Stephen Pruitt
April 9th, 2007, 08:10 PM
Hi all. . .
I'm getting ready to try some double-recording system work with my HVX-200 and a 16-track Yamaha AW4416 digital audio workstation. The board is quite large, but it does allow me to record at 48K, has some pretty nice preamps and converters, and individual EQ and compression on each channel. I'll record on the AW AND send a stereo mix out to the HVX-200.
Since I'm making all of my own locations, portability with the big mixer is not an issue.
Here's my question:
The HVX-200 records at 48K. So does the AW4416. It seems to me that I shouldn't have to deal with time code at all so long as I have a clap-board sound to establish the starting point of each shot. Since my clips will generally be no more than 1 minute long, I would think that any time code drifts would be utterly negligible.
Should this double-system work for me without serious difficulties?
Thanks much.
Stephen
I'm getting ready to try some double-recording system work with my HVX-200 and a 16-track Yamaha AW4416 digital audio workstation. The board is quite large, but it does allow me to record at 48K, has some pretty nice preamps and converters, and individual EQ and compression on each channel. I'll record on the AW AND send a stereo mix out to the HVX-200.
Since I'm making all of my own locations, portability with the big mixer is not an issue.
Here's my question:
The HVX-200 records at 48K. So does the AW4416. It seems to me that I shouldn't have to deal with time code at all so long as I have a clap-board sound to establish the starting point of each shot. Since my clips will generally be no more than 1 minute long, I would think that any time code drifts would be utterly negligible.
Should this double-system work for me without serious difficulties?
Thanks much.
Stephen