Joe Ray Skrha
July 5th, 2007, 04:03 AM
Hi Folks,
I have used my XL-H1 for past year in HDV format using tape. I look forward to Aja's IO HD when it is available..
What I need assistance with is the following: I have been shooting live musicians performing on a moving passenger train cross Canada or Mexico for 4 to 10 days at a time for the past 3 years. I used my XL-H1 on the last trip. I was not totally pleased with the results. I use a tripod on a secure table that is built into the car. The audio comes off the mixing board into XLR in. During the day, I have light through the windows of the club-car (converted to a performance car) and depending on sun vs cloudy day and summer vs winter, I usually have sufficient light.
The evening performances are where I have most of my problems. Any ambient light is usually by candle light or small train light that is battery operated. Overall, it makes for a beautiful listening/viewing environment for musician and audience but a difficult environment to film on tape.
I have tried different levels on my XL-H1 and either my recordings are real grainy or dark. What has worked best is manual 1/75 at F1.7 gain:+12, and 5500K. Still, I have a darker-grain filled recording. Also, when the musicians move, I see an echo of horizontal lines until they stop jumping around. If Is hoot without the 5500k or auto, I get much worse grain. I the next trip this September, I would like to try out any recommendations that you wonderfully professional people may suggest.
Sincerely, Joe Ray from the Kenai River in the Land of Alaska...
I have used my XL-H1 for past year in HDV format using tape. I look forward to Aja's IO HD when it is available..
What I need assistance with is the following: I have been shooting live musicians performing on a moving passenger train cross Canada or Mexico for 4 to 10 days at a time for the past 3 years. I used my XL-H1 on the last trip. I was not totally pleased with the results. I use a tripod on a secure table that is built into the car. The audio comes off the mixing board into XLR in. During the day, I have light through the windows of the club-car (converted to a performance car) and depending on sun vs cloudy day and summer vs winter, I usually have sufficient light.
The evening performances are where I have most of my problems. Any ambient light is usually by candle light or small train light that is battery operated. Overall, it makes for a beautiful listening/viewing environment for musician and audience but a difficult environment to film on tape.
I have tried different levels on my XL-H1 and either my recordings are real grainy or dark. What has worked best is manual 1/75 at F1.7 gain:+12, and 5500K. Still, I have a darker-grain filled recording. Also, when the musicians move, I see an echo of horizontal lines until they stop jumping around. If Is hoot without the 5500k or auto, I get much worse grain. I the next trip this September, I would like to try out any recommendations that you wonderfully professional people may suggest.
Sincerely, Joe Ray from the Kenai River in the Land of Alaska...