Dave Blackhurst
February 20th, 2007, 01:08 AM
Hi everyone -
Been reading such great stuff on these boards, finally decide to join in the fun!
Have some questions that I'm trying to find the answers to - the Sony rep I chatted with online didn't seem to have anything more than the same limited info on the websites, and since the HC7 is so new I'm a little uncertain as to how "up to date" and accurate the info is ;-)
I've got the HC3, it's the "family cam", B/C angle/backup, and I've managed to collect some nifty add ons for it. The 3 actually surprised me with how good a cam it is for the compact package. But of course that lack of mic and headphone jacks is an issue that I see the 7 resolves along with adding some spiffy specs.
Contemplating the "upgrade" - I can get that Sony mic adapter cheap enough, may get it anyway... since it may be a while before I upgrade! I'm toying with using the a/v output for a jerry rigged headphone out - I've tested, and there is output there! Sounded a bit weak, and building a preamp would be more work than seems practical... but it's an option...
SO anyhow, 3 questions about the HC7 -
1. does the x.v. colorspace add anything to the capabilities in edit - the rep indicated Vegas7 supports the extended colorspace and it seems to me this could be a HUGE advantage - more info in, at least theoretically should equal a better output? Sort of how HDV footage output to SD beats footage shot in SD. Anyone dump some footage shot with the xv color yet, and does it look "better"? Spot? (BTW - that Swoop and Hook jump shoot footage was just NUTS!!!)
2. I see the 7 uses a battery that looks like the FP series (and apparently will share SOME chargers), but carries a "FH" designation - ANY chance the FP series will run this cam, since I've got several extended batteries for my 3... Anyone have both (FP battery and HC7) and want to try to stuff one into the slot and see if it works? Or did Sony build in an extra couple hundred profit with a new battery format...
3. Last question... this one is probably the real tough one. Happened across a couple HCB sports packs on the cheap, making the HC3 an "all weather" and shallow dive cam... since the 7 is almost identical in size, I'm pretty sure it will "fit", BUT... the 3 interfaces with the sport pack electronics/controls through the "d" shaped jack that the cam uses for composite output (lots of interesting things going on with that jack including an external mic input!). I know the similar jack on the HC1 won't function with the HCB... anyone have a 7 and and HCB sports pack, and does the pack work with it? Anyone have the serive manual for the 3? Sony posted the SM for the 7 the other day, haven't had a chance to look at the jack in detail...
The HC7 looks like a nice upgrade - I presume from the comments that the video quality is a step up from the HC1 and HC3, and being a gadget hound I am always looking at the next cool thing, but trying to judge the overall cost of upgrading - the answers to 2&3 could be big budget busters <wink>!
THX
Dave
Been reading such great stuff on these boards, finally decide to join in the fun!
Have some questions that I'm trying to find the answers to - the Sony rep I chatted with online didn't seem to have anything more than the same limited info on the websites, and since the HC7 is so new I'm a little uncertain as to how "up to date" and accurate the info is ;-)
I've got the HC3, it's the "family cam", B/C angle/backup, and I've managed to collect some nifty add ons for it. The 3 actually surprised me with how good a cam it is for the compact package. But of course that lack of mic and headphone jacks is an issue that I see the 7 resolves along with adding some spiffy specs.
Contemplating the "upgrade" - I can get that Sony mic adapter cheap enough, may get it anyway... since it may be a while before I upgrade! I'm toying with using the a/v output for a jerry rigged headphone out - I've tested, and there is output there! Sounded a bit weak, and building a preamp would be more work than seems practical... but it's an option...
SO anyhow, 3 questions about the HC7 -
1. does the x.v. colorspace add anything to the capabilities in edit - the rep indicated Vegas7 supports the extended colorspace and it seems to me this could be a HUGE advantage - more info in, at least theoretically should equal a better output? Sort of how HDV footage output to SD beats footage shot in SD. Anyone dump some footage shot with the xv color yet, and does it look "better"? Spot? (BTW - that Swoop and Hook jump shoot footage was just NUTS!!!)
2. I see the 7 uses a battery that looks like the FP series (and apparently will share SOME chargers), but carries a "FH" designation - ANY chance the FP series will run this cam, since I've got several extended batteries for my 3... Anyone have both (FP battery and HC7) and want to try to stuff one into the slot and see if it works? Or did Sony build in an extra couple hundred profit with a new battery format...
3. Last question... this one is probably the real tough one. Happened across a couple HCB sports packs on the cheap, making the HC3 an "all weather" and shallow dive cam... since the 7 is almost identical in size, I'm pretty sure it will "fit", BUT... the 3 interfaces with the sport pack electronics/controls through the "d" shaped jack that the cam uses for composite output (lots of interesting things going on with that jack including an external mic input!). I know the similar jack on the HC1 won't function with the HCB... anyone have a 7 and and HCB sports pack, and does the pack work with it? Anyone have the serive manual for the 3? Sony posted the SM for the 7 the other day, haven't had a chance to look at the jack in detail...
The HC7 looks like a nice upgrade - I presume from the comments that the video quality is a step up from the HC1 and HC3, and being a gadget hound I am always looking at the next cool thing, but trying to judge the overall cost of upgrading - the answers to 2&3 could be big budget busters <wink>!
THX
Dave