Josh Bass
July 16th, 2007, 03:41 AM
Hi guys, I have the G2/EW100 system (I THINK that's the right model number--it's the smallest transmitter/receiver Sennheiser makes, runs about $430 in Houston, comes with an omni-directional lav).
I used to leave everything on it's factory settings 'til I started experiencing distortion when the levels were clearly not hot.
I'm just wondering where you guys who own the same system set your sensitivity on the transmitter, as well as your af out on the receiver. This is assuming you're using the lav, for going straight into a mic level XLR input in a camcorder (I use an XL2), and that your volume level on your cameras audio dials is around the middle.
I know this system can output a line level, but it seems like at the settings you need for line level, it's prone to distortion. So far, setting the sensitivity on the receiver to -30 (the lowest you can go) and 00 on the AF out works pretty well, but I've heard someone say to set both at their minimum, which seems a little low unless someone's shouting a lot.
So again, I just want to know what other people do to avoid overmodulation.
I used to leave everything on it's factory settings 'til I started experiencing distortion when the levels were clearly not hot.
I'm just wondering where you guys who own the same system set your sensitivity on the transmitter, as well as your af out on the receiver. This is assuming you're using the lav, for going straight into a mic level XLR input in a camcorder (I use an XL2), and that your volume level on your cameras audio dials is around the middle.
I know this system can output a line level, but it seems like at the settings you need for line level, it's prone to distortion. So far, setting the sensitivity on the receiver to -30 (the lowest you can go) and 00 on the AF out works pretty well, but I've heard someone say to set both at their minimum, which seems a little low unless someone's shouting a lot.
So again, I just want to know what other people do to avoid overmodulation.