Ian Stark
July 28th, 2007, 10:55 AM
I've just been watching an episode of that cheery show 'Air Crash Investigation'.
In a segment of the reconstruction of a crash, where passengers are evacuating the plane, the style is very jittery - very much like the opening half hour of Saving Private Ryan and the action scenes in 28 Days Later. I'm pretty sure you all know the style I'm trying to describe, even if I can't put it into words! It's perfect for highlighting confusion and panic and I'd like to recreate it in a music video I am shooting at the end of August.
My question is this - is it possible to recreate that style in post, ie with footage shot normally? I'm not so interested in how to achieve the bleach bypass look, just the jittery effect, ideally using Vegas (or After Effects).
If it can't be effectively done in software, can someone guide me as to how to shoot my footage in that style (I use a Canon XL2, in case the moderators wish to move this thread). I know it's a shutter speed thing but I would welcome your advice as to any other camera settings I should be thinking about.
Many thanks.
Ian . . .
In a segment of the reconstruction of a crash, where passengers are evacuating the plane, the style is very jittery - very much like the opening half hour of Saving Private Ryan and the action scenes in 28 Days Later. I'm pretty sure you all know the style I'm trying to describe, even if I can't put it into words! It's perfect for highlighting confusion and panic and I'd like to recreate it in a music video I am shooting at the end of August.
My question is this - is it possible to recreate that style in post, ie with footage shot normally? I'm not so interested in how to achieve the bleach bypass look, just the jittery effect, ideally using Vegas (or After Effects).
If it can't be effectively done in software, can someone guide me as to how to shoot my footage in that style (I use a Canon XL2, in case the moderators wish to move this thread). I know it's a shutter speed thing but I would welcome your advice as to any other camera settings I should be thinking about.
Many thanks.
Ian . . .