Greg Schlueter
May 9th, 2007, 03:15 PM
Greetings. Newbie here.
I have two V1U's and use PP2/Cineform.
I've reviewed virtually all I could find about optimal workflow for V1U/HDV -24p with PP2-Cineform, particularly for output to SD. Cineform's tech office has been very responsive (thanks!), but suggested there are various approaches. I would appreciate anyone's experience -- looking for very specific steps for optimal workflow (not the HDMI/Blackmagic solution-- not possible for me because of field work). Here's what I gather so far:
1) ACQUIRE [typically for me: 24p (1/48)... not 24pA, because Cineform apparently takes care of that issue];
2) CAPTURE through HDLink (AVI/ Progressive/ large file, apparenlty not necessary to check deinterlace... [what's the benefit of the non-AVI options?]). PP2 does not have "remove 3:2 pulldown" within it's integrated Aspect HD dialogue [related question- I've had issues with using "Split Scenes"-- capture stops... and it's not quite intuitive how one can batch capture via HDLink];
3) OPEN Cineform widescreen, 24p project/preset;
4) IMPORT the captured AVI file (from step 2);
5) EDIT (etc.)
6) OUTPUT -
Option 1: Export the timeline using Adobe Media Encoder, 24p (23.97p), progressive, 720:480
Option 2: A- Export using integrated Cineform, to an AVI, progressive, 24p (23.97p) (etc.); B- Open new SD project within PP2, import the Option2A AVI, and export Adobe Media Encoder, SD, progressive, 720:480 OR convert the AVI (from Option 2A) within HDLink to SD [what's better?].
7) DVD AUTHORING- I've been happy with DVD Workshop2... could shift to Adobe's... Any wisdom from anyone here concerning allowing the DVD Authoring software to convert the AVI to MPEG2, or (as I have been doing) have the MPEG2 "ready" and leave the DVD Author to "simply" author (etc.)
Comparisons between Option 1 and Option 2? (my limited assessment is that there's little difference... which would bend the workflow to the more parsimonious Option 1).
I'm sure I've missed nuances and details-- but have yet to see a thorough "cookbook" for Optimal HDV - V1U - PP2/Cineform workflow!
Thanks in advance for your help!
I have two V1U's and use PP2/Cineform.
I've reviewed virtually all I could find about optimal workflow for V1U/HDV -24p with PP2-Cineform, particularly for output to SD. Cineform's tech office has been very responsive (thanks!), but suggested there are various approaches. I would appreciate anyone's experience -- looking for very specific steps for optimal workflow (not the HDMI/Blackmagic solution-- not possible for me because of field work). Here's what I gather so far:
1) ACQUIRE [typically for me: 24p (1/48)... not 24pA, because Cineform apparently takes care of that issue];
2) CAPTURE through HDLink (AVI/ Progressive/ large file, apparenlty not necessary to check deinterlace... [what's the benefit of the non-AVI options?]). PP2 does not have "remove 3:2 pulldown" within it's integrated Aspect HD dialogue [related question- I've had issues with using "Split Scenes"-- capture stops... and it's not quite intuitive how one can batch capture via HDLink];
3) OPEN Cineform widescreen, 24p project/preset;
4) IMPORT the captured AVI file (from step 2);
5) EDIT (etc.)
6) OUTPUT -
Option 1: Export the timeline using Adobe Media Encoder, 24p (23.97p), progressive, 720:480
Option 2: A- Export using integrated Cineform, to an AVI, progressive, 24p (23.97p) (etc.); B- Open new SD project within PP2, import the Option2A AVI, and export Adobe Media Encoder, SD, progressive, 720:480 OR convert the AVI (from Option 2A) within HDLink to SD [what's better?].
7) DVD AUTHORING- I've been happy with DVD Workshop2... could shift to Adobe's... Any wisdom from anyone here concerning allowing the DVD Authoring software to convert the AVI to MPEG2, or (as I have been doing) have the MPEG2 "ready" and leave the DVD Author to "simply" author (etc.)
Comparisons between Option 1 and Option 2? (my limited assessment is that there's little difference... which would bend the workflow to the more parsimonious Option 1).
I'm sure I've missed nuances and details-- but have yet to see a thorough "cookbook" for Optimal HDV - V1U - PP2/Cineform workflow!
Thanks in advance for your help!