James Collinson
June 4th, 2007, 07:52 AM
Hi folks,
I've got an A1 and am seriously considering a 35mm adapter, but the one thing that really concerns me is all the talk of colo(u)r separation / purple fringing on high contrast areas.
I have noticed some issues with this on the camera without an adapter, and i feel it is liveable - i a quite pleased with it on the whole. But is this problem really exacerbated when going 35mm? And is it worse on some adapters than others?
I really love the footage that the SGPro produces, but i think the Brevis will be my choice - ease of setup, nice packaging and fast dispatch time being the deciding factors. But Dennis has the A1, and bemoans the color separation issue... are these any solutions (in post for example) or work arounds?
Jim
I've got an A1 and am seriously considering a 35mm adapter, but the one thing that really concerns me is all the talk of colo(u)r separation / purple fringing on high contrast areas.
I have noticed some issues with this on the camera without an adapter, and i feel it is liveable - i a quite pleased with it on the whole. But is this problem really exacerbated when going 35mm? And is it worse on some adapters than others?
I really love the footage that the SGPro produces, but i think the Brevis will be my choice - ease of setup, nice packaging and fast dispatch time being the deciding factors. But Dennis has the A1, and bemoans the color separation issue... are these any solutions (in post for example) or work arounds?
Jim