Canon images, especially of people, look considerably better to me, that's why I shoot Canons and only occasionally rent Sonys when the client wants that look. I rented the FS700 twice in 2014 and the F55 once, for a spot. They are not bad cameras but not flattering to people to my eye. That said, I am pitching a bunch of TV series. If we are lucky enough to sell a series, we may end up with three or four FS7s as I doubt we would have the budget for three or four C300 MKIIs. For cable TV, broadcasters love how Sonys look and I am fine shooting them although I much prefer the Canon look. |
re: Canon announces XC10 and new codec XF-AVC
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Reliability, compatibility & familiarity. On many productions (and in rental houses) price often comes secondary to factors such as these (provided the Image quality is there). For people wanting to shoot RAW, the price starts starts to go up on the FS7 (still not into C300mkII territory, but notably so). You also don't need to worry about lens adapters with the Canon, which means one less thing that can go wrong on set. Personally I'd prefer the FS7 but I can see why others would be happy to pay double the price for the C300mkII. |
re: Canon announces XC10 and new codec XF-AVC
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I've always found Sony video to look much more 'electronic' and TV-like than anything Canon have ever marketed. Then again, Sony haven't been in the business of making higher-end still cameras for very long, but they've been making broadcast-quality ENG cameras for decades, so I would say their experience in this area tends to inform how their video output looks. For what it's worth, I once bought a Sony FX7 camcorder that shot only 1080i and promptly sent it back because I didn't like the live-looking images it produced. |
Re: C300 Mark II announcement discussion
Are you guys really getting a lot of requests for super slow motion?
95% of the content I see being produced is at normal frame rates and the other 5% is at standard slow motion frame rates (50p or 60p). For those extremely rare instances when I need high frame rates I'll rent a phantom. |
Re: C300 Mark II announcement discussion
Personally, I thing having 120 fps for b-roll is perfect. Much faster and light gets scarce. 60 is perceivably slow, but it doesn't always stretch things out as much as I'd like.
My main use (with the FS7) has been for b-roll behind interviews. I work in a research lab and for a given project, the might be only so much interesting stuff to show. The researcher dialog often needs a lot of editing and it can be tough to find enough material to cover up the cuts.At 120 fps, I can milk each shot for all they can offer. I can also film micro expressions, such as the person in their work space looking at the camera and offering a quick, faint smile in a close up. I don't always need 120 fps, but it can be really helpful. When editing, it really helps stretch your coverage. In a more dynamic environment, like a racetrack - or an NAB tradeshow, it's easy to get lots of content. (Of course, slow motion in a welding shop can make that content more interesting.) But when interviewing an engineer about some novel lines of code, finding good b-roll is tough and stretching it can save the day. |
Re: Canon C300 Mark 2 announced - spec list
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I bought an FS7 four months ago, thinking it would become my main camera (with my existing C300 becoming the B-cam). Much as I try to like it, I just find the FS7 to be a lacklustre experience after using the Canon. I just can't get the skin tones looking good in post (which is a breeze with the C300), the menu system is horrible, and the ergonomics (which I thought would be a strong point with the FS7) are awkward and unbalanced; I actually find the C300 much easier to use without a rig. The Canon has remained my main camera; it's just so hard working, reliable, and easy to get great images out of. You can concentrate on what you're capturing rather than trying to tame the camera. As soon at the C300 mk2 hits the shops my FS7 will be out the door. This is just my personal experience of course, but for me the premium price is worth it for those shooting several days a week. The mk2 looks like a really nice step up from the first model while still retaining all the strengths / simplicity. |
Re: C300 Mark II announcement discussion
Thanks for your feedback Josh. Honestly, this goes way back to my HPX170 versus the EX1. I owned the HPX170 and shot with it. Yes, the images were a bit grainy but the color science was excellent. I had a client who owned the EX1 and always wanted me to shoot with it instead so I would. I agree, the Sony menu systems always suck and the images were super sharp, sterile and clean. My client liked them, I didn't. Having a clean, sterile signal is some people's idea of perfect but with me coming from a S16 background, I always preferred a bit of grain to the image and beautiful, flattering, lush skin tones and color.
Neither mindset are right or wrong, they are just preferences. My C100 reminds me a bit of the Panasonic, a bit grainy, not super clean or sterile but just beautiful, appealing color. Whenever I shoot with the Sonys, all of that "magic" disappears for me and I am left with super clean, clear, sterile images, even when shooting S Log, they just don't grade out to what the Canons give me. |
Re: Canon C300 Mark 2 announced - spec list
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Most of my delivery is 720P as well. My clients are the same w/4K. What appeals to me & what I wanted with the Mark II is 10-bit & 12-bit, higher frame rate options, the better screen, lower noise, better dynamic range, better AF, etc. But that said - I don't mind the long delivery window as I'll have lots of time to decide if I even want/need the C300 Mark II. It wouldn't surprise me, too, if the C300 Mark II is not readily available until early 2016. With the C300 Mark I the cameras dribbled in over ~6 months before the supply was able to fill all the pre-orders. |
Re: C300 Mark II announcement discussion
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Re: Canon C300 Mark 2 announced - spec list
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And if I look at that figure which is similar to the Sony FS7 and compare that with the C300 MK 2 I know which one I'll go for. I'm still annoyed that Canon chooses to devalue my investment in such a dramatic way. If I do decide to upgrade It means that I will have paid around £2K a year to use my C300. However, looking the work we have done thats not actually too bad. |
Re: C300 Mark II announcement discussion
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Re: C300 Mark II announcement discussion
Canon's C300 Mark II cinema camera will cost you $20,000
Hopefully we'll know more regarding pricing in the next few days. |
Re: C300 Mark II announcement discussion
B&H has it on pre-order for $15,999.00
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Re: C300 Mark II announcement discussion
Okay, as both a long time Sony and Canon user, I can see merits for all the varied opinions for each in this post so far, just as there always is when comparing different camera manufacturers. Some people like Ford, some like Chevy. They all do the job in competent hands. But I have a couple of pressing questions, which have nothing to do with the new sensor, the LUTs or 4K. Maybe it's been covered here already (I admit I skimmed!) but did Canon fix the buttons on the camera to be a 'soft click'?? It's one of the things which drives me crazy on the 300.... you're set up in a quiet interview setting, and I have a compulsive habit of constantly checking focus, especially when using a very shallow DOF, and the subject can't sit still. I do this by obviously utilizing both magnification and peaking, and while the noise from the buttons rarely (if ever) has made it to the recording, it has caused me to receive stink-eye from more than one producer. They don't really know what I'm doing, all they hear is the constant 'click-click-click' as I toggle through magnification, peaking, zebra and this brings me to my other pet peeve with the C300. WHEN is Canon going to get the hint that we don't need all the display data in both the LCD and VF at the same time?? Did they change these small but somewhat annoying little specs?
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Re: C300 Mark II announcement discussion
Given how noisy the NAB show floor is, I couldn't verify it personally but quiet buttons was a specific talking point.
Also saw some 4k footage recorded internally and displayed on Canon's new Rec 2020 monitor. So beautiful. |
Re: C300 Mark II announcement discussion
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To me it was all about the image, and the flexibility of all the new luts, looks and gamma's. The highlight range on this camera is insane.... in a completely different league from the previous generation of CinemaEos cameras, daring you to just keep increasing exposure to see if the skintones would burn out and get weird. They really never did, even at absurd exposure levels the skintones just faded to white...awesome. I set the exposure for the scene to what I considered "normal" and then tilted the camera up to the spots lighting the set and there was full detail in the fresnel lens and housing. The skintones seem to have lost the "golden" hue that could be a blessing or a curse on the old c300. The new skintones are a tad redder (definitely seeing the Alexa influence here) but never oversaturated. (The camera has an "original C300" look in the settings, but I never got to look at whether it rendered skintones more like the old camera or not...the booth guy said it should). Finally, I was really impressed with the Rec.709 LUT and gamma on this camera. I always felt this setting on the C300 just looked contrasty and oversharpened and noisy. I've often heard about Alexa that it's pretty common in TV drama to just to use it's rec.709 setting straight out of the camera as it looks so good. From what I could see, Canon has followed suit here as well... The only thing of concern that I (and several others) saw on the overhead monitors was some pretty nasty pattern noise in the deepest shadows at every ISO (things that would normally render as completely black). It was not clear if this was something the monitor was causing (you couldn't see it on the LCD), and it was certainly not in evidence on the demo film they showed in the theatre. The booth guys had no answer other than that they were engineering sample cameras and didn't have final color. I believe that (and I couldn't imagine Canon releasing a camera with such a glaring problem.) |
Re: C300 Mark II announcement discussion
Barry - thanks for that really informative post of the new C300 Mark 2 from NAB. Having a better monitor will definitely be useful, and one that stays level!
Did you manage to play around with any of the new autofocus features? |
Re: C300 Mark II announcement discussion
No real surprises on the autofocus stuff. Meaning it all worked as advertised. The booth guys were all keen to talk about the assisted manual focus which let's you place the focus point wherever you like and gives you a nice graphic indicating the direction and amount of focus error for manual correction. Probably the most dramatic example of the DP-AF came in the classroom, where the teacher had a model sit down, while he framed her and quickly set a focus point near the edge of the frame and then ran a fast 4 foot slider move, wide open, directly at her with her face significantly off center in the frame... It was perfect and dramatic, and took him all of 3 seconds to initiate. Overall this is the best implementation of DP-AF on any of their cameras. And I doubt anyone will find much to complain about regarding AF.
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Re: C300 Mark II announcement discussion
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Re: C300 Mark II announcement discussion
and you understand what list price means.......it means you will never pay that price.
Jim Martin EVSonline.com |
Re: C300 Mark II announcement discussion
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